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Makoko | Zikoko!
  • “I Cannot Leave His House”: The Horrors of Bride Kidnapping in Makoko

    “I Cannot Leave His House”: The Horrors of Bride Kidnapping in Makoko

    On the morning of May 27, 2023, 27- year old Amanda Fernanda packed her bags and left her home in the Benin Republic for a “relative’s” house in Makoko, Lagos. 

    She had just graduated from culinary school and felt she’d have more exposure and richer clients in Lagos. Her father advised that her “uncle”, a skilled caterer, would be the best person to train under. 

    Little did she know that she would never return home again. She was sent to Lagos not to be trained—but to be the third wife to a husband she didn’t know. She also didn’t know the relationship between her father and this man. As far as she was concerned, she was living with a stranger.

    We sat opposite each other in a canoe on the murky, polluted waters of Oko Agbon Waterfront Community, Makoko, where she told me about her experiences as a “wife in hostage.” Amanda even had to cook up an excuse to leave her home and speak with us today. 

    Stock photo of Nigerian girl [UNICEF Nigeria/2017/Sokhin]

    Wearing sadness on her face, Amanda shares, “From the moment I discovered that I was a wife and not a relative, I have been struggling to return home. The man that calls himself my husband has vowed that I cannot leave his house since he spent money on my head. And knowing who he is, he can scatter the whole of Lagos to find me.”

    Aside from being an unchained prisoner in her ‘marital home’, Amanda complains about her husband’s treatment (of her) as a housemaid, the two senior wives and their cruelty, and the inability to access essential needs like food and water. 

    “I am the one that cooks and cleans for everyone in the house, but I am not allowed to eat their food. My husband says that my father has collected money from him. Hence, he doesn’t have the money to feed me. Even the dress I wear today is from my neighbour, not mine.” 

    Before Amanda can eat a meal now, she has to wash plates at local restaurants in exchange for money, ranging from N700-N800.

    “I don’t know anyone here. I need someone that can give me enough money for transport to find my way out of here back home,” she cried.

    “I escaped from his house after three days”

    Unfortunately, Amanda isn’t the only victim of bride kidnapping in the community.

     A 25-year-old lady named Gael also suffered a similar fate in June 2023—but “escaped from his house after three days.” 

    She currently resides in the Baale’s (community leader) stilt house on the water, where we had the chance to speak with Gael about her experience. 

    Gael, who has only been educated up to the junior high school level, was helping her mother sell female clothes when the incident happened.

    With a furious voice, she narrated, “That morning, she sent me out of the shop on an errand. Five men ambushed me on the way and shouted, “This is our wife!” They hijacked me from the road and took me to my “husband’s” house. I’ve never seen or heard of this man before that day.”

    During her stay, she blatantly refused to eat, shower or have a change of clothes. For her, she’d “rather die” than be kept “captive in a man’s house” under the guise of marriage. When she ran away, she had N8,000 in her pocket, which she used to buy new clothes for sale.

    “Even if I wanted to get married before, I see no reason to do that now. I can’t live in Baale’s house forever and risk this kidnapper finding me. I rather focus on getting enough money through my business and get out of this community.”

    A Culture of Bride-kidnapping in Makoko, Lagos

    Bride kidnapping, also known as marriage by abduction or marriage by capture, is a practice in which a man abducts a woman for marriage. It also falls under the category of forced marriage, as the bride is unwilling to get married to the man in question.

    According to a 2020 United Nations Office on Drugs and Crime (UNODC) report, only a small proportion of cases of forced marriage come to the attention of police, with very few convictions. Women and girls affected by such crimes usually find it challenging to seek help and speak to authorities for fear of stigmatisation.

    2023 will not be the first time the Oko Agbon community will experience bride kidnapping, as it is an ancient culture in the region.

    In fact, there have been over twenty reported cases and many other unreported issues in the area over the last five years, according to Chief Hungbeji Daniel, the Baale of Oko Agbon Community.

