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Segun Akande, Author at Zikoko!
  • Boarding A Motorcycle? Here’s 5 Things You Should Look Out For

    For the average Nigerian, getting from point A to B involves four transport options; walking, motorcycle rides, tricycles and buses. Of the four, most people tend to use motorcycles when they’re in a hurry or over short distances. You can see how this is a recipe for problems; most regular commercial bike riders treat their bikes like weapons of mass destruction. Luckily they aren’t the only options available. Keep your eyes open for these important bits and you can tell the difference between a safe ride and one that’ll end in the giant gutter near your street.

    • Is There Even Any Safety Gear In Sight?

    The most important of these is the helmet, although if you asked a random bike rider, the more stylish option is a face cap. Most see helmets as an inconvenience, so all you need to get on a ride is to come as you are. Obviously, it doesn’t always end well.

    • Does The Motorcycle Look Like Something From Mad Max?

    Simply put: is the motorcycle in good condition? Walking through any random Nigerian city, you’ll definitely see bikes with pieces of metal or wire held together by tape, or looking like an exhaust pipe for a second engine. That’s not talking about those ones with no working dials on their dashboards. You don’t need to take that kind of risk with your life.  

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    • Is There Any Respect For Traffic Rules?

    Most bike riders swear they’re revolutionaries and the rules don’t apply to them. Bet you had no idea that motorcycles are supposed to stick to the right side of the road. Now think about how many times you’ve been on one fighting for space with a PathFinder on the left side of Third Mainland. God safe us, but first, let’s save ourselves.

    • Trained Or Nah?

    Would you trust your life to a 14-year old driver whose only experience is video games and driving around in his estate? So why do you do the same with motorcycle riders? We hardly think about it but training can be everything, and trust me, you’ll recognise training when you see it,

    • The Rider’s Knowledge

    Ask a random commercial bike rider if he knows the direction to your destination and odds are he’ll say yes before you even mention the place. Sad thing is, very few of them really do. Before you board a bike, you want to be sure that the rider knows the direction or, in the worst case scenario, he has some help i.e maps.

    In a city like Lagos, or any other Nigerian city for that matter, getting on the right motorcycle can make all the difference. That’s why Gokada has made sure to equip their riders with the very best motorcycles, technical support and weeks of training.

    Don’t want to end up praying for your life while going 240 on Lekki-Epe? Download the Gokada app now and ride through your city in the safest possible way, with trained drivers who will get you to your destination in one, unscratched piece.

  • How 9 Nigerian Teenagers Are Changing the Healthcare System in Nigeria

    The only thing better than a success story is a success story in the making. That’s the feeling I got when I spent some time with Team Neptune, made up of the nine Nigerian teenagers who won InterswitchSPAK’s inaugural “Innovation Challenge.”

    InterswitchSPAK 1.0 Innovation challenge is just one segment of InterswitchSPAK’s National Science competition, organised by Interswitch Foundation.  

    A while ago, they were just nine students; now, they are nine students creating a solution that could change Nigeria’s health system forever. I know what you’re thinking; how did they get there? Let me take you on a journey that begins with — like everything in school — a written test.

    • Students from all over the country competed in InterswitchSPAK National qualifying examination.
    • Finalists were grouped into nine groups of nine students each. The groups were named after some of the known planetary bodies.

    Their task was not a simple one. They were asked to find a solution to any notable socio-economic issues in health care, public transportation and education, taking advantage of technology. Each team had some help from staff of Interswitch who volunteered as mentors.

    • Team Neptune, made up of nine SS2 students, tutored by Interswitch’s Princess Edo-Osagie, Inalegwu Alogwu and Abiodun Adebisi, won the challenge.

    Their innovative solution permits anyone who’s registered on the NHIS to consult doctors via the internet, or USSD (for those without internet access). Like the superheroes that they are, the students also dreamed up a system that allows the patients, after consulting ‘internet doctors’, to get drugs from partner pharmacies using the doctor’s prescription.

    Sweet, right?

    According to the judges, Team Neptune ticked all the right boxes.

    The two major criteria in choosing the winners were ideas and presentation. 

    • The jury considered the use of technology, what opportunities were explored, whether the idea was possible and how much change it would bring. 
    • For the presentation, the jury considered the delivery, creativity and demonstration of teamwork. 

    Team Neptune worked for it and they got it. They won the founder’s prize. Since then, they’ve been lowkey working, with help from Interswitch.

    Interswitch is keen on making Team Neptune’s solution a reality. Here’s what they did; the students were brought into the company and tutored for weeks by no other than the Interswitch head of innovation, Eghosa Ojo.

    In those few weeks, they’ve built their health solution into a business, while also learning invaluable teamwork, strategy and planning skills.

    According to Israel, who is Team Neptune’s de-facto CEO, the entire experience was great. He said, “I think the most important thing we’ve learned here is how to work as a team, how to combine ideas and approaches to create something strong and valuable. We’ve also had the privilege of being tutored by someone who has years of experience and is very patient and willing to pass on knowledge”

    Team Neptune has now presented their business to the senior management team at Interswitch, and we can’t wait to see how far this goes.

    Keep your fingers crossed. If anyone tells you how your health insurance package now lets you consult a doctor via the internet and buy prescribed drugs, you know who made it happen. Nine Nigerian teenagers will have made that happen and we have Interswitch to thank for it. 

  • 4 EPL Teams You Have To Keep Up With This Season

    The new English Premier League season is here. Your favourite team probably looks nothing like it did last season. All 20 teams in the league have done business to varying levels. While clubs like Manchester City have only made a few tweaks, Chelsea fans must be wondering how their boy scouts would reach the heights set by the Drogba and Hazard generations. That’s not even counting the new managers, like Lampard & Steve Bruce who have a big point to prove.

    As usual, the heavyweights will likely be at the top when the season ends, but if you know the EPL, you know that any team has the potential to cause an upset.

    It’s not always easy to keep up, but whatever you do, make sure you’re always keeping track of these four Premier League teams:

    Everton

    Last time out, Everton stuttered under the new manager, Marco Silva before showing a few flashes of brilliance towards the end of the season. Many thought the Toffees board would show Silva the door during the break, but they’ve kept their trust in him and supported the ministry by nabbing two of the world’s most promising youngsters: Alex Iwobi and Moise Kean. I wouldn’t bet against them forcing their way into the top 6 this season.

    Chelsea

    For more than a decade, Chelsea has been at the top of the EPL, and they’ve pulled it off mostly by signing who they want, thanks to their billionaire owner, Roman Abramovic.

    This season, however, they are facing a ban on buying new players. Losing their best player, Eden Hazard now means they have to look inwards; they’ve already promoted many young prospects in Mason Mount, Tammy Abraham & Reece James.

    Club legend Frank Lampard is also in charge of affairs. While their team looks considerably weaker on paper, don’t bet against them just yet. As they showed against Liverpool in the Super Cup, the boys in blue aren’t ready to give up their ‘big boy’ status just yet.

    Aston Villa

    The Villains, as they are also called, are Premier League regulars, although, in the last few seasons, they’ve struggled to leave their mark and cement their place. After a tough season in the Championship, Aston Villa is back at the upper echelons. This time, they look like the real deal. They’ve made some good signings and built a team around the gifted Jack Grealish, a player many have tipped to be a future England captain. You don’t want to bet against these guys.

