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Gods | Zikoko!
  • To the Gods of Our Land– A New Year in Benin

    Every village across the kingdom prepared their home for the sacrifices to the gods; sons and daughters of the soil returned home to celebrate. Just as the white man toasts at midnight to the New Year, the Benins offer sacrifices to the gods of their land; a tradition we uphold each year to welcome a new season with blessings. We call it the Ijue festival: a ceremony for the monarch of the Benin kingdom to perform each year as he honours the loyalty of Ewere into the New Year.

    The procession of the king

    The day started with the chief priest cleansing the palace, as he welcomed the spirits of our ancestors to the throne room. Oba was not to be disturbed until the palace was ready to begin the procession through the village square. Maids prepared the palace for the arrival of guests, as the gong was struck to summon the chiefs of the land into the palace. Servings of kola-nuts were placed in wooden trays to welcome the chiefs as they took their seats as elders around the throne. The chief priest, dressed in garments of red and white, continued to strike his staff with words of incantations to the spirits. 

    Suddenly, a wooden staff thumped on the landing in front of the throne, as a guard cried out “Long live the king” and the chiefs prostrated in agreement saying “Isee.” The Oba walked into the room in an adornment of tribal red beads, and his golden staff—a symbol of the sovereignty of the king. The incantations of the chief priest continued: “Oba is sitting at the table of the gods. Our king is ready to transcend between the heavens and earth to make way for his people.” The king proceeded to the courtyard of the palace to begin the procession. The villagers gathered outside the walls of the palace to join their king in excitement; men left their farms, women left their pots of soups boiling on firewood outside and children abandoned their play in the sand to render praise to their king. 

    As the Oba proceeded, the animals held by the guards were handed to him to be slain at different points to purify the land with their blood. Women dressed in vibrant red beads danced around, as the guards surrounding the king blew the Akpata (Akpata-mamwe)—a wooden harp made of the palm trees from our ancestral shrine—in celebration of the gods. In recognition of a supreme God (Osanobua) that rules over the deities of the Benin kingdom, the monarch is obligated to visit the Arousa church for thanksgiving. He pays homage with bags of rice and goats placed on the alter of the church as the priest prays for protection for the people of Benin to end the day.

    A ritual to cleanse the land

    Very early the next morning, Oba is taken to the bush to cleanse the land of disloyalty (a representation of the disloyal wife of the king called Ugbi). Only the monarch is allowed to proceed into the deep ends of the forest, for the gods do not accept the presence of mere mortals. He is clothed in white garments, and covered with the lines of our ancestors across his back and face. The bush is set ablaze to send the ashes of impurity away from the land. The chief priest then begins the ceremony that gives honour to the loyal wife of Oba; a tradition of restoration once the bush is set on fire. Ewere leaves—a symbol of prosperity, joy, love and equity—are plucked and placed in a bowl and given to the Oba to share to his people.

    Each household returns to perform the Igwe: a personal sacrifice of chickens, cows or goats for the first day of the year. The elder of the home prays over the blood of the dead animal and marks each person with its blood on their forehead. A plate of coconut is also handed to be eaten by the elder as prayers for protection by the gods are offered. 

    The final moments of celebration

    The end of the Ijue festival is marked with a feast across the kingdom. Rolls of hot pounded yam and egusi is served in each home, as music is played with young girls dancing around the kingdom dressed in red. I can almost hear the sounds of pestles hitting against the tender yams in the mortars; women shouting at their sons to hurry up with the pounding as their sisters stirred the soup over firewood. Ijue was a season of love, so children ran from house to house collecting wraps of pounded yam as we celebrated.

    The white man made a mockery of our beliefs in the gods of our land, but our people have held on to this faith thousands of years later. The Ijue festival is a period where loyalty counts and that is what we continue to offer up to our ancestors —loyalty to the Benin kingdom.

    If you’re bored this holiday season, take some Zikoko quizzes to spice up your day.