    Chief Hungbeji Daniel, the Baale of Oko Agbon Community. [Blossom Sabo/Zikoko Citizen]

    The Baale says, “In 2011, the Lagos State government came to Oko Agbon and threatened to demolish the houses here if the bride kidnapping issue still continues. That’s the only reason why there aren’t as many cases as there once were before. And even then, we are not told of many cases.”

    But despite this warning, the issue of bride kidnapping persists in the area. “Police and human rights organisations have come here countless times to threaten the people to stop this act, but it still continues. It’s so bad now that even when parents report these cases to the police, nothing is done. It’s almost as though we are on our own,” Baale shares.

    One such parent is Pellagi Wenu, a 65-year-old single mother who has not set eyes on her daughter, Paula, since February 2023.

    Pellagi Wenu, the mother of Paula, a lady who was bride kidnapped [Blossom Sabo/Zikoko Citizen]

    According to Pellagi, Paula, a graduate of medicine, “just disappeared” on February 12. The man who abducted her later sent his parents to reassure her of her daughter’s safety, but she’s still not at peace. She wants to see her daughter again, as well as the man who has taken her.

    With a sad demeanour, she says, “I hear my daughter on the phone every week, and she sounds like she’s doing okay, but this isn’t enough for me. I want to see my daughter again. And the man calling himself her husband should introduce himself to the family, not hide his face away.”

    Is anything being done to stop this? 

    When Zikoko Citizen went to Adekunle Police Station, Panti, to inquire about these cases, the Superintendent, Joseph Peter, demanded a “tip” of N10,000 to release records of the incident. We refused to oblige.

    We also called Comfort Agboko, the Lagos Zonal Commander of the National Agency for Prohibition of Trafficking in Persons and Other Related Matters (NAPTIP), but she insisted that “our case was for the police, not them.”

    What needs to be done to save the bride-napped girls?

    Amanda and Gael, through Baale Hungbeji, have reported their cases to the police station in the Adekunle region, but they have yet to receive feedback.

    And just like these two girls, several other reported issues of bride kidnapping in the Oko-Agbon community are yet to be resolved. These girls are calling to you for help. Who will save them?

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  • “I’m Wary of Clients Who’ll Stress My Life” — A Week in the Life of a Video Producer

    “I’m Wary of Clients Who’ll Stress My Life” — A Week in the Life of a Video Producer

    A Week in the Life is a weekly Zikoko series that explores the working-class struggles and victories of Nigerians. It captures the very spirit of what it means to hustle in Nigeria and puts you in the shoes of the subject for a week.


    The subject of today’s A Week in the Life is Efe Edosio, a video producer. His work involves planning, implementing and supervising all of the elements of a video project. He tells me about having to dial back on his creativity with difficult clients and what it’ll take to get him to 10/10 career satisfaction score. 

    Graphic design of A week in the life of a Video producer

    MONDAY

    Mondays are pretty chill for me. I wake up at  9 a.m., and I’m glad I don’t have to get up and go. I even call my friends who have nine-to-fives and remind them that I’m at home while they’re at work. 

    But I do have to work. I like to describe myself as a visual storyteller with a focus on video content. My Mondays are for admin work. I have meetings scheduled with my editors from 10 a.m. till noon. In these meetings, we set the tone of work for the week. We assess the videos that were shot over the previous week and decide on things like post-production processes and delivery timelines.

    I’m a freelancer who has built a network of clientele, so I get all my gigs from referrals. This means I also have to report to clients and stakeholders directly. After the editorial meeting, I meet with clients and go over the projects with the information from the discussion with my editors. 

    Today, I finished all my meetings at 1 p.m. and was free for the rest of the day. Last week was really stressful, and I’d spent the weekend working. Since I was free, I decided I needed a real break, so I went to Landmark beach and relaxed for a couple of hours, taking in the sights and de-stressing.

    By 6 p.m., I booked a cab and headed home, but the two-hour traffic from VI to Iwaya almost destroyed all the relaxation I’d gained during my time-out. Still, I managed to get home in high spirits. I cooked myself dinner, watched a movie and went to bed.