    Leicester

    You can’t school a Leicester fan on success or failure. They’ve tasted both, most notably winning the EPL against all odds four seasons ago. Since then, things haven’t been great – they lost their club owner in a helicopter accident and their best player, Riyad Mahrez to Manchester City’s petrodollars. But if there’s ever a time to start rebuilding, it’s now. For me, Leicester has one of the best managers, Brendan Rodgers. And while he may not have the team he had years ago at Liverpool, he has a fine balance of experience and gifted young players. The Scot is eager to prove his worth and whether he does or not, Leicester will play some exciting football this season.

    As much as we love the EPL, even the most loyal fans struggle to keep up with the teams they support. Match times are irregular AF, and as you know, man proposes, but PHCN, NNPC and the weather can have different plans.

    That’s what GOtv had on their minds when they came up with the new GOtv app. With it, you can keep up with these teams on the go, and even set reminders so you don’t miss anything. It really doesn’t get better than this.

  • On Being A Maid in Lagos

    My mother brought me to Lagos in 2006. I had just turned 10. It was my first time in Lagos, so I was very happy. We were going to visit some family members for a while; that’s what my mother told me. We packed a lot of clothes and left for Lagos on a Friday morning. My younger brother and my dad stayed back in Benin. On my first day in Lagos, we went to Lagos Market, past through the busy markets and the crowded bus stations. I couldn’t stop looking around; at the tall buildings, the old ugly buildings — it was all so different. I developed neck pain that day, but I was insatiable; I wanted to see everything.

    We used to go to the Island very often. I didn’t know it was because my mother was a maid for the woman she called our “Aunty”. I knew something was funny because we didn’t chat like we usually did with family at home. She often called my mother or me out of the blue or at odd hours to help with something and that was the end. After about two months, we returned to Benin.

    I didn’t think about being an adult when I was younger. I don’t think children can understand what it means to be an adult; how do you want to explain all the things that adults go through to them? All I did as a child was go to school, do housework and play. That trip to Lagos was the first time I was in a place where I had to gauge everything carefully. It was my first adult experience. The next time I went to Lagos after I finished JSS 3, I went to start work. My parents had been talking about getting work; they felt that I had to start earning my keep.

    The truth is, I’m not from a wealthy family. My father drives a bus and my mother does anything she can find as long as it brings money.

    I initially thought they would ask me to learn a skill like sewing or hairdressing. But when they started talking about going to Lagos, I asked, “What’s happening here?” In response, my mother advised to be a good child. She said I had to face my work and be honest with other people. I thought it was good-natured mother-to-child advice until she told me that I was going to live with one of our big aunties as a househelp.

    I didn’t have to think twice before I ran away from home two days. I ran to our pastor’s house and asked him to beg them. With time, I calmed down. They convinced me that we needed the money, so I came to Lagos a second time. The only plan I had was to do exactly what my mother did back then. I thought that if I made enough money, I could just leave after a few months.

    I’m still with the same family that I moved in with. I think the day that I collected my first salary of 20,000 naira was the first day I saw myself as an adult. I didn’t spend the money; I gave it to my madam and she helped me send it home to my mother. The other thing that made me mature was loneliness. My madam used to come back from work at around 9 pm. Her children were outside the country for school, so it was just us helpers in the house. In my first year working there, I was almost raped. It was the boy they brought to man the compound gate. It was on one of those nights when my madam and her husband went to church for vigils. I was afraid to tell anybody. And if I had told my mother, she would ask me to come back. I didn’t want to. About two years ago, I got the courage to tell my madam and oga about the almost-rape incident. They had already sent the boy away before this time. In fact, he was sent away not long after he forced himself on me. They were very angry that I did not tell them when it happened. I thought, “Something wey don happen since.” But I understand sha.

    The family has been so nice to me from day one. Most people don’t know I work for them, even in the estate. They have two boys and a girl. They’re all older than me. People often assume I’m their niece.

    Many things have changed, and I’m not as close to my family. We always talk on the phone, and I travel home twice a year for one week. Benin has become a different place for me. It’s almost a different life. I don’t know how to explain it. Somewhere along the line, I started to make the most of what I had in Lagos.

    Since I moved to Lagos, I’ve learned to make hair and fashion design. I’ve also gone to good schools. Currently, I’m getting ready for exams in UNILAG. After this, na final year. Them no dey tell person. My people are okay at home. Things are better and the money from here still helps. I don’t get a salary for housework. My madam has a shop along Ogudu Road. I manage the place. We sell drinks in wholesale, so she pays me from there.

    My oga is late now. He passed last year – you know these sicknesses that old people always have. So it’s just me and my madam now. She’s very old, but she’s still stubborn, and I’m the only one that can take care of her. It doesn’t affect school that much, except during exams. She always wants to talk about something. Her children are all abroad; she used to travel there before but not anymore.

    Just take every day as it comes.

    That’s my big lesson from growing up. See that time I was crying about coming to Lagos? What plan did I have for myself? I just wanted to stay with my family. I’ve been lucky sha. Some girls have come to this same Lagos and the story has been something else entirely. When I tell people who are close to me that I never cooked for the house, they don’t believe. But that’s life. I’m just taking it as it comes. I’m not thinking about what will happen when my madam dies. When we get there, we’ll see what happens.

  • The Misplaced Anger of South Africa’s Xenophobic Attacks

    The headlines have been short, scary and painfully familiar, spelling out different variations of the same message: “Xenophobic Attacks In South Africa.”

    The story: the alleged shooting of a cab driver in Pretoria erupted into a wave of mob violence against African nationals in South Africa this week. Xenophobia is today’s trending topic of discussion, although the unfurling of the now-too-familiar #SayNoToXenophobia hashtag is the only reminder you need that we’re simply rehashing a very old problem.

    In 2008, 60 people were killed and over 50,000 forced from their homes in violence against African nationals, according to Human Rights Watch. In 2015, similar attacks forced many foreign governments to repatriate their citizens from South Africa.

    The recent violence is motivated by decades-old rhetoric that blames immigrants, particularly those from other African countries, of ‘stealing’ jobs and bringing crime into local communities. The sentiment was echoed by South African truck drivers who, on Monday, embarked on a wildcat strike protesting against their foreign colleagues. In videos circulating on social media, mobs can be seen shouting “Go Home” in the streets.

    https://twitter.com/mouse_ani/status/1169260164513501184

    A closer look, however, suggests a disturbing connection between socio-economic conditions and the outbreak of these xenophobic attacks. The South African economy has been unstable for four years and counting. It shrank badly in the first quarter of 2019, amidst fears of an impending recession. There are other sources of discontent. The South African government still faces crises of representation and legitimacy, months after ex-president Jacob Zuma was ousted. Unemployment is worryingly high; more than 10 million people are unemployed, or 38.5% of people who could be working.

    In the last few years, populist regimes and movements have emerged in almost every corner of the world. From Brexit to the Trump White House, it would seem the nationalist bug has now bitten South Africa. If there’s anything we’ve learned from Trump, it is that populism needs enemies. And when things go wrong, it often looks to offer up ‘minorities’ as the problem. It doesn’t help that immigrant population in South Africa has doubled in the last decade.

    Add that to years of systemic oppression, apartheid and unfair land ownership laws and you can see how decades of discontent and anger are directed at an easy target – immigrants. Despite subsequent reports that the Pretoria shooter was not Nigerian, many have been killed, beaten, forcefully removed and had their businesses destroyed. It is an easier solution than the years of economic development, institutional restructuring and education that South Africa’s indigenous population, and Africans in general, should be asking for.

    While the hashtag #WeHaveNoPresident silently indicts Nigeria’s notoriously lethargic President Buhari, Nigerians are outspoken about the attacks. Nigeria’s Foreign Affairs minister, Geoffrey Onyeama condemned the attack in strong language – so did the former minister, Oby Ezekwesili among other commentators and public personalities.

