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music video | Zikoko!
  • I Watched Kcee’s “Ojapiano Remix” Music Video, So You Don’t Have To

    Kcee released the music video of his Ojapiano remix with One Republic in March 2024, but that isn’t the gist. The gist is that the Nigerian singer said he spent $150,000 (approximately ₦212 million) to bring the video to our screens.

    ₦212 million is not small money, so we had to watch this visual to see why it costs more than an average Richard Mille wristwatch.

    Let’s get into it.

    The video opens with a bull skull, which I took to mean two things: a ranch or a “danger zone”. The next scene proved my first theory because it featured a bunch of idle cowboys and cowgirls with hard faces.

    The frowning cowboys and girls stare at Kcee as he drives into their area, comes out of his car and presents an old tube vintage TV set to a guy who looks like the ringleader of an upcoming cartel. 

    I thought I was about to see a drug deal for a moment, but instead, the guy turns on the TV and “Ojapiano remix” begins playing supernaturally. I say “supernaturally” because the TV isn’t plugged into any source of power known to man. As if that isn’t impressive enough, the old-school (AKA black and white) TV starts showing Kcee and Ryan Tedder in very bright colours.

    After a few seconds, the others gather to watch, and some take dancing positions.

    At this point, I’m confused. One Republic isn’t a country music band or group of cowboys, so why is Kcee meeting cowboys? 

    Also, the white folks watching Kcee on the TV are on one side, but the all-black women dancers remain on the other side. The reason for this segregation is unclear. But let’s move on.

    In the next scene, Kcee appears in a stable. But he’s the only one there. Where are the horses? If they wanted a stable scene so badly, why didn’t they make it look finer in a “too-good-for-horses” way. I mean, they had$150,000 to spend.

    The video continues with Kcee and the dancers dancing and dancing. The others watching the performance on TV did so for the remaining two minutes of the video until the music video ended abruptly. 

    I have so many questions, but the one that confuses me most is why Kcee presented the TV  to the cowboys. What did that symbolise? 

    For a song about being a boss man and money spender, the “Ojapiano remix” music video feels more like a lacklustre countryside adventure. Maybe the $150k included his flight costs to America because nothing else in the visual supports that claim.

    I’ll conclude by saying: “Ojapiano” should have been left as it is —a street anthem without 18 seconds of Ryan Tedder’s vocals and its overpriced music video.

    I Endured Tacha & Omashola’s “Chiwawa” Music Video So You Don’t Have To

  • I Endured Tacha & Omashola’s “Chiwawa” Music Video So You Don’t Have To

    In my opinion, Big Brother Naija Season 4, AKA Pepper Dem 2019, was the most dramatic of them all. 

    At the peak of the chaos, Tacha and Omashola had their famous fight in Biggie’s house, and viral music producer and content creator, Lord Sky, flipped the video clip to audio, laid it on an Ogene beat and turned into a banging mp3.

    In 2020, Omashola, Tacha and Lord Sky brought some more housemates and friends together to do a music video for what Lord Sky had made. Money that could’ve been spent on COVID-19 palliatives for the poor was lavished on an abuse fest movie.

    https://twitter.com/TheLenny_/status/1694628390626545777?t=I6tfZpC5qhrduw-_D1bsrQ&s=19

    Lord Sky owned the song; Omashola and Tacha were just sample characters on the beat. So how did it get credited asOmashola’s song featuring others?

    P.S: “Chiwawa” is the song title and it’s just Nigerian for “Chihuahua”.

    Anyway.

    If you didn’t already know you shouldn’t take this song seriously, you’d know from the beginning of the video.

    Do I even need to say why?

    I can’t tell if this is a high court or a circus. But they’re in a court of law. Are the balls on the judge’s table there to signify that “the ball is in his court” regardless of who’s actually guilty?

    Instead of a mock dock, maybe Omashola should be in an actual court to answer for all the ridiculous outfits and photo shoots he litters his socials with.

