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Artist | Zikoko!
  • #NairaLife: The Entrepreneur Recovering From a Failed Business and Millions in Debt

    #NairaLife: The Entrepreneur Recovering From a Failed Business and Millions in Debt

    Every week, Zikoko seeks to understand how people move the Naira in and out of their lives. Some stories will be struggle-ish, others will be bougie. All the time, it’ll be revealing.


    Nairalife #264 bio

    What’s your earliest memory of money?

    I grew up believing we had money— I never lacked anything — so it was quite shocking for me when, in 300 level, I asked my parents for ₦50k for textbooks and some personal effects, and they said they didn’t have money.

    They’d never turned down a request for money before?

    Nope. It made me realise that money wasn’t something that was just there. It actually took my parents working hard and pulling resources together to cover any financial gaps. 

    My dad was an accountant, and my mum was a lecturer. So, combining their resources meant my siblings and I were well provided for. But at the time of the textbook incident, two of my younger siblings were also at university, so our finances weren’t what they used to be. I’d make a list of school supplies, and my parents would slash the amount by more than half. I understood why that had to happen, but I also realised I couldn’t rely on my parents for all my needs. I had to make my own money.

    What was the first thing you did that fetched you money?

    Dancing. I danced a lot in school, so I started taking occasional gigs with a dance ministry. I  made ₦3k – ₦5k per gig. This was in 2013. 

    I also had a friend in final year who sold jewellery, so we started a reselling arrangement where I marketed her jewellery in my hostel and added between ₦300 – ₦700 to the cost price. The additional cost was my profit after selling. 

    I did that until 400 level when I decided to sell shawarma in school.

    Why shawarma?

    I like cooking for people, and I like to think I have an eye for business opportunities. Shawarma was newly popular in my school in 2014. Every other shawarma stand sold one for ₦500 – ₦1k, and I thought I could make a profit if I took advantage of the demand and sold mine cheaper.

    So, I started learning how to make shawarmas. I watched videos and reached out to a friend who used to sell shawarma before he came to school. I went to his lodge every day for a week, and he taught me what I needed to know.

    The next thing I needed was money. I reached out to a cousin, who used to live with my family, with the business idea, and he agreed to invest. I got a space in my school’s market area, and my cousin paid for the container we used as the kiosk, a fridge and some other equipment. The whole setup cost him about ₦300k. I also had about ₦70k, which I’d saved from an unpaid six-month internship I did just before 400 level.

    How were you able to save from an unpaid internship?

    My internship was at a lab popular among politicians and big men. They’d dash the lab staff money when they came with their girlfriends to run tests before “the show”. The free money came regularly. I lived with a relative during the internship, so I didn’t need money for anything. I just kept depositing my windfall in the bank.

    I eventually used the money to buy two shawarma machines and contributed the rest to set up the space. I wanted my money in the business so we’d be like partners rather than have him pay for everything.

    Did you start making a profit soon like you imagined?

    I can’t say for sure because while the business was immediately lucrative, most of what I made either went to my cousin or back into the business. So, I made between ₦8k – ₦25k in sales every day — The highest amount I ever sold in a day was ₦55k because I sold at one of my school’s all-night events. 

    I sent ₦10k to my cousin weekly as his returns on the business. I was supposed to pay him ₦500k in total for his ₦300k investment. I wasn’t paying myself anything.

    At one point, I spent ₦60k trying to add ice cream to my list of products, but after I bought them, we didn’t have light for the next couple of days and the whole thing spoiled. That’s how that money went.

    Damn. Sorry about that

    Thanks. I graduated in 2015 and had to shut down the business because there was no one else to manage it. I had only paid my cousin about ₦350k out of ₦500k, so he kept the fridge and sold the container for ₦70k. I kept the equipment I bought.

    What did you do next?

    I waited a year before going for service. I lost my dad in 2015 too, so it was a tough time for me. I was hoping to get dance contracts to make money in the meantime, but I stumbled on detergent distribution.

    Stumbled?

    A relative visited our house and came with a very nice-smelling detergent. I asked where he got it from, and he said his brother was a distributor. My mum and I were interested, so I went to the detergent factory in a different town to make enquiries. I got in touch with the CEO and pitched my idea of becoming a distributor in my state. He liked my energy and allowed me to buy a few bags to start. That initial purchase cost around ₦150k.