    Social media has become the second battleground of sorts. Nigerian rapper, Ycee alluded to old tweets by AKA, which in turn led to a slew of ill-advised comments by the SA rapper that forced Burna Boy out of his social media hiatus with strongly-worded warnings to the former, MI and South Africa. Burna’s tweets have now been deleted.

    https://twitter.com/SubDeliveryZone/status/1168982438145642497

    The misplaced anger of South Africa’s xenophobia has also exposed problems in other African countries, most notably here at home in Nigeria. While the giants fought on social media, a spate of reprisal attacks began in suburbs of Lagos, Ibadan, Uyo and later, Abuja. They gradually descended into outright robbery, particularly in Lagos where two large malls were looted. “What does this have to do with South Africa?” is the burning question. First, nothing. Second, the answer has been staring us in the face for years.

    Years of multidimensional poverty are festering like an open wound. The World Poverty Clock reports that Nigeria’s 87 million extremely poor people are the most of any country in the world. Over half the population of young people aged 15 to 35 are without work. The government is facing corruption allegations of its own. Amidst all of this, there is pervading sentiment that some classes & groups have managed to corner the good of the land for themselves. Sounds familiar?

    These moments hold up a mirror to us as Africans. Two things have been made clear. As we learned yesterday, any cue to blame or antagonise a group in these times is an invitation to misplace anger and unleash violence. It doesn’t matter if it’s South Africa or Nigeria – oppressed, marginalised people react in the same way, whether there is a xenophobic agenda or not. It’s why many have warned that the looting in Lagos is a precursor to a violent class struggle that could follow the same script as the attacks in South Africa.

    A few conspiracy theories have been thrown in the air: Why is this happening while Africa tries to get its act together? Why is this coming barely weeks after all 54 countries agreed to trade freely across the continent? Why did Burna Boy destroy his chance of winning a Grammy? Who has been hacking Babes Wodumo’s social media accounts? Is every Nigerian musician a cultist?

    Whatever the angle, our biggest learning is that African countries have a huge job on their hands. Some say it’s a ticking time bomb. It is why it’s important to reiterate now more than ever that no country is the other’s problems.

    The present path only threatens to drive us further apart, with the world watching. Reprisal attacks have begun in Zambia. Nigeria has just recalled her High Commissioner to South Africa and joined several African countries in shunning the World Economic Forum event holding in Johannesburg. Free Trade & Internal security were thought to be high on the agenda.

    SA President Cyril Ramaphosa has spoken against the attacks. The Police have made over 60 arrests since Tuesday. But some of the silences are too loud. More South African leaders and monarchs need to condemn the violence in clear terms, and call their followers and constituents to order. These are small, necessary strides. Long-term solutions will be required to prevent a re-occurrence.

    Africa’s governments need to get the message – the people need economic freedom. We also need to know our history, so that friends are not presented as enemies. For now, there’s little we can do but use our voices to #SayNoToXenophobia.

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  • Munachi Osegbu Is The Director Behind Megan Thee Stallion’s “Hot Girl Summer”

    Even before she coined the phrase that defined summer 2019 from Twitter Nigeria to pool parties in Atlanta, Megan Thee Stallion was bound to enjoy a hot summer. The deliciously care-free music video for her massive hit, “Hot Girl Summer” is now out, directed by exciting Nigerian-born filmmaker, Munachi Osegbu.

    The video opens with a confused social media star wondering about her choice of clothing to the party of the summer. Her problem is solved when she arrives at the party, where her host, Thee Stallion is getting all turnt up with a star-studded entourage that parties through the day and night.

    https://www.instagram.com/p/BLZ-LHqjG-k/

    23-year-old photographer and director, Munachi Osegbu grew in the US, obsessed with magazines, music videos and as she told Hunger, “2000’s Dolce & Gabbana ads by Steven Meisel,” Osegbu’s work blends urban and afro-futurist art. It would explain why he’s been an ideal fit to translate Meghan’s ‘feminist’ anthems into high-energy music videos.

    Osegbu and Thee Stallion are regular collaborators; the two also worked together on “Realer” and “Big Ole Freak”. The 23-year-old filmmaker boasts a diverse catalogue with clients like NICOPANDA, Converse, Refinery 29, Epic Records and more.

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  • You Can Now Binge On Kunle Afolayan’s Films On Netflix

    Thanks to Kunle Afolayan, you can now sit back, crack a bottle of whatever activates your third eye and geek out on one of the greatest catalogues by a Nigerian filmmaker.

    Kunle Afolayan is one of Nigeria’s most critically-acclaimed directors in recent times. He’s made such commercially successful movies as The Figurine and The CEO and more. So it’s great news that his newest feature film, Mokalik is now available to watch on Netflix.

    Mokalik is a brief look at the career of a middle-class 11-year-old boy, Ponmile who spends his day as a car mechanic’s apprentice to understand life on the other side. This inexplicable scenario is fertile ground for him to develop a crush on a sweet-singing girl-next-door played by Simi. The singer is part of a diverse cast that also includes actors like Tooni Afolayan, Tobi Bakre, Ebun Oloyede and Femi Adebayo.

    Regarding his choice of first-time actors like Tobi Bakre and Simi, Afolayan said, “‘Tobi is a natural talent and I have always seen that in him, so I decided to cast him for the role.”

    “Simi’s part was not originally in my head until the writer, Tunde Babalola wrote her character into the film. I had always imagined a Simi in that role and she was able to pull it off.”

    Mokalik is just one of six movies by Afolayan now available on Netflix. The others are The Figurine, The Bridge, October 1, Phone Swap and The CEO. That catalogue is a diverse range that spans historical drama, urban fiction and mystery.

    That’s one more thing you want to do this weekend.

  • When Nigerian Fans Went A Little Too Far

    They say when you love a person, you’ll do just about anything to be with them. Some super-fans take this statement so literally, they’ll do just about anything to be with their faves.

    I hate to have my point made with such insanity, but the perfect example happened this weekend. Some overzealous fans opened the grave of Ivorien singer, DJ Arafat hours after he was buried. Their excuse? They needed TO CONFIRM IT WAS REALLY HIM WHO WAS BURIED. Wtf guys! What the actual fuck? Who do you think they buried? 2Pac? Salomon Kalou?

    Fortunately, as far as I know, Nigerian fans haven’t gone as far as exhuming bodies to confirm a celebrity’s identity. But trust Nigerians to package our fanaticism in style and years of persistent stalking.

    Here are some instances where Nigerian fans took things a little too far:

    • When Tacha Got That Tattoo Of The DMW Logo

    Long before Tacha became Port Harcourt’s anti-logic ‘first daughter’ on Big Brother Naija, she was @symplytacha, an Instagram slay queen who thought it was a good idea to get a tattoo of Davido’s daughter, Imade, just beneath her breasts. Whether the decision was to draw attention to the child or her cleavage, only Tacha knows.

    I just can’t wait for Imade to grow up and meet Tacha (showing off her tattoo) at an event, thus creating the most awkward situation since they asked Eedris Abdulkareem to stand up at a Nigerian event because of 50 Cent.

    • Omowunmi Akinnifesi’s Stalker

    Most beauty queens tend to deal with stalkers at some point or the other. But get this: Omowunmi Akinnifesi, the former Nigerian beauty queen who won MBGN in 2011, was stalked by the same guy for SIX YEARS. Online and offline. That’s enough time to get a degree and the two years experience that most graduates often need to get their first job. The whole episode began with a phone call and the regular ‘we need to be together’ rhetoric.