    Don’t even get me started on the fake Navy officer who can’t tell a court setting from the air force. Or this restless court clerk.

    Then comes Lord Sky. We know he was the producer, but why is he cooking in a court? He even brought his piano and Yamaha H8 studio monitors along. Why?

    The song finally starts playing as Omashola and Tacha take their oaths. And we see that the video casts Nasty Black as a lawyer, only he’s holding a goat.

    I’m not really surprised to see a goat in court because only stubborn people get dragged there anyway. 

    Next, someone strolls a Chihuahua dog to the front. Confusion gets me for two seconds, then it becomes clear. Remember the animals Omashola and Tacha called each other during their classic fight back then? They’re about to have a refight through an actual goat AKA Lil Sholzy, and Chihuahua AKA Little P Bites.

    Little P Bites can fight.

    The court audience is shouting, but it’s not clear if they’re rooting for any of these fighters.

    Tacha, a defendant in the dock, is quietly thinking what in the fooling is going on. Omashola, a co-defendant obviously not conforming to court rules, is the one taking centre stage and causing drama. 

    Screams of “Barking dog, Chihuahua, nkiti, nzobu and anofia” mix smoothly with Lord Sky’s beat banging in the background.

    A human fight breaks out finally as lawyer Nasty Black puts his finger in the presiding judge’s eyes while his client, Lil Sholzy, sprays documents in the air. 

    Tacha’s calmness ends, and “She-goat, Chihuahua, anofia” is thrown left and right.

    Some of the audience are only there for the entertainment and are getting what they come for. While others focus on their female counterparts, ignoring the foolery around them.

    In the midst of the chaos, a dance talent show breaks out. Three guys in shine-shine clothing do a funny routine. Nasty Black and the reigning face of misogyny, Seyi Awolowo, join in.

    Female dancers aren’t left out.

    The judge joins the circus.

    Lord Skye knows the abuse fest won’t end until he calls his guys to set-up to entertain with music.

    When Lord Skye begins playing, the spirit of unity falls on everybody. Fight ceases, and they all become cordial.

    Lil Sholzy finally escapes and Nasty Black runs after it.

    Tacha and Omashola give each other a hi-five and become best friends forever.

    The video ends with a message on the screen as Omashola admonishes Little P Bites to stop tensioning Lil Sholzy.

    I want to use this medium to thank Lord Skye for being an incredible pacifier, even though he cooked the video clips into a viral hit in the first place.

    Thanks to the fighters, Tacha and Omashola, too. Finally, the two adults can rest from calling the names of animals in English and local tongues.

    Okay, enough reaching for today.

  • The Sarz Academy Threw The Coolest House Party in “Jam One Kele”

    On July 9, 2023, Sarz released the music video of Jam One Kele. The single is off Memories That Last Forever 2 (MTLF2). The single Jam One Kele features singer-songwriters Gimba, MillyMay_Pod and Fxrtune.

    Hol’up. What’s MTLF 2?

    Memories That Last Forever 2 is a fifteen-track follow-up project to the well-received first volume that came out in 2020. MTLF 2 features the students of the third set of The Sarz Academy; producers and singer-songwriters like Gimba, Syntiat, Pj Star, Charmaine ‘L A and Perfext, and executively produced by Sarz. The compilation boasts of other singles like Body Wicked and Good To Me, and it’s out now and streaming on all platforms.

    Jam One Kele: the Party

    Nigerian cinematographer Perliks directed and shot the music video. In it, a house party runs from evening till dawn, and these are our favourite things about it.

    The “agbado era” reminder

    The first scene captures a guy’s encounter with a corn seller, to subtly remind us that no matter how much fun you’re looking for, it’s the agbado era. Everything is now cash and carry; no freebies.

    Hot babes and guys everywhere

    The house stayed packed with hot babes and guys, talking, drinking, smoking and grinding bodies together. As Gimba sings about a kele (or baddie) he met at a party the night before, everyone’s just moving around, having fun.

