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female artiste | Zikoko!
  • 10 Women in African Hip-Hop that Should Be On Your Radar

    The rejuvenation of Hip-Hop music has been visible across Africa in terms of sound evolution, more diverse styles and unique voices, and newer stories and perspectives. But it’s still redundant in proper representation of some of its contributors—the women in the genre. As popular as this issue is, it won’t remedy itself without intervention from the industry, fans, and the media.

    For this week’s Zikoko coverage of women in pop culture, we introduce ten female artists who’re popping with the Hip-Hop art form, from Nigeria across Africa to the rapping African babes in the diaspora.

    Reespect (Nigeria)

    As you discover Reespect‘s music, keep in mind that you’re getting raps with soul. Human emotions and fragility laid down at her mic check. Although Reespect’s music connects primarily in reflection when noises are dead, and the party’s over, jams like Jungle, Twinkle and Hotline highlight her unboxed artistry.

    Rosa Ree (Tanzania)

    I found Rosa Ree, a Bongo Flava rapper, on my radar after watching her on the 2020 BET Hip-Hop Cypher. Her single One Time is a message and shot sent through the rung of the Tanzanian music industry that women also exist in Hip-Hop. Staying true to her voice and image, Rosa Ree takes a clear stance on I’m Not Sorry (2023). Aside from discussing women’s experiences in her music, she’s skilled to go bar for bar with any challenger. Peep her latest In Too Deep (2024) to catch in her emotional bag.

    Elisabeth Ventura (Angola)

    Elisabeth Ventura is also among the rappers I watched at the 2020 BET Hip-Hop Cypher, and what stood out to me were her switchable flows and breath control. Her music concept prides itself on femininity and her natural hair. In 2023, she teamed up with Cage One to release a collaborative album titled “King Raising a Queen,” on which she explores various sounds like Afropop and Drill and showcases her singing abilities. 

    SGaWD (Nigeria)

    If there’s a popular word to describe the energy that jumps out of SGaWD‘s music, it’d be “hot girl.” Her sound selection, wardrobe choice and choreography are proof of that. Since she left her legal career and released her debut EP “Savage Bitch Juice” (2021), she wields her art form as a unifying tool of comfort, sexuality and the female experience. SGaWD’s music is experimental and the nuanced details of her romance and sex life are enjoyable flows on her list of singles including POPSHIT, Boy Toy, Dump All Your Worries On the Dance Floor and Juicebox

    Eno Barony (Ghana)

    Accessible wordplays, punchlines, storytelling and versatility are the major components that make rap music pop. Eno Barony has all these and has distinguished herself with them. Songs like Wats My Name and Argument Done prove she’s battle-tested. Her women-focused “Ladies First” album exemplifies her hit-making and braggadocious abilities. With significant music awards like the 3Music Award and African Muzik Magazine Awards, Eno Barony sits in conversations with the best rappers in her country.  [ad][/ad]

    Eno Barony may not be a familiar name outside of Ghana, but she’s held down the Ghanaian rap scene as strongly as her male counterparts. Get familiar.

    FEMI ONE (Kenya)

    Straight out of Nairobi, FEMI ONE’style of Hip-Hop style sports, humourous and fire-breathing bars, football references and fun production. From being one of the first female rappers to win the best rapper award at the AFRIMMA 2022 to performing at Boomplay’s Boomfest 2024, FEMI sets herself aside as a wavemaker in Kenya’s music scene. Are you looking to hear something different and fierce in African Hip-Hop? Her albums “Greatness” (2021) and “Dem Kutoka Mwiki” (2023) will serve you.

    Ami Yerewolo (Mali)

    Ami Yerewolo is a conscious artist: check her album titles and lyricism. Gender equality and the fight against violence and oppression are messages in her music. In 2014, she got significant attention with her sophomore album, “Naissance” (meaning “Birth”). The album is considered the first female Malian rap album, and it cemented her as the first female Madinka rapper. Since then, she has made her third and fourth albums, “Mon Combat” (meaning “My Fight” (2018)) and “AY” (2021). In 2018, she also started a festival called “Mali a des Rappeuses” (meaning “Mali has female rappers), giving a platform to younger female rappers on that side of the world. She remains consistent, giving her voice to African rhythms and social causes. 