    My mum was also part of the business, and we went from carrying a few bags per time to filling 14-seater buses with bags of soap — We did at least one bus-filled consignment monthly. We made payments to the factory only after selling the product. We’d sell to supermarkets and retailers for three weeks, then make payment by the fourth week. We made between ₦150k – ₦200k profit on each bus trip.

    It was all going well until I introduced the person I was dating at the time to the business.

    What happened? 

    He lived in another state where the detergent wasn’t being sold. I thought it’d be a way to help him get extra money, so I gave him goods worth ₦150k with the promise that he’d pay back the capital after he sold the goods. I even paid for the bus delivery of the detergents to his state.

    That’s how this guy started telling me story when it was time to pay. I had to scrap my savings together to pay back the debt to the company. I couldn’t even tell my mum because it was so embarrassing after what happened the last time.

    What do you mean?

    I’d loaned him ₦300k a year before — basically an investment. He was into movie production and said he needed it for a movie. I borrowed the money through an ajo contribution I was doing with my friends. 

    When he defaulted, my friends started disturbing me about it, and I had to involve my mum. She was the one who helped me settle the money. So, I couldn’t even tell her when he did the same thing again.

    Yikes. Did he ever repay any of the debts?

    Never. The relationship ended shortly after — not because of the money; I just realised he was malicious. He’s tried to beg me from afar, but anytime I see him, he’ll enter prison until he pays me back every kobo.

    The soap debt affected the business because it took a while for me to pay the company back, and it almost became an issue. Fortunately, NYSC came right after, and I left my state for service in 2016.

    What was your service year like?

    I was posted to a rural area, but the main town had a dance studio. I worked at the studio during the weekends, teaching dance workout classes. I was paid on a commission basis — ₦5k per every person who signed up for my class at the end of the month.

    I still continued taking the classes after my service year ended. I also had a stint managing the studio’s social media and organising dance festivals. I loved the work and dancing, but I couldn’t live on commissions for the rest of my life. Plus, my mum didn’t think dancing was a real job. You know how Nigerian mums are.

    Oh. I do. So, what did you do?

    In 2018, I got a brand activation gig — Those ones where you follow the truck around and try to get stores to buy — with a noodle brand. It paid ₦17k/month, which wasn’t much of an upgrade. I also did small social media management for them.

    I stopped after four months because the job stressed me out. Imagine jumping up and down from trucks all day. The constant body pain was terrible. I returned to dancing for a bit till a friend helped me land a ₦150k/month business development job at a company in Lagos in 2019. It was even the same friend who sent me the ₦15k I used as transport fare to relocate to Lagos. 

    I squatted with some people for a month until I rented a room and parlour apartment for ₦350k/year. The full rent package was around ₦550k, and I took a salary advance from work to settle it.

    Sounds like things were looking up

    I wish. The job was on the Island, and I lived on the mainland. I woke up at 4 a.m. and returned at 11 p.m every weekday. There was a time when I got home at 12.30 a.m. because of terrible traffic, slept for three hours and went right back to the road. I was so frustrated. I’d get to work most mornings, enter the toilet and cry. 

    I didn’t stay at the job for longer than six months. I couldn’t deal. Within that time, I entered one-chance buses twice and had my office laptop stolen. I had to pay ₦190k for that laptop from my salary. 

    Fortunately, I got another business development role at an agricultural firm almost immediately. The salary here was also ₦150k. But six months later, COVID hit, and I was laid off. They didn’t mind that I’d raised ₦10m for the company in that short time. 

    Damn

    I was also in another relationship then, and my partner had moved in with me. We were living on the little savings I had left. I’d gotten experience working at the agric firm, and decided I could focus on building my own. 

    My plan was to deal with grains. So, I’d work with farmers and northern traders to grow and supply corn, rice, beans, soya beans and millet to production companies. I made my partner a co-owner even though she brought in zero capital and wasn’t business-inclined. She handled the admin front, though.

    Did you bring in all the capital? How much was it?

    I needed ₦10m to start, which I didn’t have. So, I pitched to five investors and raised the money through them. We started in late 2020, and that period was crazy. I did 90% of the heavy lifting and interfaced with the farmers and clients.

    I made a mistake, though. I agreed to pay the investors 70% of the monthly profit for six months. Looking back now, that was too much to promise for a new business. My partner and I shared 10% and put the remaining 20% back into the business. In a good month, I made between ₦70k – ₦100k.

    Why was the 70% plan a mistake?

    It should have been spread over a year, rather than monthly. I could only afford to pay them for four months. The business started to fall apart; the 20% we were putting back in wasn’t enough to cover the logistics cost. So, I paused the investor payments and started brainstorming ways to revive a dying business. 