    Herbal drinks available

    Fxrtune appears next to brag about the large sum he spends with his guys in the club. While this is happening, a young local herbal drinks seller climbs the stairs to serve people.

    At a Gen-Z party? The only explanation is that some fornication is about to go down, and we’re here for it.

    The energy gods

    When you see guys with high energy at a party, you know it’s a hit. 

    Nothing comes free here

    MillyMay_Pod smoothly entered the second verse to drop his own gist about a babe he liked at the party. But why is there a POS transaction in this scene? What are they buying and selling?

    A guy in his underwear?

    This grown male adult was caught in nothing but a pair of boxer briefs, rocking a babe at a public function. What outrageous level of konji is this? 

    The fun and stress-free vibes

    The party goes on smoothly, and everyone is having an amazing time, looking free and comfortable despite the agbado reminder. Meanwhile, the three singers spend the rest of the beat repeating how they jammed one “kele”, and she gave them great vibes. 

    The video ends as the party ends and morning comes. The guests begin to wake up and leave, but the artists still won’t stop going on about the “kele” they met. 

    The olodo guys are so mesmerised, they forget to ask the babes for their numbers. But at least, they sang well and had fun. That’s all that matters.

    Memories That Last Forever 2 is out now on all DSPs.

    READ: Sarz Is Cultivating Future African Sounds

  • I Made Sense of Tiwa Savage’s ‘Stamina’ Music Video So You Don’t Have To

    Ever since Tiwa Savage came out and told us Somebody’s Son is a gospel song, I haven’t listened to any of her songs without thinking long and hard about what they might actually mean. So when the video for Stamina dropped, a light bulb went off in my head, and I finally knew this was what the song was REALLY about.

    The beginning of the video looks like what you’ll see while trying to pick your Mortal Kombat character.

    “She’s a runner, she’s a track star”

    The song starts, and it might feel like Tiwa Savage is going on about someone needing stamina and asking them to come closer, so she can know they’ve got her.

    But just take a look at her,

    Her eyes are shining like that because she’s trying to use her hypnotic powers on her enemies

    She’s actually telling them they’ll have to be really strong to fight her, and she can deal with them, but she won’t do it without their permission. Which is why she says, “oya raga mo mi now”.

    The god of strength,Young Jonn, responds to her, but instead of addressing the issue at hand – Tiwa asking to beat the shege out of him – he tells her to clap for herself, because all her threats sound like goody-goody to his ears.

    Now, I don’t know if he’s being serious or calling her bluff. Either way, I just need to know, when will the gidigbo I came for actually start? 

    I want to see Tiwa sending thunder to strike somebody while Ayra Starr runs circles around another person, but at this point, I’ll take them arm wrestling. Someone sha needs to make an actual attempt to squash this beef.

    Like me, Ayra Starr is tired of dancing around the matter on ground and starts her verse by making it very clear; she’s been checking her calendar and can’t wait forever. They should jiggy jagga, engage in gidigbo, have a 1-on-1, anyhow they want to put it, let the fighting start.

    But she doesn’t stop there. She’s been waiting ages for this fight, so when she starts mentioning all the fighting techniques she has in her arsenal, like the sexy Kung Fu and the tango for two, I can see where she’s coming from.

    Young Jonn sings the chorus again, but this time he’s in Hades mode and now I fully understand it.

    Remember how he was dressed in white the first time, and was trying to flirt his way out of a war?

    Honestly, I too would succumb to similar tactics if Tiwa Savage AND Ayra Starr threatened to drag my ass to war.

    Well now it’s his turn to threaten the two goddesses as per, don’t think because I’m smiling with you, I don’t have strength, things can turn left real quick.

    The video ends with Tiwa Savage in the Garden of Eden.