    Maryama Cham (Gambia)

    Maryama Cham is a rising, diverse artist and activist from Gambian. When she’s not doing soul music or mixing Gambian traditional elements or Reggae, she’s rapping about societal issues like female genital mutilation, climate change and human trafficking. We don’t see a young, cool musician conscious of her world and generations-deep in her ancestral history.

    ZuluMecca (South Africa)

    If you call ZuluMecca a rapper’s rapper, you aren’t wrong. Her grasp on conscious messaging, braggadocious lyricism and emotive topics is outstanding. Get Mecca on boom-bap beats; she’ll deliver head-knocking performances. Put her on trap, alternative or any sound, and it’s a toast for that instrumental. If you’re searching for soulful raps with street confidence and fashionista swag, ZuluMecca says yo.

    Pongo (Angola)

    Although Pongo was born in Angola, she lives in Portugal. Her music is hip-hop perfectly blended with Kuduro (Angola dance music), pop, dancehall and electronic dance music. With a sensitive voice and passion for African stories and her diaspora experiences, Pongo invokes impressive and breathtaking sounds.

    Honourable mentions:

    Odeneho Cannella (Ghana)

    Freda Rhymz (Ghana)

    thellO (Nigeria)

    Deto Black (Nigeria)

    MonaQueen (Nigeria)

    Patty Monroe (South Africa)

    It’s Time for the Women in Nigerian Hip-Hop to Shine and the Gist Is Here

  • 7 Nigerian Female Artists and the Songs That Express Their Truth 

    Creatives often share their life stories and experiences through their art, and musicians are no different.

    Here are seven songs that reveal these Nigerian female artists’ experiences and the emotions they’ve left them with.

    “Loaded” — Tiwa Savage

    Tiwa Savage hopped on “Loaded” with Asake and not only delivered one of the hottest verses of the year but addressed her sex tape. In a country like Nigeria, women are expected to walk humble paths and accept the shame of others. Tiwa Savage’s verse on this song shuts all of that down as she refuses to let the unlawful release of her sex tape take the crown off her head.

    “Charlie” — Simi

    After years of trying to write a song that explains how she’s felt since the death of her father, Simi finally put out this song. From the soft instruments to the raw emotions you can hear in her vocals, “Charlie” speaks on all the events he’s missed, big and small, and the mix of emotions it’s left in her.

    “K’uchi K’uchi” — Jodie

    Jodie waxes lyrical about the birth of her child and the love it filled her with. “K’uchi K’uchi” tells a tale of motherhood, the love and indescribable connection that binds mother and child in the midst of laughter and tears.

    “Olorun mi” — Tiwa Savage

    Tiwa Savage released “Olorun mi” in 2013, a year that saw the death of many notable Nigerian celebrities. The song touches on grief as Tiwa sings about missing the ones we’ve lost, asking God for comfort for the ones left behind.

    “Promise” — Simi

    In the midst of numerous rumours about her relationship status, Simi dropped “Promise” to announce her marriage to Adekunle Gold. The song, just as its title suggests, is Simi and Adekunle Gold promising to love each other and grow old together.

    “Cast” (Gen Z Anthem) — Ayra Starr

    These days, people have termed the younger generation of adults (Gen Zs) as impulsive, strong-headed and uncontrollable. Seemingly in response to this, Ayra Starr dropped “Cast”, the first song off her debut album “19 & Dangerous” in 2021. Ayra sings about the importance of living your life for yourself, ignoring what others might think. She shares how she’s shed the shame of others to live at her own pace. 

    “Duduke” — Simi

    This song is famous for being Simi’s pregnancy announcement. In it, Simi shares the love she already had for her very first unborn child and how excited she was to finally meet her. 

  • The Nigerian Women That Make The Most Lit Parties

    Conversations about women in music don’t happen as often as they should, even though most of these women have proven they’re just as qualified as their male counterparts.

    Just like the recording artistes pool, the DJ scene is dominated by men. Female DJs are not represented nearly enough. In relevance to their representation, here are seven female DJs who should be rocking your events.