    Around the same time, my partner began complaining that she didn’t feel like a part of the business, that sharing 10% was nothing, and that she only held a ceremonial position. I was baffled, but I briefly increased her percentage to 40% to satisfy them.


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    How did the investors react to the suspended payments?

    I tried to explain the situation, but it definitely caused a strain. Some of them were known people, and there was just a period of long silence. I was still trying to make small payments here and there, but it wasn’t regular. My focus was on making the business work. I also stopped paying me and my partner a salary.

    I was able to stretch the business till 2022 by getting grains on credit and paying later, but the economy became too unfavourable. The grain merchants refused to sell on credit, and it just wasn’t working anymore. By then, the investors had gotten back their capital, and it was just about ₦13m in profits and ROI left.

    But some of them grew tired of waiting and arrested me. I slept in the cell for a day before my family came to release me. They had to pay ₦1m to one investor so they’d let me go. My partner didn’t contribute anything financially. I felt bad, but she said her family asked her not to get involved.

    That’s a lot. Sorry you went through that

    Thank you. I had to pause the business and take up random dancing and script-writing gigs to make money so I could repay the debt. So far, I’ve settled about ₦7m out of the ₦13m. That also included support from my family. 

    Around this time, my partner started making plans to japa. To support her, I gave her ₦90k to add to what was needed for a passport.

    Were you bothered that she wasn’t there for you during the arrest, though?

    I was bothered, but I believed that she did everything she could at the time. I didn’t use that as a yardstick to withdraw support for her travel plans. But then she relocated in 2023 and broke up with me after a few months, leaving me to handle the debt.

    Omo…

    I should mention that I couldn’t renew my house rent when the debt and arrest issue happened in 2022. My landlord was kind and allowed me to stay for free for a whole year. After my partner left in 2023, the landlord asked me to leave. He actually tried for me, waiting that long. That’s how I became homeless in 2023.

    Damn. That’s a string of bad things happening all at once

    It was a lot. I sold most of my properties and for five months, I was moving between the houses of multiple friends. I held onto my sanity by attending dance workshops. 

    In October 2023, I eventually got a job as a personal assistant. My salary was ₦120k/month.

    Phew. How did that feel?

    It felt like a lifeline. Landing that job after an uncertain five months was a relief. Though I wanted ₦250k because of the workload, I had to take what I was offered. 

    By November, I’d moved into my own apartment. I unexpectedly got ₦500k as a birthday gift from a friend, and it went into getting a place. Things were starting to take shape again. But I left the job in February 2024.

    Why?

    The work environment became toxic, and my workload was what four people should ideally have to share. It wasn’t worth it, so I left.

    Before I left, I’d already begun to take my art seriously and had started to paint commercially.

    Wait, when did art come into the picture?

    I was introduced to painting in secondary school, but then I stopped to face adulting. I took it up again briefly during the pandemic. I’m mostly self-taught, really.  

    How do you make money as an artist?

    Mostly through commissions. People reach out to me to paint them something. Other times, I paint and sell. I’m somewhat active on social media, and there’s also word-of-mouth marketing. In a really good month, I can make between ₦50k – ₦100k, but clients’ budgets aren’t fixed, so that figure changes a lot. If I can get more people to commission me for paintings, I’ll honestly have nothing to worry about again.

    Fingers crossed. How have your experiences impacted your perspective of money?

    Money comes and goes. Even when I don’t have physical cash, I tell myself I have everything in me to create cash. Going through what I did and coming out of them has convinced me of that.

    I also think saving is crucial. My savings have helped me out a good number of times, and if I weren’t trying to set up a home studio, I’d be setting aside 30% of whatever I make into a savings account.

    You’re setting up a studio?

    Yes, for my painting. I deliberately rented an apartment with space for a future studio, so I’m working on that now. I’ve spent about ₦250k designing murals, painting and construction work. I do most of the manual labour myself.

    Let’s break down your typical monthly expenses

    Nairalife #264 monthly expenses

    What’s the last thing you bought that significantly improved your quality of life

    ₦40k worth of art materials. That’s how I stay away from depression. If I can find Arolake’s money bag now, the quality of my life will skyrocket sharp-sharp.

    How are you thinking of future plans?

    I hope to own a creative haven for artists one day; where they can stay away from the hustle and bustle of the city and just create. I also hope to raise capital to revive my agric business. With the state of the economy now, I’ll probably need like ₦50m – ₦100m to even consider rice, but it’s a lucrative business. I believe I’ve gotten the business experience I need to not repeat the mistakes I made again.