    They look like flamingos

    Please, don’t let this confuse you. Just know she’s showing off her army to her enemies and reminding them one last time that although she’s a soft-life goddess, if they make her leave her garden, they will see the back of their heads.

    Okay, now I’m done reaching.

    GET YOUR TIX HERE
  • QUIZ: Make a Music Video, and We’ll Give You a BBN Alumni To Feature on Your Song

    Take this quiz, and we’ll tell you if Erica or Laycon would be a perfect fit for your song.

    RECOMMENDED: How to Watch BBTitans and Retain Your Sanity

  • All the Artists Blaqbonez References in His “Back in Uni” Music Video

    As crazy as Blaqbonez is, nothing prepared me for the visuals for his new single, Back in Uni. From recreating Asake’s grills and signature blink in the Bandana video to Wizkid’s Bad to You floral cover art, no one was safe from Blaqbonez in this video. 

    Check out all the artists Blaqbonez referenced in the music video for Back in Uni

    Oxlade in his Colors Studios Ku Lo Sa video 

    Are you really doing the #KuLosaChallenge if you don’t have a green screen and a sleeveless leather jacket? Blaqbonez has raised the bar and I can’t help but stan. 

    Asake in Fireboy DML’s Bandana music video 

    There’s a high chance Asake never saw this coming

    Ruger’s sexy Snapchat video 

    From the pink hair to the eye patch and lipstick stains on his singlet, it’s safe to say Blaqbonez nailed his recreation of Ruger’s Snapchat music video look. 

    Burna Boy’s Dazed magazine cover 

    If Burna Boy and Blaqbonez approve of trousers like this, who are we to say no? Maybe it’s time to call my tailor. 

    Ayra Starr’s swimming pool and blonde wig from the Rush promo video 

    The only thing missing from this look is Ayra Starr’s bayangs. But still, I’ll give my guy, Blaqbonez a strong B for effort. 

    RECOMMENDED: Ayra Starr Is Just Getting Started

    Wizkid’s Bad To Me cover art 

    Even Wizkid that doesn’t like stress chop stray bullet? Blaqbonez is a menace and it’s giving me life! 

    Ruger vs BNXN beef 

    The part of the video where he asks fake Ruger and BNXN to share their video vixens is funny and petty AF!

    Carter Efe’s powder look  

    Let’s hope this video doesn’t get removed from YouTube the way Carter Efe’s Machala disappeared that time like a thief in the night. 

    Portable’s writing process 

    God abeg o! Who go help o? 

    ALSO READ: The Ultimate Nigerian Music Video Starter Pack

  • Coca-Cola Powers The Ginjaaah In New Music Video With Mayorkun

    Coca-Cola released Ginjaaah Your Flow, an uplifting song in collaboration with Mayorkun a few weeks ago and the reception has been off the hook! It is still Ginjaaah O’Clock as the trendy song now has an exciting music video.

    The video featuring Mayorkun, Izzy Odigie, LordSky, Priscilla Ojo, GGB Dance Crew, Diana Eneje, DJ Abba and Josh2Funny, was unveiled with a launch party to thousands of Coke lovers in Lagos and Abuja on Sept 10th and 11th respectively and live-streamed on social media.

    In the entertaining video, Mayorkun excitedly performed the Ginjaaah Your Flow dance choreographed by Izzy Odigie, a follow-up to the trendy Coca-Cola dance challenge generating thousands of entries on Instagram and Triller.

    “Ginjaaah”, Coca-Cola’s urban representation of the word “Ginger”; means to liven up. It is a word of encouragement used by Coke lovers to inspire themselves to cheer up and get in the flow. The refreshing Ginjaaah of Coca-Cola enables you to be in the moment and turn whatever dull moment life brings, into positive energy. After all, sipping an ice-cold Coke is often the first step to unleashing the Ginjaaah in you!

    To learn more about Ginjaaah Your Flow, follow Coca-Cola Nigeria on Instagram and YouTube. You can also follow the hashtag – #GinjaaahYourFlow

    Watch the Ginjaaah Your Flow music video here.