    Despite her best efforts, it graduated to dozens of phone calls daily and later, unexplained visits to her workplace and church. According to Nigerian laws, stalking is a crime. Stalkers can get desperate and extremely dangerous (which is all we learned from “Obsessed”, one movie like that which had Beyonce in it). So Akinnifesi went public in 2012 and got a lasting solution to it. We don’t want to guess what that was.

    • That Time A Female Fan Tried To Rock Johnny Drille’s World By Force

    Johnny Drille is Nigerian music’s poster kid for wholesome living and happy thoughts, which partly explains why he has a large share of female fans. While some are content watching him sing, others just want to have his babies, whether he likes it or not.

    The story goes that, early in his career, Johnny was at a hotel when a fan knocked the door claiming to be room service, only to throw herself in his domain like a damsel in distress. Except this time, she wanted some good loving. In case you missed the memo, such behaviour has a name in the law; assault. The funny thing about this though; I can almost swear any random Nigerian singer would see this as an opportunity, the kind that only ends in Whatsapp chats, pregnancy tests and Instablog9ja.

    • This Nigerian Fan Who Scarred Herself For Life Because, Wizkid

    When you love an artist whose fans are literally a small army, you may feel like you need to be extra to show your loyalty. We’re going to assume that’s why Diane, a young Wizkid superfan decided to get a ‘tattoo’ of the artist on her back.

    The main problem here is that Diane probably didn’t think this through because the tattoo, which covers her entire back, looks like she slept off around a drunk eight-year-old with a tattoo gun. Diane has a lot of explaining to do to too many people: employers, her kids, Wizkid and God, to mention a few.

    • When Nigerian Football Fans Sent 1000 Death Threats To Kaita

    Nigerians don’t play, not even when we’re playing football. Sani Kaita had to find this out the hard way after he showed up at the 2010 FIFA World Cup as a rugby player and spent his time hacking opponents down, until he got sent off in Nigeria 1-2 defeat to Greece.

    Sani Kaita had started out as a bright product of the Nigerian youth team, but we don’t live in the past on this side. Nigerian fans were so pissed that in two days, Kaita received over 1000 death threats. He never played for the national team again.

    (EXTRA) All the times Naira Marley’s fans have shown him love:

    In case you missed it, the Marlians are a different breed. For one, they are fans of Naira Marley, a problematic singer and living question mark. Marlians show love for their fave in ways that would scare any other person into retirement.

    They’ve blocked him in hordes in traffic and at public events. Female fans routinely tag him on social media posts where they dance in their birthday suits without prompt. And there’s that Soapy dance. To be a Marlian is to make a great sacrifice.

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  • Trying Not To Become The Man Who Raised Me

    We want to know how young people become adults. The question we ask is “What’s your coming of age story?” Every Thursday, we’ll bring you the story one young Nigerian’s journey to adulthood and how it shaped them.

    Sometime last year, my family began to take down photos of my father around the house. He often disappeared for long spells. Each time, when he returned, he was in tatters and broke. This time was different; it was the longest he’d gone. We knew he would return, but we decided there would be no room for him when he did.

    My older sister and I wanted to create a normal life while drugs could still relieve the pain of our 56-year-old mother who suffered from diabetes. We craved normalcy, even if it felt a little too late.

    When I was born 25 years ago, my parents were traders from Eastern Nigeria who were finding their feet in Lagos. My father had come from Owerri to apprentice with an older uncle and set up his cassette store after a few years. They had my sister immediately. I was their way of celebrating their first decent apartment, a room and parlour in Ebute-Metta.

    Life wasn’t eventful while growing up. The exciting things that happened were my mother’s not-so-frequent bouts of illness, mostly because someone always got to stay home with he — usually my sister. But she always got well after a few days, especially when her people sent herbs from home. So we’d settle back into routine; I was assistant daddy, I’d finish from school and go to the shop. My father would tell me stories about his childhood while I helped around. My sister would go to my mother’s stall in the market and we’d meet at home at night.

    It was a good way to live if you’re the kind of person who believes in the dignity of labour. Not if you’re ambitious. Definitely not if you dreamed of seeing out your final days in a big house in your village. That was the reason my father gave when we first noticed things were going south with him. And I believed him. On some days, I’d go to his shop and he’d be nowhere to be found. So I’d wait until he returned, reeking of cigarettes and cheap alcohol. He’d instruct me to not tell my mother, but she noticed when he began to return with bloodshot eyes and empty pockets. Then he began to buy big bottles of Regal gin and take long swigs as he wished, home or at work, day or night.

    Looking back, we shouldn’t have just watched it happen. When my mother got tired and confronted him for the first time, he hit her across the face. I can still remember the sound and the swelling. I was in SS1 at the time and now had a key to the shop. He stormed out and didn’t return for days. When he did, he was hungry, drunk and a complete mess. My mother rushed out to carry him. She was crying. She cleaned him up, gave him food, painkillers and put him to bed. My sister and I were shocked. It was our father, but we were upset that she seemed to have so quickly forgotten about a fresh wound.

    That’s how it began. First, he stopped going to the shop. Then he’d disappear for days at a time, and later weeks, only to show up at my mother’s stall at the market. Sometimes, we’d meet him at home when we got back from church. By the time my sister left secondary school in 2008, our relationship had broken down. My mother’s ugu and condiments kept a roof over our head. We still lived in the same house in Ebute-Metta. Our landlord was nice enough to let us pay our rent every six months as long as we paid on time. My father was a complete no-show, even when my mother had her first crisis in 2011.

    They say she was always falling sick as a child. In those days, things like that were chalked down to ‘ogbanje’ so she had several ritual incisions down her back and arm to keep her alive. Still, she kept falling sick. As she grew older, her health forced her to live safe, so she ate well and had no vices, except, of course, my father. Things gradually worsened when she moved with him to Lagos. The pressure of being a sole provider didn’t help either.

    Neither myself nor my sister ever gave university much thought. I can’t remember discussing it with my parents. Who would send us? Our alcoholic father? A mother who’s been bedridden for years?

    When I left secondary school, I continued to run the CD shop which also became a game centre. Since then, I’ve learned to do some electrical jobs: fixing television sets, irons, minor wiring, installing DSTV. Most of the money goes into getting drugs for my mother.

    My sister has had to grow up too. After secondary school, she took up my mother’s stall. But she was never going to stay there for long. She’s hardworking but also very pretty. It’s the kind of youthful beauty that rich people like to spend on. When we were younger, people often gave her money; my father scolded her for it, but we all knew it wasn’t her fault. She has ‘friends’ who ‘helped’ her open a small food place in Jibowu. She sells Igbo food to drivers working in the transport companies. I think she makes new ‘friends’ there too. That’s none of my business. She often comes home, tired and angry. She’s 28 now. I know she’s thinking about her life too.

    We don’t know how long my mother has left, but we’ve spent every day preparing since we took the photos down. She doesn’t leave the house anymore, except to attend church or go to the hospital. The day my father came back home, she was asleep. My sister had gotten some area boys to look out for him, in case she ever showed up. Because we’d lived there for so long, they knew the story. He returned with a friend, who looked like he’d been in a drug den all his life. The boys didn’t let him into the compound. When he began to make a scene, the boys carried him away. All I heard was his screaming, and later, stories of what happened. He never came back.

    Sometimes, I catch myself waiting for my mother to go so I can start living. I know my sister does too. She talks about it. “Who go marry me when I don be like old cargo,” she says. I want to tell her that marriage isn’t a great idea; the only one we know broke everybody involved. I feel like I’ve settled for a lot of things because of my parents. I don’t have a girlfriend. I can’t afford the girls that I like.