    How would you rate your financial happiness on a scale of 1-10?

    4. I’m literally rebuilding from scratch, but I know it will get better. If I hadn’t experienced all I have, I wouldn’t have the confidence and tenacity I have now to try new things and just keep going even when they don’t work out.


    If you’re interested in talking about your Naira Life story, this is a good place to start.

    Find all the past Naira Life stories here.

  • 7 Songs That Had No Business Being Remixed

    7 Songs That Had No Business Being Remixed

    Movie sequels, secondborns and remixes prove that some things are best left at the original. In this article, we’ll be highlighting seven Nigerian hit songs that were better the first time. 

    Abracadabra — Rexxie ft Wizkid 

    Can someone ask Skiibii what type of anointing makes women suddenly feel the urge to shake their booty in your presence? Or what business brother Naira Marley had following a woman around Lagos, talking about, “Anywhere you go, I’m going“? The trio did a number on this song, and Big Wiz had no business replacing Rexxie on the remix because what did he add to it?

    Calm Down — Rema ft Selena Gomez

    Divine’s Holiday is enough reason for us to write off all his wrongs. But it’d be unfair to leave the “epic” Calm Down remix with Selena Gomez out of this list because while this collaboration exposed the song to a new global audience, both artists tried too hard to sync, and it lowkey felt like two different songs fused together.

    Peru — Fireboy ft 21 Savage and Blxst

    You know how you make banging concoction rice one day and are eager to recreate it, but it never ends up as good as the first one? That’s what happened with Peru. After Fireboy finished cooking Peru, everyone wanted a piece of it, from Ed Sheeran to 21 Savage. But while Ed Sheeran’s had people questioning who the actual owner of the song was, the 21 Savage and Blxst remix should’ve stayed on their hard drive or with their close friends circle on Instagram.


    RELATED: The Biggest 2022 International Collabs Ranked from “Flop” to “Bop”


    Bloody Samaritan — Ayra Starr ft Kelly Rowland

    We were so obsessed with Bloody Samaritan that we started a full-ass trend around it. Seeing Kelly Rowland and Ayra Starr in a shoot a year later, Nigerians held on to their seats in anticipation of a collaboration that’d break the internet. But it’s been months later and no one seems to remember this remix even happened.

    Get it Now — Tiwa Savage ft Omarion

    It wasn’t a flop but wasn’t not mid either. It did little to improve on the original song. And the fact that you didn’t know about this remix until now further proves our point.

    5 Star — Adekunle Gold ft Rick Ross

    https://youtu.be/-BXIpgIldUc

    AG Baby let us in on his life, discussing his health challenges and struggles, on 5 Star. And frankly, he had us eating from his palm by the end of 2022. Every end-of-year reel had people talking about how they’re VIPs and their life was “5 star”, but Rick Ross jumping on the song probably reduced it by two stars.

    Ku Lo Sa — Oxlade ft Camila Cabello

    From TikTok challenges to acoustic covers, if you were near Obasanjo’s internet in 2022, you’d know Nigerians played this song enough times to give Oxlade a cracked voice. However, the one exciting thing we got out of him bringing the former Fifth Harmony singer for a remix is the music video.


    RELATED: Check Out These Moroccan Remixes To Popular Naija Songs

  • This Artist Imagines Peace While Offering “Community Therapy”

    This Artist Imagines Peace While Offering “Community Therapy”

    Through his art exhibitions, Onoja Jacob is promoting peace among communities in Jos, North-Central Nigeria.

    by Dorcas Bello, Bird Story Agency

    When Jacob Onoja opens the door to welcome guests into his house in Jos, Plateau State, the first thing that catches one’s eyes are the exquisite paintings on the walls. This is an artist who lives and breathes art.

    “As far back as I can remember, I have always loved scribbling, drawing, painting and visualising imaginary things in the sky. I did it in my teenage years, and I still do in my adult life,” he said.

    Onoja started to paint professionally in 1987 when he opened a studio, the Diadem Art Gallery. To refine his talent, he enrolled at Ahmadu Bello University, where he earned his first degree in fine and applied art. After his mandatory NYSC year, Onoja displayed some of his paintings at the NICON Hotel in Abuja, and after attaining a master’s degree at Ahmadu Bello University, enrolled for a doctorate in art history. Earning his doctorate in 2014, he then joined the University of Jos as a lecturer. But he never let go of his private studio engagement.