    [donation]

  • 10 Nigerian Directors Pick Their Favourite Music Videos Of 2019

    2019 has delivered some really great Nigerian songs, accompanied by equally impressive music videos. So, with the year coming to an end, we decided to ask 10 of our favourite directors to pick which Nigerian music video stood out to them the most.

    Meji Alabi on Fireboy DML’s “Jealous”

    Meji Alabi, the genius behind Tiwa Savage’s career-best “49-99”, picked the video for Fireboy DML’s breakout hit, “Jealous”, which was shot by Director K.

    About why he likes it:

    “I like the feels it puts you in. Those relatable moments mean a lot to me in music videos.”

    Seun Opabisi on Burna Boy’s “Dangote”

    Seun Opabisi, one half of the directing duo behind Ladipoe’s “Jaiye” and Rema’s “Bad Commando”, picked the video for Burna Boy’s “Dangote”, which was shot by Clarence Peters.

    About why he likes it:

    “In so many ways, this video is a depiction of what ‘Hustle’ means in present-day Nigeria. We do a lot of finger-pointing when we’re all playing a role in its demise.”

    Kewa Oni on Prettyboy D-O’s “Pull Up”

    Kewa Oni, one half of the directing duo behind Ladipoe’s “Jaiye” and Rema’s “Bad Commando”, picked the video for Prettyboy D-O and Santi’s “Pull Up”, which was directed by Ademola Falomo.

    About why he likes it:

    “D-O’s presence on and off stage has always been very intense, and it’s so great that Demola made a grimy video that captures that.”

    Prodigeezy on Tiwa Savage’s “49-99”

    Prodigeezy, the director behind Falz’s Headies-nominated “Talk” and Burna Boy’s “Killin Dem”, picked the video for Tiwa Savage’s “49-99”, which was directed by Meji Alabi.

    About why he likes it:

    “Meji is easily one of my favourite African directors, but his work on “49-99” was just exceptional and flawlessly executed.

    I particularly like it because of the audacity and scale of the idea. From my experience, it’s very difficult combining social messaging and entertaining visuals, but he pulled it off.”

    TG Omori on Tiwa Savage’s “49-99”

    TG Omori, the director behind Naira Marley’s “Am I A Yahoo Boy” and Teni’s “Billionaire”, also picked the video for Tiwa Savage’s “49-99”, which was directed by Meji Alabi.

    About why he likes it:

    “Honestly, I think the art direction is just beautiful. It’s really close to my kind of vibe.”

    Ademola Falomo on BOJ and Tiwa Savage’s “Your Love”

    Ademola Falomo, the director behind Rema’s “Dumebi”, Tems’ “Try Me” and Prettyboy D-O’s “Pull Up”, picked the video for BOJ and Tiwa Savage’s “Your Love”, which was shot by Director K.

    About why he likes it:

    “Director K is easily my favourite director at the moment. The cinematography of “Your Love” is everything.

    I love the minimalist approach and the attention to details. Every single frame in that video can be used as a picture”

    Chukwuka Nwobi on Lyta’s “Monalisa”

    Chukwuka Nwobi, the director behind the videos for Sarz and WurlD’s “EGO” and “MAD”, picked the video for Lyta’s “Monalisa”, which was shot by Director K.

    About why he likes it:

    “The camera movements are so smooth and cinematic. I loved the idea of isolating two individuals in a huge space and focusing on them, all while telling a love story.

    I also really liked the wide frame shots. I think it’s good to take a step back and appreciate everything that makes the frame what it is.”

    Seyi Akinlade on Ladipoe’s “Jaiye”

    Seyi Akinlade, the director behind Prettyboy D-O’s manic “Dey Go Hear Wehh”, picked the video for Ladipoe’s “Jaiye”, which was directed by Seun Opabisi and Kewa Oni.