    If there’s anything that I’ve learned from my parents and adulthood, it’s that the people in your life are crucial as the decisions you make. That’s why I move at a steady pace; I don’t want to be like my father. I want to go for a technical program and learn electrical work properly. For now, my life revolves around what’s left of my mother’s. It’s this uncertainty that leads my day-to-day life. What will happen when she passes? I don’t know. For now, we do what we can and hope for the best.

  • The Best Quotes From Burna Boy’s Fader Interview

    Is Burna Boy the biggest Nigerian artiste in the world at the moment? I’ll leave you to figure that out. All I know is that in the last few years, U.S interest in Nigerian music has gradually risen. Today, news of Nigerian pop-stars collaborating with their colleagues in the abroad is normal. Same as the sight of celebrities dancing to hits by Wizkid, Yemi Alade or Davido.

    Nowadays, Burna Boy is at the forefront of that push. It’s been a long time coming. Burna Boy has been a cult favourite for years. And his new album explores a range of topics; love, spirituality, slavery, misrule and pride, that few African pop musicians address in their music. Coupled with his newfound acceptance in the US, it’s one of the reasons why many are saying he will find the crossover success that many of his peers have craved for years.

    Burna sat with The Fader to discuss the new album and in typical Burna fashion, he dropped some incredible nuggets. We picked the best quotes from the African Giant himself.


    • “I care about crossing over but in the opposite way. I want to come here and cross you over to where I am, because where I am is your actual home, the beginning” – On the topic of crossing over and whether he cares about finding success in the US.

    • “It felt great. It’s almost like a mission accomplished in a way because it goes back to what I’ve been saying. We’re all connected and that kind of proves it” – How Burna felt when he saw Jamaican singer, Koffee’s cover of “Ye”.

    • “The whole song is a brief history lesson about Nigeria and Ghana, when M.anifest comes in. (It was necessary to include it because) Nigeria is misunderstood by insiders. I can guarantee you that at least 90% of people my age have no clue about the real origins of Nigeria. There’s so much truth that we need to know in order to be respected. Because right now the only thing that can save the youth is knowledge and financial independence.” – On the critically acclaimed track, “Another Story” and why the song is so heavy on African history.

    • “I ended the album with my mum’s quote because I felt like there was no better way to close the album because that’s the whole message in one little speech. It was perfect the way she did it.” – Why the album ends with his mother’s now-iconic speech, delivered as she took the Best International Act award on his behalf at the 2019 BET Awards.

    • “It’s the message. Look at the language we’re talking about now, it’s nothing but broken English. We were all in Africa, we all had our tribes and the English came so we all had to break (their language) down in a way that we can understand it. The Nigerian would have their own pidgin, the Ghanaian, their own pidgin, the Sierra Leonean will have their own creole. It’s all the same thing. The Jamaican Patois. It’s just different accents. For me, I think that’s one thing that also proves it; that we’re all the same” – Burna’s explanation for how pidgin English in different countries has similar words, lexis and structure.

    Note: These quotes have been edited for clarity.

  • Nigeria’s Indigenous Dance Styles Are Super Lit

    It’s 2019 and the world seems to finally be getting the drift; Nigerians love to dance. You can see it everywhere; Jidenna has been promoting his new album by grinding on people’s girlfriends. Zlatan’s signature move, the Zanku has travelled farther than the artist himself.

    Check any Nigerian’s Instagram Stories during the weekend and you’ll see their home training in the wind. Sure, it’s part of a big picture; Nigerian culture is super cool now and more people are paying attention. But if you thought we just started to gbe body in the internet age, you thought wrong.

    Dance has always been a big part of our culture. Nigerians have been getting down since before Lord Lugard forced our unholy marriage. And whether we were dancing to solve our problems (more on this later) or trying to communicate with gods, we were doing some pretty lit moves. Here’s proof.

    • The Etighi

    Iyanya may have brought it to the dance floor with “Kukere”. But long before his biceps grew too big for his body, the Efik & Ibibio people of Nigeria’s Niger Delta had been getting down Etighi-style for centuries. The Etighi you know is a condensed version. In ceremonial settings, Etighi dancers wear puffy accessories and wrappers, or grass skirts.

    Bells around their waists make a jangling sound that adds more special effects to the performance. To dance the Etighi, you need to be flexible and you’ll probably think you are, until you see how traditional Etighi dancers move their waists like they have no bones. Plus they always have smiles on their faces, which makes everything much better.

    • The Oghogho

    No, it’s not a dance style created by the ancestors of Ogogo, the Nollywood actor. The Oghogho dance is native to the people of the ancient Bini kingdom. If you were expecting some spiritual undertones, you expected right. The Oghogho was performed strictly by the physician-caste and used to ward off evil omens and avert disasters.

    Dancers, usually women in long robes, would shuffle around a fire while carrying gourds in their hands. How can you not stan a dance that solves (financial & weather) problems? How? The spiritual tones explain why the Ogogho isn’t performed for amusement, even today. But if you’re in the mood to see it done, you can still catch a glimpse at important traditional ceremonies in the Bini kingdom.

    • The Koroso

    Forget their conservative reputation. The Fulani people of Northern Nigeria have some of the most dramatic dances you’ve ever seen and the Koroso, which is still very common today, is probably the best example. The name comes from the rattling beads that dancers wear around their waist and ankles as they perform acrobatic moves to music from flutes and drums.

    Koroso dancers perform in pairs, mostly because they tend to need help to contort their bodies in weird shapes. Sometimes though, you can catch the dancers trying to outperform one another, a sight which makes for some great viewing.

    • The Bata

    If you’re Yoruba, odds are you’ve attempted the Bata dance at least once in your lifetime, which is amazing considering that the dance move originated as a sacred ritual for Sango, the god of war & thunder.

    Bata dancers make very elaborate, fast-paced movements to the rhythm of music produced from three or four drums. Yoruba people often speak of the relationship between Bata dancers and the drums as sacred. And nothing makes it better than dancers who also know how to do oriki or ‘praise poetry’. You only need to see it in action to believe it, which is why we added this video. Thank us later.

    • The Ikprikpi-Ogu (Or Ohafia War Dance)

    The Igbo people of Eastern Nigeria are known for many things; Alaba International Market, pounding fufu and an insane level of defiance. That probably explains why they created an entire dance move to welcome warriors from battle.

    The Ikpirikpi-Ogu was performed by bare-chested men who would stomp and flex their muscles in an intoxicating show of strength. There aren’t many wars of that kind anymore, but the dance is kept alive by age-groups who perform it to show off their strength and machismo. Ooomph for the mandem!

    • The Atilogwu

    How do we say this? If you’re Nigerian and you don’t know the Atilogwu, you dun know nu’n. The Atilogwu, also known as the acrobatic dance is one of Nigeria’s most well-known traditional dance styles thanks to the fact that it’s performed at just about every national celebration, as well as ceremonies in the abroad where Nigerians are represented as a group.

    And it’s not hard to see why; Atilogwu dancers spend a fair share of their time on other people’s shoulders, leaping, twisting and jumping to music from local instruments. It’s lit to watch.

    Did you enjoy this? You should sign up for our weekly pop culture newsletter, Poppin’. You’ll get to know what we’re up to before anyone else + insider gist, reviews, freebies and more. If it sounds like your deal, sign up here.

  • The Space To Be My Own Person

    We want to know how young people become adults. The question we ask is “What’s your coming of age story?” Every Thursday, we’ll bring you the story one young Nigerian’s journey to adulthood and how it shaped them.