    Sensei Lo

    One of the DJs and producers at the forefront of the House/EDM scene in Lagos and West Africa. The Nigerian-born Ghanaian started her career in 2014 as a resident DJ at Black Lounge Elegushi, before she began playing at local and international events such as Chale Wote Art Festival Accra from 2016 to 2018, BBC, Glastonbury Festival 2020, etc. She’s responsible for the DJ mix of “Insecure” on Chike’s “Dance of the Booless” EP. She’s currently the resident DJ at Oroko Radio.

    DJ Yin

    Although she’s been around before the mainstream began catching up to her craft, getting on records and singing with popular Alté acts artistes like Cruel Santino, Tay Iwar, BankyOnDBeatz, etc. Prior to her training under the tutelage of legendary DJ Jimmy Jatt, she had learned from her dad and uncle who used to be DJs. In 2021, as the first black female, DJ Yin broke a Guinness World Record and set a new one as the longest-playing DJ after a 243 hours and 11 minutes music set. DJ Yin is currently mashing up the place in Dakar, serving them black girl magic.

    READ: The Best Nigerian Songs to Listen to When That Credit Alert Hits

    DJ Ayizan

    London-born Nigerian DJ, Ayizan, came back to the motherland specifically for her NYSC programme three years ago. Constantly pushing against the stigma of being a woman in Nigeria, especially in the music industry; Aziyan keeps growing her fanbase and performing in set dancefloors on fire both in Nigeria and London. She’s the creator of “Mental Jukebox”and radio host at Dropslive FM in London.

    Handi and Wanni

    The identical twin female DJs and performers based in Lagos, Handi and Wanni used to be TV presenters and anchors at Linda Ikeji TV. In 2016, they were in the top four of the MTV VJ Search Party. Handi and Wanni are known for their energetic performances; they leave their DJ booth and drop moves on stage as we saw at the Spotify party last Saturday.

    DJ Juba

    Juba has built a solid brand for herself across Europe as a genre-hopping DJ. She’s the founder of Boko! Boko! is a DJ collective created to support female DJs and encourage them to get behind the deck. 2021, Juba did the documentary Assurance which explored the experiences of female DJs in Nigeria.  She’s one of the DJs taking African and African diasporic sounds around the world.

    Heyy! HERtitude is tomorrow. Join all the hot babes. But buy your ticket first if you haven’t.

    DJ Nana

    Her first encounter with the limelight was at the first edition of the Airtel/Barcadi Cool FM competition hosted for budding DJs. After she won the competition, she took time to learn under DJ Jimmy Jatt at Jimmy Jatt Incorporation. DJ Nana, who mainly slams Afrobeats jams, has performed at several events and shows, and is currently the official DJ at Naija 102.7 FM.

    DJ Switch

    She got the public’s attention after her unforgettable performance at a Saturday party for the 2020 edition of Big Brother Naija. That same year, everything changed for her after she transmitted live footage of the shootings from Lekki Toll Gate during the End SARS protest. DJ Switch is a world-class DJ with great transitioning skills and incredible ears for sounds.

    DJ TGarbs

    She commands attention whenever she plays a set. DJ TGarbs is one of the top female DJs regularly spinning and shutting down parties across the country. She’s currently Fireboy DML’s DJ and an ambassador for Audiomack Africa and Chivas Regal Nigeria.

  • What She Said: I Gave Up Practicing Law For Music

    Navigating life as a woman in the world today is interesting. From Nigeria to Timbuktu, it’ll amaze you how similar all our experiences are. Every Wednesday, women the world over will share their experiences on everything from sex to politics right here. This is Zikoko’s What She Said.


    What she said: Biwom

    The subject of this week’s What She Said is Marytonette ‘Biwom’ Okudare, a 26-year-old singer and songwriter. She talks about growing up as a tomboy, failing at convincing her parents to support her music career and struggling with being taken seriously because of her style. 

    What was your childhood like? 

    It was restrictive. My mum was strict — she didn’t let me go out, but I was quite stubborn. After school, I would go and play football with the guys. My mum would beat me when I did this, but I didn’t mind. I always stayed back after school to play football. 