    “It hasn’t been an easy ride juggling academics and private studio practice, but what keeps me moving is the long-term impact of my work. I have already started seeing the fruit of my labour as some of my students are now professional artists,” he said.

    While Onoja uses his brush to depict a wide range of subjects on his canvases, the theme of peace is close to his heart.

    “I was born and still live here in Plateau State, a place that has suffered insecurity, both cross-border and inter-communal,” he said.

    Through his art, Onoja projects peace as a value presented not only as a right but something every individual needs to consciously strive for. This he describes as a form of community therapy.

    “I try to tell stories of peace to entrap people into my space of therapy,” he explained.

    In 2014, Onoja launched an annual exhibition called “Landscapes and More” that brings people from within and outside of Plateau State together to discuss peace as they experience the stories behind his paintings. Since then, it has been held every December as an artistic event to “wrap up the year”.

    “It is a time of the year I look forward to, and many attendees have made it their annual routine,” he said.

    One of those who’ve been attending the exhibition is Nenkinan Deshi.

    “Onoja’s consistency in bringing peace messages is so healing… the scars of the instability in our state that I had nursed for years have been healed by the exhibitions. I appreciate his work and determination to preach peace through his art,” Deshi said.

    Onoja says he draws inspiration for his work from nature: flowers, buzzing bees, the skyline, waterfalls, everything nature offers. But above all, he is inspired by the divine.

    Onoja’s work enabled him to lead the Zaman Tare project, a peace partnership between CANFOD, an NGO based in Abuja, and the European Union, from January 2018 until January 2020. Zaman Tare means
    “peaceful co-existence” in Hausa.

    Its impact was summed up by Anas Ibrahim Suleiman, a community youth leader in Nasarawa Filin Ball, one of the “hot zones”:

    “I have never experienced something so great and more than ever before, I have seen the need for us to work for peace together as a community,” said Suleiman.

    Onoja has been engaged in other group and solo exhibitions, with some of his paintings appearing in foreign publications and receiving great patronage. He also says art pays most of his bills besides being a fulfilling career. His paintings sell between ₦7k ($15) for the smallest size, to ₦350k ($780) for the big pieces. However, the prices can also be higher depending on the place and organisers of the exhibition.

    To speak to a broader audience, Onoja has gone digital and is also using Non-Fungible Tokens (NFTs) to sell his work.

    “Digitalisation, especially the NFTs, is revolutionising African art. More creatives should leverage the technology to advertise and sell their artworks,” he said. On future plans:

    “I want to grow and nurture this ‘baby’, the Diadem Art Gallery, into a huge enterprise specialising in collecting paintings and exhibitions on (the) theme of peace and co-existence,” he said. “I will continue to devote all my energy to art, my career as a lecturer and peace crusader”.

    Creator Spotlight: Zonna on Creating Sustainable Art Through Tuft

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  • QUIZ: Which Nigerian Artist Is Your Alter Ego?

    QUIZ: Which Nigerian Artist Is Your Alter Ego?

    Have you ever wondered which Nigerian artist has your personality? Take this quiz and we’ll tell you who your alter ego is.

  • Creator Spotlight: Meet Ayo, Finance Bro by Day, Illustrator by Night

    Creator Spotlight: Meet Ayo, Finance Bro by Day, Illustrator by Night

    My name’s Ayo. I’m 22, and I doodle.

     I prefer to be called an illustrator, which is a bit distinct from an artist. A random thing about me is my longest streak on Duolingo was about 100 days, and I’m proud of that. When people get to know me, they say I give off white girl vibes because I’m into a bunch of stereotypical white girl things like hiking, candles from Target, matcha and astrology, interesting for someone with a very Yoruba name. 

    Okay, but like how ‘white girl’? 

    I was in Lagos, specifically Balogun market walking up to people to say, “Hi. How’re you doing?” They were so confused. There was a time I was in Osun for NYSC, and the indigenes kept calling other people to interpret what I was saying. I tried to speak broken Yoruba, and they’d insult me. It was tiring. I spent all three weeks at the orientation camp, trying to live the authentic Nigerian experience but I definitely won’t do it again. hard to be authentic

    Skrim. They did you dirty. So, you prefer to be called an illustrator. Why’s that?

    I just want to define the kind of work I do. In college, I studied art with a concentration in painting at some point, and did posters for people, in my graphic designer era. But then, I found I enjoyed digital art and drawing with markers. I wanted something that defined the niche I liked the most, and the word ‘artist’ was too broad. Still, I didn’t want people to call me a graphic designer or content creator because that didn’t fit. Even though I do create content.