    I’m one of those few people who can say, not so proudly, that in 2000, the year I was born, my parents didn’t exactly want me. The circumstances of my birth, as I’ve heard a few times, were weird. My parents were entering their forties at the turn of the Millennium. They had ticked all the boxes that most people their age aspired to.

    They had three kids – one teenage girl, another in her preteens and a boy who was almost out of primary school. They had finished their house in Ikorodu too, and were planning to move when my mother got pregnant with me. In my father’s opinion, having a child at that age carried too many health risks. But the idea of one last child grew on my mother.

    A lot of older couples who can afford it like to have a child, whether it’s theirs or adopted, to serve as a companion as they enter their twilight. I’m one of those kids, although I can’t say I’ve ever really understood the reason. The older I got, however, the more I noticed that I was treated very differently. For one, I was never beaten as a child. Sure, I was often scolded and there was the odd ‘abara’ on my rear end. But they never beat me as punishment. This was weird because my older siblings, and cousins even, feared my father’s belt like a plague. 

    My siblings are much older than I am; for context there’s an 8-year gap between my brother and me. So there was bound to be a disconnect. For the longest time, they treated me more like a fragile house pet than their baby sister. Things were even worse when we went out for the owambes that my parents frequently signed up for as senior civil servants. I remember how some of the events, especially birthdays, would have separate halls for kids because 8-year-olds aren’t exactly Sunny Ade’s target audience. I remember the feeling of loneliness that washed over me when I was always pushed to stay with my parents. I would spend the afternoon having my cheeks pulled or poked, or sitting with my father who would busy himself by talking to me in baby-speak. I was capable of speaking normal words. I also really wanted to go play with my mates.

    Life as a living porcelain doll was rather uneventful. We had a front-row view of Ikorodu’s expansion into the busy suburb that it is now, and as more roads were tarred and more families moved in, I gradually grew into my weird circumstance. I can’t say I experienced childhood for the sake of it. On one hand, I’ve always been seen as someone’s child. Here’s an example; the primary school I attended was like a neighbourhood project, owned by a retired public servant who just couldn’t sit in his house and rest. Many of the teachers were neighbours as well, so they knew my parents and called me by their name instead of mine. I got the special treatment to match; and even though it got me out of trouble more than once, I grew to hate it. I had very few friends too, mostly because I found early on that many of them just wanted to hang with the cool kid and have the first option on whatever luxuries I was no longer interested in. Not being able to make close friends was one of my life’s biggest paradoxes because, on the other hand, the role I played in my family forced me to be around adults more than I really wanted to.

    I mastered social skills at a very early age by shadowing my parents, especially my mum who people describe as a ‘mama adugbo‘ because of her need to raise every child she sees. She was born into a big family and growing up, I saw her navigate numerous human relationships with dexterity and my watchful self on her lap. 

    Even though I’m like her in many ways, I can’t say she’s my role model. I don’t have any. To drown out the mundanity of my life, I lived in my head a lot and often imagined myself as a really adventurous person, riding through jungles and deserts. Obviously, I didn’t know anyone who was living that life at the time, so I poured my adulation into TV and video game characters that were, like Dora The Explorer, Zelda, Xena The Warrior Princess and The Black Widow. Just thinking about it now cracks me up.

    Life got even more monotonous after my siblings got into university . By the time I turned 12, I was the only child at home. We had a maid, so I rarely did housework. This was what I was born to do: be a companion to my ageing parents. I wanted none of it.

    At 17, last year, I got admitted to UNILAG to study Mass Communication. I can’t honestly say I broke a sweat over any part of it, and since I’ve resumed, things have been very comfortable. All my siblings send me money regularly – the first two are employed. The third, the only boy and the person I’m closest too, has always had a knack for making extra money. But none of that comfort can get rid of the listlessness I often feel. I would never say this out loud but some of it comes from seeing classmates who had to earn their place and feeling like I just sat on someone’s lap while everything happened for me. I’ve spoken to my mother about this more than once, and she says I shouldn’t overthink it because all fingers are not equal. That hasn’t helped at all.

    I have very bad FOMO too. When I hang out with friends, they talk about a lot of experiences that I can’t relate to or worries that have never crossed my mind. For the first time, I have a friendship that wasn’t borne of the need to just disappear into the crowd. She comes from a family of overachievers, and as much as she downplays it, I find myself feeling like I missed out on the chance to really live life.

    The only thing I look forward to about adulthood is being independent. I have no pretences about how difficult that can be. I know that when my oldest sister, who’s now engaged, comes home; it’s usually to ask for help, not to give it. But from what I’ve seen so far, adulting is about standing on your own and becoming your own person. You may have something to fall back on but for the most part, you’re responsible for yourself.

    That’s why I need to make the best of my time in school. I hate going home during the holidays. It’s not so much about getting good grades. It’s about finding out that I really like sports, stage plays, and gisting in front of my faculty with friends till midnight. It’s about finding out who I am by being away from family and people who see me as an extension of my parents.

    I won’t say I’m equipped. It’s only been a few months and people have already tagged me as disrespectful because I tend to talk to adults like they’re my age mates. Big surprise! Whatever happens, I know I have time on my side. I’ve had enough time to think about the kind of person I want to be, now I have the space to work at it.

  • The 10 Stages Of Getting Your First Tattoo

    Depending on how old (or radical) you are, getting your first tattoo can feel like convincing yourself to commit a crime. I should know. I got my first tattoo in 2017, after four years of telling myself I wouldn’t regret it and repeatedly backing out at the last minute. It’s totally normal. Part of it is just pure home training: are your parents really Nigerian if they haven’t said that tattoos are a mark of the devil? There’s also the part where a tattoo is permanent, for better or worse.

    I plan to get some more ink soon. And it’s not (just) because I’m badly-behaved. Tattoos are gradually losing their bad reputation, and more young people are getting their first. That doesn’t mean the decision is easier than before. If you’re planning on getting your first tattoo, here are all the stages you can expect to go through. You are not alone.

    • Trying To Make Up Your Damn Mind

    See, regardless of how much you want it, deciding to mark yourself with the opening words of your favourite poem for the rest of your life can take a while. Don’t rush it, even if it takes 8 weeks to 4 years.

    • Watching Tattoo Videos

    One of the first things that cross your mind once you decide to get inked is how to deal with the pain. It doesn’t help that movie characters tend to look like they’re being tortured when they’re getting theirs. Which is why you’ll probably spend a few months looking for one video where the person is smiling while getting tattooed. Finally, some hope.

    • Getting Permission Or Nah?

    The other thing that crossed your mind is permission. Depending on how close you are to your parents, you may want to get their permission, especially if you live with them. This is kinda tricky because they probably won’t sign off on it, meaning you may have to do it without their blessings. At least you tried.

    • Picking The Right Tattoo & Placement

    Everyone thinks they know what they’ll get for their first tattoo until it’s time to get one. All of a sudden, writing the words of “Africa My Africa” on your chest doesn’t seem like such a great idea. Here’s something to keep in mind: get something that means a lot to you in a part of your body that you can carry with confidence. You’ll likely have it for the rest of your life.

    • Finding The Right Tattoo Parlour/Artist

    One badly-spelt tattoo is all the proof you need that the artist is just as important as what you plan to get. Unfortunately, more people end up getting street-side tattoos at Ikeja Underbridge than you think. Just so you don’t end up with a tramp stamp, look at every tattoo shop, stalk their Instagram, check their hygiene, ask to see other work that they’ve done. Talking to tattoo artists about why they do it also helps you decide if you’ll trust them with your skin.