    Despite being so active in sports, I didn’t have any friends. I was a tomboy who hung with the guys. I wasn’t interested in the girl stuff. After football, I would go home, and it would be just me and my brother. My younger brother and I were so close we were like twins.

    Everything was cool until I was sent to boarding school.  

    What was boarding school like? 

    Hectic. I was nine years old and had never been on my own. I started falling sick and missing my brother. Leaving him was so hard for me. Soon after, I started running back home. 

    One time, my parents dropped me off at school and by the time they reached the house, I had gotten home. They were frustrated, but I was scared of everything at school — being flogged, senior students and my teachers. I was the youngest person in my class at the time, so my classmates bullied me. They would shout at me or send me to fetch water for them. There was this girl that made sure she sat next to me during tests and exams so she could copy my work. She would legit drag the paper from me if I tried to hide it. I am still looking for her on the internet so I can ask her what’s up. 

    Aside from the bullying, secondary school was good. I spent my free time playing football. I also sang and joined my school’s drama club. At school competitions, I rapped. I even did comedy. It was all fun. In SS 2, I became a prefect, so I had more power. 

    Sorry you had to go through all that.

    Thanks. It wasn’t all bad. I was active in sports and social activities so I became popular. People liked my style. During sports, I would fold the sleeves of my T-shirt, pull my shorts over my buttocks, wear a bandana on my head and bounce around. I enjoyed that. There were also other girls like me, so I was comfortable being myself. I rarely wore the dresses my parents got me. I preferred to wear the tracksuits my elder brother sent us from the US. My parents eventually stopped buying me dresses. 

    What was university like? 

    I studied law at the University of Calabar. I didn’t want to study law, but I graduated secondary school at 14, so my parents filled my JAMB form for me. I wanted to study theatre arts but my parents said it wasn’t a real course — they wanted me to be a lawyer. 

    When it was time for JAMB, I went to the examination hall and intentionally ticked the wrong answers. I failed JAMB twice. By my third attempt, I was 16 and my mates were all in university. Some were even getting ready to graduate. That’s when I decided to settle for law. I passed. 

    At school, I lived with my aunt and hated it. I found it difficult to settle in. I had gotten used to sleeping late after two years at home so I missed a lot of my morning classes. 

    One day, in my second year, I went to fetch water at a neighbourhood borehole. I was singing a song as I waited for my turn and one guy came out to find who was singing. He lived in the compound beside the borehole. He said my voice sounded nice and asked if I sang professionally. I said I would like to someday, and he offered to record some songs for me in his studio. His studio was a small set up — a table, a laptop with FL Studio and a sound system. I was excited. The next day, I went back to record a song. It took about a week to complete the song because I only went to see him when I was sent on errands. When the song was complete, he burned it on a CD and gave it to me. I was overjoyed. 

    Later that week, while my aunt and uncle were eating lunch, I played the CD. They were quiet until my uncle recognised my voice. He asked when I recorded it. I told him. As I was talking, my aunt asked me to turn it off. My uncle tried to fight for me — he said, “At least she is singing gospel music. Allow her.” My aunt wasn’t having it. She turned it off. I wasn’t surprised because she, like my mother, didn’t like the fact that I was trying to do music. 

    I knew I couldn’t stay at my aunt’s place for much longer, so I saved up money. In my third year, I rented an apartment. My parents were so angry with me. They felt like I wanted the freedom to do bad things but for me, freedom meant something else. I just wanted space for myself. I still maintained the discipline that I was raised with — I gave myself a curfew and never had visitors. A lot of eyes were on me because I had moved out, and I didn’t want to let anyone down. 

    After I graduated, I went to law school. Law school was serious business, so I kept music aside.

    In law school, I kept to myself as usual. There was this guy, Otunba, who noticed I barely participated in school activities and that I didn’t have any friends. One day, he asked me why. I told him I was only at law school because of my parents and wanted to be a musician. I played my song for him and he told me that when I passed the bar, he would help promote my music. 

    I passed and I was finally ready to give up the role my parents needed me to play.  That’s when problems started between me and my parents. 

    How so? 

    I told my parents that I was giving up law for music. They said I would fail at it and they wouldn’t support me. I said that was fine as long as I got to do it. For a long time, they stopped sending me an allowance. 