    Ah, I see. What sort of content? 

    I don’t think of myself as a content creator, but if I made a reel of myself drawing, I find people commenting they love my content. This is interesting because I think of it as a process video, not exactly content, but I guess, everybody is a content creator now. I just like making these videos and seeing what I’m doing from an outside perspective, but I think that’s my “content”. 

    Let’s go back to how you convinced Nigerian parents to let you study painting 

    I scammed them a little. When I initially went to uni, I was studying economics. After my first year, my school let me add a second focus, so I added arts and did both for the rest of my three years. Doing both saved me because there were times economics was frustrating me, so I’d focus on art. Economics was the course I told older people I studied. Art was what kept me sane. 

    If economics wasn’t giving you a hard time, would you have pursued arts?

    I can’t lie. No. Initially, I thought I couldn’t pursue it because of the Nigerian parent mentality. You have to do something they consider serious. But after one year of fighting with my econ degree, I realised I needed something for myself. When I graduated from uni and worked my first 9-5 in finance, I was frustrated because I didn’t have art classes anymore and couldn’t find time to draw. This was the trigger I needed to create more time for art, share and publish them. 

    What happened next?

    I got incredible personal satisfaction from it. But it’s hard to paint when you don’t have the facilities. It’s expensive and time-consuming, and you need space. This led me to digital drawing and marker art. I also love learning new things, so I taught myself photoshop and watched lots of youtube videos. I was trying to find a better way to have an outlet and gradually became more consistent. For example, I did the inktober challenge of a digital drawing a day for 31 days. Then I posted them on my Instagram, which helped build my confidence. My friends hyped me up, so I made a dedicated instagram account for my art, and it grew organically. People could see I enjoy what I do, and they liked my work too. 

    What’s the most enjoyable thing about illustrating?

    There’s the challenge of getting something out of your brain and onto a tangible piece of paper, which I think every artist enjoys. Number two, I love the idea of doing whatever I want. I love the freedom, especially after working a structured job where you have to follow rules. If I want to draw a naked body or something serious about the government, I can and I’ve done both. It’s not easy to do, but it’s fun. Sitting back and admiring my work like, “Wow. I really did that,” excites me. 

    Do you remember the first thing you painted that made you proud?

    Two pieces for two different reasons. The first is from one of my last painting classes in school. I remember feeling depressed because I thought it would be my last painting and the depression channelled itself into the piece. It was a lot more detailed than I would usually do. It’s a self-portrait I made for my senior thesis. Looking back now, it was so ordinary, but at the time, I loved it.

    And the second one? 

    It was an illustration I made in 2019 about the social media bill. It had a more enormous reach than I could imagine, and people found it really useful. I remember thinking, “Wow, this is helpful and over 30,000 people saw it!” It made me proud.  I’m proud of the first one for personal reasons and the second because it was meaningful to a lot of people.

    I remember seeing those everywhere. Would you like to try other art styles?

    I don’t think I’ll ever make a painting that looks like a real person, but I’d like to play around with that. At the same time, I never want people to wonder if my work is a painting or photograph. I think that’s a bit too much. I like to add a bit of caricature to my work. 

    What’s the best compliment you’ve received for your art?

    There was a time I randomly posted something, and Mr Eazi privately messaged me that it was real work. I was shocked because how did he find it? It was something I could show my parents like, “See oh. People are noticing my art.”

    Do they give you hell for doing this full-time? Do you do this full-time? 

    Not anymore; I’m back to being a finance bro. I’m currently in business school but I  make art on the side, with the free time to pursue it. Plus I think my MBA will probably help with the business side of my art too. I’ll fashi this finance job at 30, after I’ve made a shit load of money, then focus on art full time. 

    So right now, art’s not making you enough money?

    It’s definitely a part-time income source, but I’m trying to get so good that when I charge outrageous amounts, I can justify it. I’ve seen people’s interest and gotten enough commissioned projects , so I know I have an audience, but I feel like I can improve. I want to get to a point where all my doubts are eliminated because I know I’m great at this, but I’ve also invested the time and effort to be better. I don’t know if I’d ever get there, but in the meantime, I like having a plan B to fall back on.

    The starving artist life is not for you at all

    I think it’s the firstborn in me that makes me this way. I’d rather be a comfortable artist.


    RELATED: How To Be The ‘Perfect’ Nigerian First Born Child


    Back to your parents. What do they think? 