    TUESDAY

    The hardest part of my job is having to cut down on my creativity just to meet clients’ expectations.

    As a creative video producer, here’s what happens when I’m in talks with clients. I’m building up the story and the angle I believe is the best way to tell the story that the client wants to be told. My creative juices are pumping, and I’m excited about the project. Then the client comes in and is like, “Noooo. We don’t like this angle. Can you do it like this?”

    Having to bend my creativity to suit clients is usually hard, but the client is king, and I have to find that point where my creativity and the client’s expectations complement each other. That way, I’m delivering what they want in the most creative way possible. But some clients are indecisive and keep changing things. Like today.

    The client had agreed with my ideas and direction, and we had gone into pre-production on their ad. Midway through shooting, one of the founders came on set and said, “Yeah, I don’t think this should be like this. I don’t think this’ll work.” And in my head, I was like, “What the hell?” This is something we’d already agreed on with his team. We were all on the same page, so where’s all this coming from? I was in the middle of doing what they wanted. 

    A lot of people underrate how much work is done, and how expensive it is to produce a professional video. People also think shooting is the main work, but that’s not true; a lot of work is done during pre-production before we even bring out our cameras.

    But you can’t blow up on your client. I was like, “You know what? Hold on.” I called their team’s liaison who was on set and said, “So, can you run through the plans for us again?” Because the founder’s complaints would have cancelled all the work we’d done already. Some clients do that and don’t want to pay extra, so in this job, patience is really a virtue.

    I eventually sorted things out by going over the initial plan again with the liaison and explaining why the story was being told that way to the co-founder. 

    WEDNESDAY

    During break on set today, I let my mind drift. Last year, I’d seen stories of a child named Ferdinard, who turned out to be a chess genius after being discovered by the Chess in Slums project. I pitched the idea for a documentary and the organisation agreed. 

    Everybody knows Makoko is a slum, but being in the middle of it is a completely different experience. With documentaries, you get the chance to plan things out, but for the most part, you have to go with the flow and follow the story. 

    While in Makoko, I was holding onto my equipment while trying to film and stay afloat on a boat at the same time. I was scared AF. But in the end, it was a lot of fun because I got to tell the remarkable story of the boy genius and showcase these wonderful kids to the world. I had full creative control and was able to document the contrast between where these gifted kids came from and the places they were going. The documentary has been nominated for awards at film festivals and won Best Documentary at one of them.

    THURSDAY

    Today was interesting. I was in discussions with two very different prospective clients. I met the first totally by accident. I walked into their office like a regular customer, and while the business owner was convincing me to patronise her brand, she walked me through the brand story. That’s when it clicked. I liked what she was doing — it was fresh and unique — so I pitched a storytelling angle to her. She loved it and told me she wanted to create a visual story but she hadn’t quite found someone who understood her vision. By the time I walked out of her office, we had agreed to work together, and I know I’m going to enjoy the project.

    But the second perspective client I met? Totally different story. The man underpriced me so badly that if I hadn’t had the encounter with the first lady, he would have ruined my day. I have never turned down a client so fast. People like them will stress your life.

    FRIDAY

    It’s the drive to document culture that gets me out of bed in the morning. I don’t have any side hustle. An ideal future will be one where I’m involved in the most compelling stories coming out from Africa. But right now, I’m content. I can’t think of anything else I’d be doing if I wasn’t visual storytelling. 

    After my meeting with one of my editors today, I wondered what I’d score if I were to rate my career on a scale of one to ten. But I didn’t have to think too long because I decided it’d be a solid eight. When I no longer have to worry about money, I’ll give myself a ten — along with a pat on the back.

    By 6 p.m., it’s TGIF time. I’ll spend my weekend cooking, watching documentaries and movies and relaxing. I’ve earned it. 


    ALSO READ: The Nollywood Screenwriter Who Just Can’t Rest — A Week in the Life


    Hi, I’m Ama Udofa and I write the A Week in the Life series every Tuesday at 9 a.m. If you’d like to be featured on the series, or you know anyone interesting who fits the profile, fill out this form.