    How did you survive?

    One of my cousins had just bought a new car, so I collected his old car and used it for Uber. I knew it would embarrass my parents, but I had to. When my dad found out, he called me to ask why I was driving a taxi when I am a lawyer. I told him the car was earning me money I needed to live. My mum said I was a terrible child setting a bad example for my brother. 

    My dad tried to listen, but he couldn’t understand why I would give up law. He set up several meetings to discuss my future in December 2018. During the last one before the year ran out, I told him I had received a ₦500k cheque from my music. I had started to perform at weddings by this time and they paid well. I was insulted that he didn’t think I was moving forward, so I told him to give me one year to prove him wrong. 

    Wow, what was your plan? 

    To be honest, I didn’t one. I just knew I had to leave Calabar. I moved to Lagos in March 2019. I didn’t know what I was doing, but I knew it was better than waiting in Calabar for a blessing. 

    After three days in my friend’s apartment in Lagos, I called Otunba. He asked to meet up at a mall. At the mall, he told me that someone important had heard my songs and wanted to meet with me. I was more than ready. 

    At the meeting, the other guy said he was interested in music. He played my songs for other people in the industry and they all agreed that they could make my sound work. He hired a manager for me. Within two weeks, he moved me out of the apartment I stayed in with my friend to a flat of my own. I was placed on an artist development programme for three months, where my sound and my brand was refined. It was during that time I changed my stage name from MT to BIWOM — a short version of my middle name, Ahwhobiwom. I recorded my first official single and made a video for it. We were also able to promote them. I started feeling like I had achieved what I had set for myself. 

    Nice. What happened next?

    I started to get shit for how I look. There was one time I went to a studio to record a song, and the producer said I looked and sounded good, but I had to stop dressing the way I did.  Another time, someone overheard me singing in the studio and came to check me out. When he saw me, he asked why I was dressed the way I was He even said if he was my manager, he would have sent me home. I was too stunned to say anything. It was my manager that jumped in for me. I don’t understand it. He liked the music. Why was my appearance such a problem? 

    This is where my brand — Rebel kid came from. I want to break the rules. I want to stand out in this copy-and-paste industry. Teni made me believe I could make it in the industry being myself. Music is supposed to be a thing of the soul, but people want to dictate what artists should look like and I call bullshit. The worst part of it is that people feel the need to ask me if I am gay. Sometimes, they ask me if I am a boy or a girl. I tried to be more girly, but I was so uncomfortable so I stopped. At the end of the day, why does any of it matter more than the music? This is why I keep to myself. So I don’t have to explain myself to people over and over again. 

    What’s an ideal situation for you?

    I would like for everyone to be accepted equally in the industry regardless of how they look. I also want female artists to be appreciated more by other female artists, That’s something the guys have that women don’t, and I would like to change that. 

    For more stories like this, check out our #WhatSheSaid and for more women like content, click here

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  • 5 African Female Digital Artists Talk About Their Work

    Digital art is fast becoming one of the most lucrative art types as social media advances as well as the tools used to create the art. In this article, we spoke to 5 female African digital artists about their work. 

    Ohimor Oghenerume, 22, Nigerian 

    I started digital art in September 2017 because I was very sick and I thought I was going to die. Digital art was on my list of things to try out. I googled the apps I needed, downloaded them on my iPod touch, and started playing around. I didn’t even know when I became good enough for commissions but people kept recommending me for jobs and eventually someone gave me a shot. Sometimes, I still get shocked that people think I’m good enough to be commissioned or be in their galleries. 

    There is so much talent that it’s easy to feel like you would never be good enough. It can be overwhelming, but I’m learning that the presence of someone else’s talent isn’t the absence of mine. This allows me to be deliberate about the work I put out. 

    Araba Opoku, 22, Ghana

    I learnt how to use Corel Draw in high school because it was the easiest way to replicate my print patterns and vectorize the motifs. I was 16 at the time. Now, I alternate between CorelDraw, Photoshop and Illustrator. I still paint on canvas and sew but digital art is easier for me — from creating colours to cleaning brush strokes or applying a fill. I think it’s profitable but not as your main source of income.