  • 4 Nigerian Deities That Need Movie Franchises Of Their Own

    Considering that there’s an entire station on DStv dedicated to epic movies, you would think that Nollywood would’ve nailed the art of making them.

    No. No they haven’t.

    If the movie isn’t about going into an evil forest to get some magical MacGuffin to save their village (it was fun the first two times), then it’s about a patriarch’s family members fighting amongst themselves about who gets to succeed him while they wait for him to die.

    They keep making the exact same storylines with different casts even though there’s enough material in our mythology to make whole ass franchises. Imagine it: a shared cinematic universe with gods from the African pantheon as characters. Kinda like 2016’s “Gods Of Egypt,” but not as terrible.

    Here are five Yoruba deities whose stories – if done right – would make entertaining movies.

    *Because a ton of stories exist for each character in mythology, I’ll be picking the stories that’ll work best as movies.

    Oduduwa:

    POTENTIAL PLOT: Before becoming the king of the Yorubas, he and his younger brother, Obatala, were sons of Olorun (god of creation). Obatala asked their father to create a new realm (Earth as we know now it). Olorun is like, “Okay” and gives him a shell full of magical soil to get things going. Obatala actually does the damn thing (creates mountains, valleys etc) but gets distracted when he discovers alcohol and becomes too shit-faced to finish the job.

    Angered by his son’s new status as the world’s first alcoholic, Olorun sends his other son, Oduduwa, to salvage the mission. Oduduwa does this and makes himself king of the city of Ile-Ife and Obatala is not pleased.

    I don’t know about you but I would watch a “Clash Of The Titans” style thing where Oduduwa tries to rule over Ile-Ife in peace while Obatala raises hell every opportunity he gets. And then we get random shots of Olorun in his sky palace sighing and wondering why the hell he didn’t just go do this himself.

    Sango:

    Sango was the third Alaafin of Oyo. He was the second son of Oranmiyan, the founder of the Oyo Empire, and the youngest grandson of Oduduwa. He had three wives; Oba (the first wife), Oshun (the second), and Oya (the third and technically a concubine because no bride price or dowry was paid).

    POTENTIAL PLOT: The third wife Oya was said to be a spirit who had the ability to transform into animals and summon rain. Together with Sango’s thunderbolt, they have many victories together in battle, leading to her becoming his favourite wife and keeper of the thunderbolt. Oba and Oshun become hella jealous. (More on that in the next entry).

    A couple of generals in Sango’s army start moving mad and he decided to show them who’s boss, so he goes to get his thunderbolt from Oya but finds it covered in period blood. (An act of sabotage carried out Oba and Oshun.) Super pissed, he goes to a mountain top to make sure the thunderbolt still works right, accidentally calling thunder so powerful, it destroys his palace AND KILLS HIS ENTIRE FAMILY.

    Ok. He didn’t kill his family. That was me making the story more exciting for audiences (like how Hollywood did with the story of Noah).

    Oba, Oshun, and Oya (Sango’s Wives)

    Some variations of their story say that the first two wives, Oba ad Oshun, were jealous of the third wife, Oya because she was Sango’s favourite. This led to them doing all they could to make life terrible for Oya (and sometimes, each other).

    POTENTIAL PLOT: After Sango brings Oya home and she becomes his favourite, Oba and Oshun vow to frustrate her out of their home. What they don’t know is that Oya is a spirit with special powers of her own. What will follow is a romantic comedy where Oya, after playing nice at the beginning, messes with the other wives in hilarious ways after finding out about their jealousy for her. Will this movie completely fail the Bechdel test? Yes. But what movie does these days?

    A Cross Over Involving Everyone!

    RIGHT?!!

    Imagine an Avengers-style team up of all the gods working together to save mankind from some terrible threat brought about by Eshu (the trickster god) in his quest for power and respect.

    The threat could be titans! Are there titans in Yoruba myth? It doesn’t matter. We can make it work. .