    About why he likes it:

    “A lot of the elements were just so well-though-out and put together, without ever outshining the artist.”

    The Alien on Ladipoe’s “Jaiye”

    The Alien, the director behind BOJ, Ajebutter22 and Falz’s “Ronaldo”, picked the video for Ladipoe’s “Jaiye”, which was directed by Seun Opabisi and Kewa Oni.

    About why he likes it:

    “The video was amazingly executed. From idea and production design to cinematography and colour grading, everything was just excellent.

    It made me feel sooo good. No jokes, I remember watching it more than 100 times the week it came out.”

    Daniel Vintage on Ladipoe’s “Jaiye”

    Daniel Vintage, the director behind Kizz Daniel’s ode to Lagos, “Eko”, picked the video for Ladipoe’s “Jaiye”, which was directed by Seun Opabisi and Kewa Oni.

    About why he likes it:

    “The aesthetics and visual direction were pretty dope. From the locations to the styling, you can tell they did a lot of proper mind mapping.”

  • #Watchlist: Prodigeezy On Directing Burna Boy’s “Killin Dem”

    For creators, inspiration can be found in the most unexpected places. That’s why we created #Watchlist — a series that asks Nigerian video directors to list the most interesting things that influenced their creative choices while shooting.


    The most essential Nigerian star of the past two years, Burna Boy kicked off 2019 with the clip for his Zlatan-assisted gem, “Killin Dem”. While the song actually dropped in 2018, the dynamic video helped turn the banger into one of the year’s biggest hits.

    So, as the video just crossed 20 million views on YouTube, we decided to talk to Prodigeezy, the Headies-nominated director behind it all. Driven by a desire to make “the greatest Zanku video ever”, here’s how he put together one of 2019’s most unforgettable clips.

    On main inspiration:

    When we got to set, I remember saying to Wande Thomas, the producer of the video, “This has to be the greatest Zanku video ever”, and it turned out to be exactly that.

    Inspiration always starts with the song. It creates a visual universe you can explore. “Killin Dem” inspired the overall mood of the video, influencing location, choreography, directing and cinematography decisions.

    On the intended effect:

    I wanted to create something epic for the Zanku culture. The song had only been out for a few days, but I knew it had the potential to be one of the biggest Zanku songs ever.

    It needed to have a video that would equally represent, and my vision was for people to see images and frames from the video each time they heard the words “Gbese” and “Zanku”.

    On visual references:

    The visuals were inspired by photowalks I had taken around that location a while back. Lagos island is one of my favourite places to shoot because of its authenticity — a seamless blend of the old and new.

    It definitely matched the energy of the collaboration and was a no-brainer. As far as influences, Adriaan Louw’s work with Major Lazer created an interesting palette which we borrowed some elements from.

    A picture from Prodigeezy’s photowalk

    Major Lazer and Burna Boy’s “All My Life”

    On casting and performance references:

    The style choices in the video were influenced by the fusion of afrobeat and hip-hop dance culture. As for the performances in the video, everyone was just matching Zlatan and Burnaboy’s energy.

    On oddest influence:

    The harmattan. It’s my favourite season of the year, and it was still dry and windy when we filmed. It must have subconsciously influenced parts of the creative process. Not sure which parts, but it did something for sure.

  • The news of Banky W and Adesua Etomi’s engagement quite literally broke the Internet.

    It got all of us in our feels.

    Then he wrote a song for her and everyone thought it was absolutely beautiful.

    Now the video for that song is out and it is a guaranteed tear-jerker.

    See ehn, you wee cry…or at least feel like crying.

    Seriously, if you don’t have a boo before watching it, you’ll start to look for somebody to love.

    If you do have a boo, you’ll start to wonder why he isn’t romantic like this.

    If you have a boo but he’s also someone else’s boo, you’re on your own.

    If you’re a guy, you’ll start to cry because you know Bros Banky just set the bar veeery high.

