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Drill | Zikoko!
  • 2023 In Music: The Hardest Nigerian Drill Songs of the Year

    The current burst of youthful energy in Nigerian Hip-Hop is thanks to drill music, a bubbling subgenre. +234 Drill, as Nigerian rappers call it, has enjoyed visibility and churned out great records this 2023. 

    In March, we introduced you to the Nigerian drill artists you should know about. To celebrate the end of year, we picked out 30 impressive drill tracks of 2023 and narrowed it down to 14 undisputed jams of the year. 

    Bump this:

    AGBALAGBI – OluwaMillar

    The intro to AGBALAGBI flows with joyous flutes that cue in a sample of a Baba Suwe classic, “Agbalagbi to ju agbalagba lo”. The chorus is catchy, but the verses are even more infectious. It doesn’t only tick the boxes of puns and punchy one-liners, it’s a showcase of superiority that distinguishes MC OluwaMillar from the crowd with spellbinding tongue-twisting rhymes and apt football references in mostly Yorùbá. You may be good, but Millar says he’s better. 

    AGBALAGBI artwork

    No Excuses — MOJO AF & EESKAY

    MOJO AF and EESKAY are skilled rappers and braggarts. On this upbeat drill record, EESKAY’s verse hammers on the years he’s spent in the game, consistently working hard to stay in the conversation. He passes the baton to MOJO AF, who drops self-appraisal bars, stoner quotables and money brags. These guys are always an exciting duo when they come together, and some rap listeners’ new favourites.

    Omo Yahoo — Norchkingz

    This song went viral on TikTok and exposed indigenous rapper, Norchkingz, to a broader audience. Omo Yahoo captures the youthful exuberance of the internet fraud lifestyle with uncouth bars. It sarcastically asks “ballers” from wretched homes if their parents know they’re squandering millions — a Nigerian reality.

    FLATLINE – Tomi Obanure & KVV (Kinfxlk)

    “If you’re not gang, why you throwing up gang signs?” Obanure and KVV of Kinfxlk take a swing at pseudo-gangsterism with the hook of this track. With the music video, they paint vivid imagery that’ll comfortably sit under horrorcore, an anthem bursting with the obtrusive energy of Olympic weightlifters. Their music may be niche, but it’s quickly gaining traction with Abuja at the forefront of Nigerian Hip-Hop — thanks to the meteoric rise of ANTIWORLD GANGSTAS and Psycho YP.

    Grealish — Runjozi

    Titled after Jack Grealish, a Manchester City football club player, this song talks about feasting on opps and beats like “Popeye’s spinach”, but its sweetest part is the thematic beat that protrudes over Jozi’s baritone vocals. A skilled rapper, music producer and sound engineer, Runjozi distinctly designs his sound around his flow, cadence and voice texture. Grealish is the third track on eight-man rap band, BAD INFLUENCE’s Under the Influence EP, and it’s an absolute sports car stereo tester.

    Apapa — Alpha Ojini

    The sapa tale on Alpha’s self-produced jam is more celebratory than sympathetic. Of course, he had to douse the heavy lines on finding beauty in the struggle with humour. Alpha has lofty dreams of owning shipping containers in Apapa, living his best life and compensating for all the times he was down. Don’t we all?

    Oloun — PayBac iBoro feat. Payper Corleone

    Oloun, the 12th track on PayBac’s latest album, West African Goat, had him diluting his passion and persistence with prayerful yearnings to succeed. PayBac iBoro has cemented himself as one of the most consistent and diverse Naija rappers. From boom bap trap and drill to soulful rap songs, Afropop and alternative music, he proves to be a trailblazer on the modern Nigerian rap scene.

    Hamilton — T.O.D SZN feat. Mo’Gunz

    Hamilton sparks with a tone sinister enough to wake night marauders. Although juiced up in metaphors and street slang, T.O.D SZN and Mo’Gunz paint a picture of explicit street violence and what it means to be territorial. Their charismatic back and forth is simply a rap lover’s delight.