    Initially, they thought it was a cute hobby I enjoyed, so they never gave me hell. Now, they’ve been supportive even. I once had an exhibition I couldn’t attend.  They took pictures for me and helped live stream it. Another time, my mum overheard her boss talking about wanting a portrait in her house and recommended me to her. My mum even tried being my business manager, but I was like, “Thanks. Please, don’t do that”. That would’ve just put too much pressure on me. I can’t hold anything against my parents. 

    What’s a dream project for you?

    For two years, I’ve had an idea to create a web series like the Archie Comics about being a young Nigerian living in Nigeria, travelling abroad, falling in love, all of that. Something with a clear storyline and recurring characters. I’ve made sketches and the outline for the first story. But who knows? Maybe I’ll start properly this year or next year. 

    I hope you do. I’m exactly your target audience. I loved Archie but couldn’t relate to half their struggles, so this should be cool

    Exactly. I want something simple, like a weekly series. At one point, I tried to tailor it to current events. But since I’ve put this out into the world, I guess I have to do it now. 

    If you could describe your art in a few words, how would you?

    A colourful process. Because I try too many different things, and I don’t want to have a tight niche. As much as I love illustrations, I also love painting, drawing and digital art. I tried to use only two or three colours in my work, because I tend to go overboard with colours, but couldn’t stick to it. I love to experiment with style and medium, so yes. It’s a colourful process, and I’d like to do a bit of everything. 


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  • QUIZ: We’ll Give You an Artiste, Can You Guess the Title of Their 2022 Album?

    QUIZ: We’ll Give You an Artiste, Can You Guess the Title of Their 2022 Album?

    The artistes in this list blessed us with some of the best albums of 2022. Can you guess the title of their albums though? You have 1 minute.

    You have 1 minute to ace the quiz:

  • QUIZ: Can You Guess the Artist That Was Featured in the Remix of These Songs?

    QUIZ: Can You Guess the Artist That Was Featured in the Remix of These Songs?

    You may know who Asake featured in the remix of “Sungba”, but do you know who was featured in the remix of Bella Shmurda’s “Vision 2020”?

    Take the quiz:

  • The Elevator: “I’m Retelling Women’s Stories Through My Art” — Chigozie Obi

    The Elevator: “I’m Retelling Women’s Stories Through My Art” — Chigozie Obi

    The Elevator is a limited Zikoko series that details the growth of young successful Nigerian women. We tell their stories every Tuesday by 12 p.m. 

    Being a successful artist in 2022 looks like political art, a thousand retweets,  national recognition and sold out galleries. A successful artist in 2022 looks like Chigozie Obi. At 15, she convinced her dad to let her study art. By the time she turned 19, she had started making money from art. Chigozie Obi is a 24-year-old multidimensional visual artist. In today’s episode of The Elevator, Chigozie talks about her journey as a female artist whose work focuses on projecting women in ways that deviate from the norm. 

    Chigozie Obi

    When did you develop an interest in art?

    In secondary school. I was 12 years old and art was one subject I was good at. I remember one time they taught us scale drawing and we had to draw a celebrity. I did that and even added shading. My teachers loved it. 

    I felt special, especially because I was struggling with other subjects. Art brought me some kind of comfort. Obviously, I picked art class when it was time to choose between art and science class. Since then, I have been on that path. 

    What did want to do before that drawing class? 

    I wanted to become a medical doctor before I discovered art. I was given a toy medical set when I was a baby, and I thought I wanted to become a doctor, alongside many other things. But after I discovered art, that dream died. 

    I wanted to become an artist but I thought I couldn’t study art at university. I thought my parents wouldn’t let me, so I picked mass communication instead. 

    Just before I wrote JAMB, some of my family members saw my drawings and encouraged me to talk to my dad about it. I was 16 years old then. I thought about it and eventually spoke to my dad. He wasn’t happy about it but he agreed. That’s how I went to study creative arts at the University of Lagos. 

    What was studying art in Nigeria like?

    It wasn’t so good and I was very unsure of my career path. I didn’t know what I wanted to be as an artist or what I wanted to focus on. Especially because at the University of Lagos, they didn’t exactly teach me about the practical aspects of the course. They gave us a lot of assignments but they didn’t teach us the business aspect of art. They also wanted our work to look a certain way. There wasn’t much room for experimentation, and it was quite frustrating for me. 

    This changed in my third year in university when I went for IT at The Universal Studios in Iganmu. I learned so much about painting and drawing there. 