    • Waiting, Just Waiting

    Now that you’ve checked the boxes and you’ve picked a date or an appointment, all you need to do is wait calmly, right? Haq Haq Haq. You see all those doubts are about to return. Resist the temptation to tell everyone about it or change your tattoo idea. Whatever decision you make during this period will probably be very shitty, so just wait.

    • Chickening Out

    D-day is here, and you’re certain as hell that you don’t want to do this anymore. I’ve seen people back out after sitting on the chair, even though it took them months to decide. Whether or not you make it past this stage is solely up to you. Take your time to make a decision you won’t regret.

    • Pain?

    It’s time to get the deal done. You’ve considered guzzling energy drinks or alcohol to numb the pain, but the tattoo artist says it’s unnecessary. Then the pen hits your skin and you can feel why. It’s little more than a bee sting. Tattoos aren’t half as painful as most people think, and the vibrating pen makes it even better. Close your eyes and think happy thoughts.

    • Show It Off

    Their fadas. Now that you have your tattoo, it’s time to show everyone. For most guys, it means wearing sleeveless shirts until they catch a cold. Take photos of yourself and share them everywhere. When people come and ask to see it in person, make them wait. You worked for it and you got it.

    • Planning A Second Tattoo

    You know what’s better than one nice, super-lit tattoo? Two nice, super-lit tattoos. Or three. Or four. Next thing you know, you’re looking for space on your body. God safe us, because I’m in this stage too. While you’re at it, watch this video of Burna Boy breaking down his tattoos.

  • How To Become A Forbes-Listed Fraudster

    Depending on where/when you first heard his name, Obinwanne Okeke is many things: a celebrated young entrepreneur, an eloquent millionaire or most recently, a very daring internet fraudster.

    Before Friday, Obinwanne Okeke was mostly known as the 30-something-year-old CEO/founder of the Invictus Group of Companies. Nigerians love a success story and Okeke took the media for a long ride.

    https://www.instagram.com/p/B1Ol725nXof/

    We’re sure nobody pressed for a serious explanation of how he makes money, because while they praised his business acumen, Invictus was (allegedly) committing wire fraud.

    As you’d expect, no-one is talking about how he achieved such an amazing feat, which is weird because, as you should know, Nigeria has earned a reputation for grooming daring internet fraudsters.

    If you’re one of those people who has hung a photo of Convictus in their room, I’m breaking Obinwanne Okeke’s story into a 10-point timeline to show you how he pulled off this scam and got caught.

    • Become An Internet Fraudster

    I mean, it’s pretty obvious, right? What separates you from the guys sweating in the only surviving cybercafe in Surulere is that you’ll have to start big. Sending an email to the White House explaining how your father, Nigeria’s first petroleum minister, stashed 30 billion dollars and you need just 200,000 naira to ‘unlock’ it. No guts, no glory.

    • Dress Like A Nigerian Millionaire

    Have you gathered enough money? Then you deserve to look like the boss that you are. That doesn’t mean dressing like a tacky Gucci model with self-esteem issues. You, sir, are an entrepreneur who must now spend every waking moment dressed in the ‘Lagos Big-Boy’ starter pack – white shirts, no tie and a ring to put Don Corleone to shame. Or just show off long trad and leather slippers. Simple and effective, like a choir uniform.

    • Get A Degree From A Foreign University

    Every Nigerian, especially Salisu Buhari, knows that a university degree is the only way to answer questions about how you showed up from nowhere with plenty of money and ambition. Extra points if you can get one from the UK or Australia. Whatever you do, don’t use the University of Toronto. Houdegbe North American University does not count.

    • Create A Conglomerate

    Your money is obviously too dirty for Forbes at the moment, meaning some laundering is in order. There’s no better way than to create your own elaborate business. Know any absurd greek word that have nothing to do with anything? Then add ‘group of companies’ to it – voila, that’s your company name. All that’s left is to rent a building, create a website and find a graphic designer. When people ask what you do, tell them you have diverse portfolios. They’ll be too impressed to ask for details.

    • Start An NGO for Children

    Starting an NGO is like kissing children during a political rally; everyone assumes there’s some good in you, even if you’re just trying to steal money in peace.

    • Never Speak In Dollars Again

    I don’t need to explain this to you, do I? How do you expect people to believe your millionaire mindset when you can’t say “10 million dollar equity investment” with your full chest? Also, no-one may have told you this but your pronunciation of ‘Sonera’ reeks of poverty.

    • Become A Public Intellectual

    Are you really a successful Nigerian if you’ve not stood in front of thousands to tell them why they’re not as successful as you? Now that you have the money, the business and the story, you need to appear like a captain in your field by appearing on as many panels on business & wealth as possible. Take them as they come. Are you worried that you’ll be out of depth and not know what everyone’s talking about? When has that ever stopped anyone? Like Fela Durotoye, you can always acquire to perspire your desire so you can refire all that you require, my man!

    • Get Yourself In The News

    It’s time to get on the Forbes list. I know the smaller blogs will have begun writing about you at this stage, but you must kickstart your effort from home. Start by sending your story to every Nigerian media house with the headline “Millionaire Nigerian Entrepreneur Shares Tips To Make Your First Million Before 15”. Even if the audience doesn’t bite, the pressmen will be in a hurry to kiss your crack on their cover issue/frontpage in exchange for a token of your appreciation. Don’t be surprised when the email from Forbes comes in.

    • Take As Many Photos As You Can

    Now that you’re on Forbes and your Instagram is a motivational speaker’s wet dream, what more do you have to live for? More infamy? That’s what we were thinking too. That’s why we hope you’ve been as messy as possible. Did you host lavish champagne parties while you were supposedly finding your feet in university? Great. We need a few photos. Did you commit wire fraud with an IP tied to your personal email? Even better. Remember when we asked you to take photos when you travel for scams? Did that too? Wonderful. It’s one of the ways the FBI will find you.

    See, if you’re one of those people who’s hung up a photo of Obinwanne Okeke in his room, or has been discussing why he’s not the real problem with Nigeria, here’s a quick reminder that internet fraud is a crime that has cost a country’s reputation, thousands of lives and billions of dollars.

    Stay in the green, kids. It may take a minute but like Obinwanne Okeke, you’ll always get what’s coming.

  • How To Survive In A Bad Neighbourhood

    If there’s anything I’ve learned house hunting in Lagos, it’s that house agents are from hell. They’re a cross between MMM representatives and campus cult recruiters. The best of them will have you believing you’ve signed up for a slice of heaven until that nice 2-bedroom in a spacious compound you found on RentAHouseQuickQuick.com.ng turns out to be the Boys Quarter of the NURTW office in Oshodi.

    If you’ve ever ended up in a bad neighbourhood, you can tell the signs as soon as you walk into one. They include, but are not restricted to, people staring so hard you have to peel their eyes off your shirt and return it to them. But things can get worse.

    Luckily, I come bearing experience from a place where every middle-aged man is either an alcoholic or an alcoholic. I haven’t quite hacked it yet, but here are a few things I plan to try soon. Let me know how they work for you, yes?

    • Colour Blocking

    Wearing certain colours too often is one of the surest ways to get into trouble. So why don’t you just confuse tf out of the cultists on your street and do some colour blocking? Channel your inner 2016 K-Cee and keep it as close to a watercolour tray as possible. The more, the merrier.