    Jaiye or Not — D.S.6

    “Jaiye” is Yoruba for “enjoy”. This hard-hitting tune about only living once, in multilingual delivery, skippy drums and haunting melodies, has become the Nigerian driller’s template for a local resonating hit. In the current music climate, anthemic songs in four minutes are rare. Jaiye Or Not by D.S.6 (Droxx and Slimsyxx) is one of those rarities.

    Numero Uno — Mo’Gunz feat. President Zik

    In a rap world complicated by ego and one-man movements, Mo’Gunz stakes his claim as “number one”. He is insatiable about taking over the game, but he’s also open to healthy collaborations. Numero Uno is a brute, bouncy, sing-along rap jam.

    Darth Vader — Kaylu

    It’s a different feeling when you’ve been in the game for a while but you don’t get the accolades you think you deserve. Kaylu sees that the mainstream music game differs from his champion days in Unilag. Strapped up to ignite momentum on bigger stages, Darth Vader is his entry as one of Naija’s most powerful rap Jedi ever.

    OSHAMOR — Qeeb feat. Mo’Gunz

    Qeeb has been silent since 2021, but his latest EP, ROUGH & READY, released in October 2023, mirrors his go-getter mindset. He channelled this energy especially with Mo’Gunz on OSHAMOR (meaning “You know”). If head-knocking verses and an aggressive chorus about pushing through hurdles get you pumped, here you have it.

    Superman — Kene Himself feat. Droxx & Soto Eon

    Kene Himself’s baritone vocals erupt with the command of a sophisticated Igbo chief as he runs through this beat with a sharp verse about poise. Superman’s chorus is infectious and memorable. And Droxx’s and Soto Eon’s contribution took the song from a nice rap joint to a spirited one.

    Afghanistan — Rebelwav & Droxx

    Collaboration has been one of the most vital elements of drill music. It’s why Rebelwav and Droxx have been more visible in 2023. On this track, they liken their daily Nigerian experiences to harsh living in Afghanistan — a well-understood exaggeration. Afghanistan is the last track on their joint EP, Haram Pack, which dropped in November. 

    ALSO READ: Drill Music Is Hot Right Now and These Are the 8 Nigerians You Should Listen To 

  • Drill Music Is Hot Right Now and These Are the 8 Nigerians You Should Listen To 

    You have to be living under a rock not to have heard (or heard of) Odumodublvck’s Declan Rice. Less than a week since the song was released, the Abuja-based rapper has gotten co-signs from both Wizkid and the footballer the song was named after. But before Declan Rice became a smash hit, Odumodu had been kicking it in a rap subgenre everyone needs to get into — drill music. 

    Influenced by the UK and Chicago drill scene, Afro-Drill is the table all the cool kids are currently seated at. How do you get a seat at the cool table? Start by getting into these eight mind-blowing drillers who are grabbing the industry by the jugular. 

    Tomi Obanure 

    Source: Ajay Abalaka

    Whether you call him Big T or The Wickedest, one thing is for sure, Tomi Obanure‘s music (and black and white visuals) demands your attention and respect — and it’s not hard to understand why. One of the most eclectic drillers in the game right now, Tomi is at the forefront of Abuja’s rap movement. This, thanks to Kinfolk — the record label he co-owns with fellow rapper, Nvthy — and his menacing flow on projects like No Rest for the Wicked and I’ll Sleep When I’m Dead

    With Odumodublvck transitioning from underrated Abuja rap hero to global superstar, Tomi is getting ready to take the next spot — lookout for the Kinfolk EP dropping in 2023 — proving that you don’t have to be in Lagos to make an impact on the music scene. 

    EESKAY 

    Source: Instagram/DisrespectThe_Gram

    If EESKAY decides to retire today, he can do so confident that he’s already made two Afro-Drill classics: his 2020 Odumodublvck-assisted banger, Agbalagba, and his 2021 album, Drill.Or.Nah. But best believe the drill scene will be at a loss if he makes that move. 

    The energy and cadence with which EESKAY delivers his music can turn even the most composed audience into a mosh pit of overzealous drill lovers. One minute, you’re trying to figure out his sound. Before you know it, you’re spreading the EESKAY gospel far and wide. 