    After my IT, I wasn’t as concerned with school work as much I was concerned with creating my art. I started painting how I wanted and that brought me joy. I was still involved in schoolwork, but I knew that my work was more important to me and eventually it started to pay off. 

    What happened?

    The first time someone bought my painting was during my IT In 2016. It boosted my confidence. I wanted more of that. I invested my time into my work and created more art. More people bought my art and my parents started to come around. I became a full-time artist that year.

    How did that go?

    It’s been good. I’m more focused on creating art than anything else. I like to experiment with different mediums, so sometimes I create just for the sake of it. I’m into photography, oil and acrylic painting and lino printing. 

    Most of my work focuses on women and the issues that we face. I also use my personal experiences as inspiration. I have a series I have been working on that presents women in opposition to the things they’ve been told to be by society. I’m excited about it. 

    The other parts of being an artist outside the artistry isn’t as easy though. 

    I’m listening.

    The income flow isn’t steady like a 9-5 job. Every month is different. You might sell, you might not sell. Some people go months without selling, and the gag is you have to keep working. I always have to put out my ideas to show people my progress and also to get feedback. To do this, I need money for the materials. Honestly, it can be tough. 

    It wasn’t until last year that my income from art became steady. This year, I won  The Future Awards Africa Prize for Arts & Literature. The money and the recognition boosted my motivation, but my ultimate priority is getting better at my work. With art, I’m always learning. When I get to a certain stage with my work, I feel satisfied, but that doesn’t last long because I want to get to the next stage. 

    What’s it like being a full-time artist in Nigeria? 

    Being an artist in Nigeria means not having access to certain materials like gold leaf,  lino print ink and water based oil paint and importing is hell because of the dollar/naira rate. Things like this limit your practice. 

    There’s also the part about being a female artist in Nigeria. Sometimes learning becomes a transaction — the teacher might want something in return for the knowledge. Even people who buy your work can make you uncomfortable. After buying it, they want your number and want to be able to call you whenever they want because they bought your work. It’s crazy sometimes, but I try not to focus on the bad parts. 

    Sounds like a good plan. What’s your process like when you’re working on a new piece?

    It’s quite simple, I’d say. I have someone who prepares my canvas for me. When he’s done, I start my work on the canvas. I work mostly at night or very early in the morning because everyone else is asleep, and it feels like it’s just me alone in the world. I feel like my brain can function better. I also work during the day, but I need my music and my space. 

    I am a fast painter so when I start painting something, it goes by quickly. This doesn’t happen all the time. This helps me because I usually have a lot of breaks in between projects. 

    I’m curious about how you get through an art block.

    I have a lot of times where I don’t paint. I prepare what I want to work on and wait it out. During this time, I try not to stress about it and focus on other things I enjoy like hanging out with my friends or watching a movie. 

    When I have a deadline to meet, I can force myself to do the work. My trick is to press paint out on my palette and because I don’t want the paint to waste, I have to work. Other times, I just sit in my studio and wait for inspiration. It works most times.  

    What does being at the top of your game look like? 

    It looks like being satisfied with my work. I want to get to a point where I can feel confident in my art. 

    Being at the top of my game also looks like a lot of money. I want a big studio I can work in and have access to all the materials I need. That’d make me very happy. 

    I also want to be able to provide opportunities for other artists, especially women. I do this already at a collective that I run with other artists called The Artist Resource Collective. We are a donation-based collective that provides materials for artists that don’t have them. We started in 2021, and we are currently in the middle of the second cycle of donations. I hope the collective grows, and we’re able to do more workshops and residences. I’d be really happy with that. 

    Is there something you’d have loved to change about your career trajectory? 

    I can’t say, but it’s possible that I would change a few things. I know so many things now that I didn’t know then but the journey here has been fulfilling. 

    What would you say to a 15-year-old version of yourself?

    Be very confident in yourself. Continue with your work and always be true to yourself. It will get hard, but you have to keep pushing. Also, invest in Bitcoin. 

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  • QUIZ: Can You Guess The Nigerian Album Names From These Emojis?

    QUIZ: Can You Guess The Nigerian Album Names From These Emojis?

    Do you think you have enough Nigerian album knowledge to kill this quiz? Prove yourself:

    A Fireboy album

    An old Wizkid album

    A Mayorkun album

    An Olamide EP

    A Kizz Daniel album

    A Tiwa Savage EP

    An Oxlade EP

    A 2Baba album

    A Patoranking album

    A Victony EP

    A Burna Boy album