    Titilola, 21, Nigerian 

    I started as a traditional artist and then transitioned into digital art in 2018. I was inspired by some digital artists I found on the internet — people like Duks Art and Yinkore. Art for me is a journey filled with experiments. It took about a month for me to create decent work

    In the art world, traditional art is still preferred from what I know because there is a debate around whether or not digital art is real art. Hence, it is difficult to get contemporary galleries to notice your work or take it seriously. Aside from this, digital art is versatile and there are multiple avenues to create income from it. 

    Yuwa, 23, Nigerian

    I’ve been drawing since I was like 6 or 7 as a hobby. I work as a product designer but in 2019, I got an iPad as a gift from someone who knew I wanted to learn digital illustration, and my journey as a digital artist began. A few months later, I got an Apple Pencil and started experimenting. I earn money from it as a side-gig. I love the versatility it allows — I have worked with different kinds of people, from bridal shops to writers. 

    I am not interested in turning my hobby into a job, so I take small jobs that require minimal effort. The largest amount I have received for my work is £300. I believe the ability to draw is a gift that God has blessed me with. I love the fact that I can use it to tell people about Jesus. That’s the larger purpose for me.

    Samira, 27, Nigerian

    I started drawing and writing as a child. It has always been a hobby for me. My mum wanted me to publish one of my stories but I wasn’t interested in it. My stories were my escape — I draw and write about places or characters I want to meet. 

    I started taking drawing seriously because I wanted to prove a point to my brother that I was good at it. It’s been great so far. At first, I felt uncomfortable charging for my illustrations but when I moved out of my parents’ house and hunger saw the chance to tag along, I became comfortable with charging for my work. I am lucky to be blessed with great clients.

    QUIZ: Can You Score 7/10 On This Primary School Art Quiz?

    Are you smarter than a primary school student? Take this quiz to find out.

  • Did You Hear The Gist About Salawa Abeni’s Nude Photos?

    You’ll be sitting on your own and someone will carry trouble to come and meet you. That’s the perfect example of what happened with the man who threatened to blackmail Salawa Abeni with her nude photos.

    Queen Salawa Abeni

    A quick one for people who don’t know Salawa Abeni. She is a singer, known majorly for her waka music, an Islamic-oriented Yoruba musical genre. Her 1976 debut album, Late General Murtala Ramat Muhammed sold a million copies, the first recording by a female artiste in Yoruba to ever achieve that. In 1992, she was crowned the Queen of Waka Music by the Alaafin of Oyo, Oba Lamidi Adeyemi.

    According to her, the blackmailer, a man named Jason from Osun state, messaged her to say that he had her nudes and was planning to release it. Here are screenshots:

    Salawa Abeni nude photos
    Salawa Abeni nude photos
    Salawa Abeni nude photos
    LMAO he even gave countdown.

    Instead of giving in to his demands, Salawa Abeni went ahead to release the ‘nude’ photos herself. Ladies and gentlemen of Buhari’s internet, here’s the nude photo oh.

    Salawa Abeni nude photos
    Shey you see that some people deserve to be caned?
    Musician, Salawa Abeni releases her n*de pictures after being ...

    Is this what someone called a nude photo? *sigh*

    Anyway, here’s Salawa Abeni’s response:

    Salawa Abeni nude photos

    A queen!

    When interviewed about her decision to release the nudes before the blackmailer did, here’s what she said:

    “Firstly, I am not a child. I cannot even recall where that photo was taken. I’m not sure whether I was even in the hospital or with my partner. It must have been taken more than 20 years ago. I’ll be 60 next year and I have spent 46 years on stage, so for anyone to decide to blackmail me in this critical time when the world is on lockdown, battling the Coronavirus pandemic; that is bad. So, since the person threatened to release the photo, I decided to ‘help’ him by posting the photo online myself.

    “Is nudity that sacred? I gave birth four times and I exposed my nakedness to the doctors and nurses at those times. There was nothing for me to be scared of. I have God and people behind me.”

    Sorry to the blackmailer. He jammed bad market. And if there is anyone who is planning to blackmail people at this time, well, Queen Salawa Abeni’s action has shown us what to do with blackmailers.

    Energy!