Notice: Function _load_textdomain_just_in_time was called incorrectly. Translation loading for the wordpress-seo domain was triggered too early. This is usually an indicator for some code in the plugin or theme running too early. Translations should be loaded at the init action or later. Please see Debugging in WordPress for more information. (This message was added in version 6.7.0.) in /home/bcm/src/dev/www/wp-includes/functions.php on line 6121
afrotrenches | Zikoko!
  • The Young Voices of the Trenches

    The artists owning the “afro-trenches” space of Nigerian street-pop music have created a template that’s uniquely theirs. In their native tongues, street lingo and code, they lay their personal experiences, frustrations and vices, religious affinities and narratives from their environment, cautionary or not, on their songs.

    On today’s edition of #BumpThis, we present to you seven fire songs from seven lyricists evangelising the gospel of the trenches.

    Believe — Dapop

    With moody chords that slowly build into a solemn vibe, drawing out an uncanny level of honesty out of the artist, Dapop starts the song with the chorus and first verse. He reveals how he was a G-boy but has nothing to show for it. The second verse has the featured artist, Billirano, rapping about his dad’s unlawful imprisonment and the struggles his absence brought on the family. All in all, Believe expresses a yearning for breakthroughs to escape multi-dimensional, generational poverty.

    Olisa — Zyno

    One thing that’s very prominent on this drill jam is the gospel music samples, from church hymns beaming with organ-piano to Mercy Chinwo’s Excess Love. As Zyno and fellow South-Eastern artist, Jeriq the Hustler, seek God’s face for goodness and mercy, this song could easily pass for a special number in church.

    Big Dreams — Billirano

    The message is clear. Billiarano has big dreams, but his humble background won’t let things go smoothly for him, even though he’s steadily making moves in music. If he was born with a silver spoon, he’d be partying every day of the week. Big Dreams is a motivational song produced by LarryLanes.

    G B H S — T DOLLAR

    G B H S stands for Guided by Holy Spirit. In this song, the thick kick drum afro-pop production guides T DOLLAR’s vocals as he sings about shutting up haters when he begins to shine. Religious doctrine is ingrained in T DOLLAR. His lifestyle may be streets because he comes from it, but his faith always shines through.

    Time (Remix) — Damo K

    Damo K understands the concept of waiting one’s turn as he sings “Everything on God, yeah / ’cause my time no be your time / Make you buckle up, make you shine.” Bella Shmurda is a guest artist on the remix, and he sonorously preaches that “Hustle no dey kill person / hustle to the top / hustle no dey wait person / me I no dey rush.” Whether you’re waiting for your turn or your turn has finally come, just remember that time is still an essence.

    Problem — Heli Kush

    The lyrics to this song read like a soliloquy, conversation between young hustlers motivating themselves or a street motivational sermon. Problem is the typical “Cut your coat according to your size” song, but the production leaves the ultimate impression. Trumpets blow to African percussion as guitar chords drag with it – giving lush palmwine sound.

    LA — SAMGARD

    This jam is about destiny — people are put on earth for different purposes, so it’s needless to envy others. “À ní mo ma là,” SAMGARD sings with the confidence that his success is inevitable; “LA” here means to break through. He and Diamond Jimma deliver the message in eloquent Yoruba and pidgin, through simple proverbs and idioms.

    Listen to them here:

  • The Many New Sons of Afrobeats

    Afrobeats isn’t just on Obama’s annual playlists or making the British break dance to it, it’s also given birth to sub genres that are easily recognisable by their lyrics and delivery and vibes.

    Many listeners relate to artists by their songs and what they talk about the most. These sounds are labelled by the audience based on the stories they hear in the songs.

    Afroadura

    This style is a combination of touching and relatable stories, motivational one-liners and prayer points. Afroadura boys are always relatable. Best listened to in the morning, preferably Barry Jhay’s music.

    Afroyahoo

    Afroyahoo a.k.a yahoopiano is a genre of music that glorifies cybercrime and gets inspiration from it. Shallipopi is currently the face of this movement, but Naira Marley deserves some accolades for popularising a message Olu Maintain first spread some sixteen years ago, with his smash hit Yahooze.

    Afrocultism

    Being a real-life cultist is not a requirement to make afrocultism. Just talk about beating your enemies and pushing them to the curb. Also, have a dictionary of strong slang people won’t easily understand. You may jam real cultists though. Better run to live to fight another day if this happens.

    Afrodepression

    If you’re seeing ‘shege’, and you say afrodepression thrice, Omah Lay will appear to hold your hands and cry with you. This music style is best described as crying on the dance floor, with a half-filled cup of Gordon’s in one hand.

    Afrotrenches

    Do you remember those times you had one red shoe and couldn’t afford one Red Bull? Or whenever sapa won’t let you see front, afrotrenches music is what’s best to hold your body. T.I Blaze for the morning, Seyi Vibez in the afternoon and Balloranking at night. 

    “Mama tell me say” boys >>>>>

    Afrorave

    Popularised by Rema, Afrorave is high-energy, fast-tempo music. Moshpits are never not found at rave parties. Rema is who Playboi Carti thinks he is.

    Afrowahala

    You’ll find the one and only Portable Baby at the core of this sound. If you don’t have the penchant for chaos, leave it for this man.