    Really, you might want to grab a box of tissues or your mother’s wrapper before watching this one:

    We can’t wait to see more of Bubba and Susu, here are five reasons why:

    https://zikoko.com/list/5-reasons-why-we-cant-wait-for-the-wedding-party-2/
  • This producer made a video for Young Thug’s single ‘Wyclef Jean’, without Young Thug. How? Young Thug was proving strong head and decided not to show up for the shoot. Ryan Staake, the producer, had no choice but to shoot and cut the video without the musician in it, But it’s still a pretty neat video, right?

    This video cost about $100,000 to make, and the musician never even turned up.

    But the video turned out okay in the end.

  • 1. When the music video starts and you hear “You know what it is! It’s your boy”.

    Sorry sir, we don’t know oh! Who are you?

    2. When the musician starts talking at the beginning of the video in one fake Americana accent.

    From where to where oh?

    3. Regardless of the subject matter of the song the video is full of girls shaking their bodies.

    Is it by force to do jiggi-jiggi music video?

    4. When the artist is wearing leather jacket and hoodies inside Nigerian heat.

    “Sorry! Excuse us sir, who are you deceiving?”

    5. When all the love interests are light skinned girls.

    Wow! What a coincidence!

    6. When you see Lekki-Ikoyi bridge for the one millionth time.

    Is this the only bridge in the whole of Nigeria.

    7. When the video has a Nollywood “glory be to God” style ending.

    Na wa for jagga jagga storytelling.
  • Drake Is Currently Shooting A Video For ‘One Dance’ But Wizkid Is Nowhere To Be Found
    Yas!  Drake is currently  in South Africa to shoot the music video for his One Dance single!

    That didn’t stop him from speaking to South African youths at the Nelson Mandela Centre of Memory.

    He shared this picture of popular South African dance crew, Material Culture, and it means they may appear in the video.

    So many fans came through to take pictures with Drake behind the scenes of the video but we have few question…

    Abeg where is Wizkid?

    Or are they fighting?

    Maybe Wizkid’s part in the music video is being shot secretly.

    Maybe he’s just the one taking all the pictures.

    Because if he doesn’t appear, the ela will pain many of us sha.

    Because the people who don’t believe Wizkid actually sang in One Dance will never be convinced.

  • We Watched Rihanna’s Work Video and This is What We Think

    Riri has a new video *grabs, popcorn, fan and anointing oil*

    Because the teaser was straight fire abeg.

    1. See her swags! Oh baby girl on pink jacket!!

    Nah, Rihanna is always on point.

    2. Hay God! She has started with adult butterfly! This is gonna be a deadly video.

    3. Eleyi ma fa Igbo. Riri don’t follow bad friends oh!

    *This one is smoking weed*

    4. Isn’t that floor dirty?

    Fine girl stand up, don’t dirty your cloth please.

    5. These people can throw correct party! See barbeque!

    6. Oh boy, they are nearing themselves oh!

    7. They have now fully neared themselves!

    Oga Drake, what is 16 + 6?

    8. Ah it’s 2 videos?! *cries in coconut oil and shea butter*

    What have we done to deserve this blessing?

    9. HA! Omolomo is not wearing complete cloth oh!

    …and look at how Drake too is just sitting in the chair! He will not even offer her jacket in case she cold.

    10. WAIT! Who stole the balance of her skirt?

    Shame to bad people. She still looks spicy, your plan did not work.

    11. It’s like uncle is having cough at the back.

    Us too sir. Us too…

    12. She is now looking directly at me and the answer to anything she asks me is “yes ma”.

    Yes mother, I am here for you.

    13. This guy needs to leave, he is talking too much! Ah!

    It’s kuku good that your part in the song is short.

    14. She is still looking at me oh!

    I’m coming ma, let me just bath and wear shoe.

    Nah, that video left us like…

    Anyway, enjoy the videos as we have enjoyed the videos