    Zilla Oaks 

    Source: Instagram/Zilla_Oaks

    Whether you consider Zilla Oaks a driller or not — because of all the other subgenres of rap he’s ventured into — it’s still impossible to deny his mastery of drill music on songs like Still Up, Bussdown and Psycho YP’s 2022 standout, IC3 with Backroad Gee.

    Zilla’s dabble into different sounds makes his delivery of drill music unique. He’s not coming at the sound as someone hyper-focused on being the best driller. Instead, his attack of the beat hints at an artiste who’s hell-bent on being the best, regardless of subgenre. Zilla said it best on Still Up, “Is it grime or drill? Anything Zilly Z touches, he kills.” 

    RECOMMENDED: Psycho YP Doesn’t Know How to Drop a Mid Song

    Droxx

    Source: Instagram/Droxx_Official 

    It’s hard to talk about the #EndSARS protest of 2020 without touching on the role music played in gingering protesters across the country. From Davido’s FEM to Ajebo Hustlers’ Barawo, music was everywhere during that period. However, one song that accurately described what everyone was protesting happens to be Droxx and Mo’gunz’ Officer

    Combining the urgency of drill music with Yoruba, Officer talks about navigating police culture as young Nigerians who get harassed, abused and killed by the people employed to protect them. The Lagos-based rapper has continued to swing between expressing the complex and hedonistic sides of life in Nigeria, across collaborations with Slimsyxx (fellow D.S.6 member) and Emmanuel Best. 

    KVV

    Source: Alexander Beamer

    KVV might be new to the game, but it’ll be in your best interest not to underestimate him. While the rapper’s bars might be jarring to a first-time listener, a specific potency to how he narrates his experiences and dreams makes for an exciting story, whether you believe it or not. In the face of a willingness among most rappers to make their version of drill palatable for a Nigerian audience, KVV stands out with an uncompromising sound reminiscent of the type of music your parents probably warned you about. 

    Outside of killer verses on Kinfolk’s upcoming EP, word on the street has it that KVV might be dropping a project soon. 

    Jaiye 

    Source: Instagram/Jaiye234

    It’s safe to say Jaiye was on this drill thing before the subgenre found its Nigerian audience. Itchin, his 2018 single, came first, and by the time Jaiye dropped his first EP, Foreign, in 2019, he’d quickly built a cult following of curious rap lovers ready to follow him off the edge. A combination of the hard-hitting UK drill flow and that Lagos “main character” energy distinguishes Jaiye from the new pack of drillers in Nigeria. 

    His 2022 EP, Disappointed But Not Surprised, with songs like Enemies and Kweng It, shows that Jaiye’s done trying to prove himself or get Nigerians on board with his music. If you don’t fuck with Jaiye’s music at this point, it’s quite honestly your loss. 

    Legendary Styles 

    Source: Instagram/ILegendaryStyles

    If there’s one drill artiste who shouldn’t need mainstream introduction, it should be Legendary Styles. While his name might result in some head-scratching here and there, his 2021 viral hit, I See I Saw, is one of Nigeria’s most popular drill songs, even if most people can’t tell it’s drill. 

    Unlike most drill rappers who tilt towards intimidating lyrics and British slang, Legendary’s drill style creatively merges funny Nigerian slang with Igbo bars — think Nigga Raw, but drill. If you thought I See I Saw was a one-time thing, you clearly haven’t listened to Legendary’s other gems, like Selfish (Papa Peter) and Old Roger

    Reeplay

    Source: Instagram/ReeplaySumtin

    Reeplay’s The Jig Is Up is one of the hottest projects of 2023, and we’re not even halfway into the year. Making drill as Nigerian as possible, Reeplay’s music leans on Pidgin English and a rap-sung delivery that removes the foreign barrier between the imported sound and a Nigerian audience. 

    Since grabbing our attention alongside Odumodublvck on the 2018 track, Finesse, Reeplay has grown as a rapper, keeping his bars tight and maintaining the commanding presence that made him stand out.  

    ALSO READ: 2022 Was the Year of Asake, But Look Out For These 10 Artistes in 2023

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