    • Employ A Cell of Child Spies

    You should borrow a leaf from Pablo Escobar as seen in the Netflix series, Narcos. People tend to overlook the actions of the tiny crackheads also known as kids, meaning they’re perfect lookouts. Start by finding the most badly-behaved children on the street. Pay them in Zlatan and Naira Marley mixtapes to snitch on their older brothers who’ve been eyeing you for months. Everybody wins, not least of all Naira Marley.

    • Go Crazy

    Hear me out here. Everyone thinks they’re crazy until they meet someone who’s even more crazy, like an actual mad man. So dress, look and act the part. Cover yourself in temporary tattoos and dress up like what wold happen if the Joker and an actual clown had a baby. Basically, this guy.

    • Offer Yourself Up As Tribute

    This is my attempt at reverse psychology. Basically, make it super-easy to be robbed. The catch is that things will be completely within your control; you can decide what gets taken from you. So, pocket that dead ass Tecno phone + 1500 naira and a pack of cigarettes, and walk into the darkest corner of your street. You could even score some cool points. Next thing you know; you’re getting text message alerts telling you in advance before your compound gets robbed. A little heads-up never hurt anybody.

    • Just Move Out

    You can’t say you didn’t see this coming.

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  • Partying Without Zlatan Ibile’s Music Should Be Illegal

    It’s 2019. Zlatan Ibile, a green-haired lyricist from the slums of Agege, is the hottest rapper in Nigeria. He’s everything you didn’t know you needed. Like if someone found a way to make amala and catfish pepper-soup work as a combo.

    Zlatan is a certified pop star now. There’s no arguing that. To be honest, no-one can say how and why he came this far, so quickly. He’s not the first Nigerian rapper to bring the music of the streets to the mainstream. He’s not the first to have such frequent brushes with controversy either.

    One moment, he was one of thousands in the dark underbelly of Nigerian music, where Naijaloaded holds sway, and the next moment we were shouting ‘kapaichumarimarichupaco’ and doing the Zanku into 2019.

    Zlatan kicked off the year in 2018, ironically. Like watch-night services and prayer sessions in the years before the economy swallowed our faith in God, “Killin Dem” was the song that ushered many Nigerians into the new year. Since then, Zlatan has refused to let go of our necks.

    He’s managed to achieve all his success without losing what makes him distinct: his energy. The defining feature of Zlatan and his work is its capacity to move you, even when he’s trying to be serious. It comes from an energy that’s contagious. It’s peer pressure at its finest. And by god, it’s beautiful to listen to and watch in action.

    Think about “Am I A Yahoo Boy” for instance. It’s supposed to address claims that the two are internet fraudsters. On any day, that’s a serious allegation. But as soon as the beat comes on, your home training evaporates and your legs start to fight for freedom. Like it or not, you soon find yourself dancing to a song that packs 30 years of counterculture into three minutes.

    If you’ve (refused to succumb to your problems and) partied in 2019, you’ll know what happens when a Zlatan Ibile song comes on the speakers. It’s like someone sprinkled hard drugs in the air. Only this time, it’s a rare form of cocaine that compels people to jump and stab their feet in the air.

    The only other person who has this capacity is his friend, Naira Marley. Unlike him, Zlatan can combine his energy and affinity for street culture with being a rare likeability. He’s like the neighbourhood delinquent who worms his way into your family until he earns the right to show up for Sunday dinner unannounced.

    The best example is probably not any of his songs, even though each one sounds like a war chant and a celebration of unexpected dollars rolled into one. It’s those videos of him laying his adlibs over newly recorded tracks. Even without an accompanying beat, they sound like you’re expected to do something. You get the same feeling as when your father opens the door to your room and stands at the entrance, silently staring into your eyes. You don’t know what you’ve done wrong but you just want to fix up your life and make up for your mistakes.

    It’s that energy, coupled with Rexxie’s beats that has made certain DJs build their entire club mix around his music. It’s why Tekno returned from an unfortunate hiatus and had to tap Zlatan for a low-budget Zanku ripoff titled “Agege”. Because when you’ve copied a person’s sound and featured him on the song, naming it after their neighbourhood is a small ask. It’s why Zlatan’s music is what gets the party moving; whether it’s the first or penultimate song on your tracklist.

    It’s why I think we should go further and make it an informal rule at least; it should be illegal to party without Zlatan’s music.

    I know this sounds like a joke. In a sense, that’s what it started as, but since I started writing this, I’ve gotten more reasons why this is necessary.

    The Morality prefect inside you is probably asking, “Segun, wazz all this?” Get over yourself and your Sunday school lessons. This is bigger than us all. This is about love, a shared identity and most importantly, social equality. This is about passion.

    You see, Zlatan is a kind of cross-cultural, inter-class mixologist. Think of him as a member of Major Lazer. Only, instead of generic Carribean vibes, his forte is making music that forces you to lose your self-control, whether you’re a 12-year-old selling gala in traffic or a billionaire looking to reconnect with the simpler days of his youth. Zlatan’s voice attacks the legs, which makes sense because the Zanku is also known as ‘legwork’.

    Anyone with the ability to get people dancing across generations and social classes has to use his ability for something more than Eko Hotel shows and Instagram likes. That’s why we need to weaponize his music to do what Buhari, 30+ years of NYSC and Jollof rice have struggled to achieve.

    It’s difficult to harbour resentment towards anyone for being richer than you when you’ve danced “Zanku” together at an owambe, with bottles of beer raised to the high heavens as a sign of togetherness.

    Making Zlatan’s music a compulsory part of our lives will bridge tribal & social prejudice. The broke Yoruba transporter from Oshodi will see his wealthy Igbo brother from Port Harcourt and as they both ‘gbe body’ to Shotan, they’ll find that they have so much more in common than they know.

    It’s only a short distance from there to world peace.

  • I’m Good Enough For Mile 12

    We want to know how young people become adults. The question we ask is “What’s your coming of age story?” Every Thursday, we’ll bring you the story one young Nigerian’s journey to adulthood and how it shaped them.

    I grew up in Mile 12. It’s most known for the sprawling food market – the place where other markets come to shop. I remember it for noise, drama, fights and crowded apartments. There was no better example of Mile 12’s rowdy mix than our compound – it had no gates, two beer parlours, a barbershop, a church and 40+ occupants.

    There, my parents managed the enviable task of raising me and later, my two younger siblings, on their terms. We were the only children there who had a private school education. While they couldn’t give us life beyond that environment, they showed it to us, first in newspapers and later, bootlegged cable television. 

    I can’t tell if it was this exposure or an unwarranted ‘child prodigy’ tag that set us apart, but we were always treated like an exotic species. Even at school, when I was 8 and my school got into fights with the neighbouring primary school, my friends would ask me to look out rather than get involved. Once, I forced myself into the situation and got my uniform ripped. A friend begged until I agreed to swap shirts. We knew the implications, but he would rather catch a beating than let me stain my white.

    Adults were barely different. I remember our landlord, a man in his early 40s, coming to our door to ask me what ‘moving stairs’ are called. “Escalators”, I said. I had no idea how I knew the answer. At that point, I was already tired of being treated differently. I wanted to fight on the street like my friends. When half of my friends didn’t make the jump to secondary school, I wanted to be like them too. 

    It wasn’t meant to be. I learned to punch above my weight from my father who moved to Lagos from Ibadan in the 1980s, with a letter of referral to the Nigerian Defence Academy and some change. He didn’t get to the army as he’d hoped, so he turned his attention to other, more pressing matters like surviving, and later, raising kids and giving them the life he never had. 

    Adulthood to me was what my father did – waking up before your kids and returning after they’ve gone to bed, providing for multiple extended family members, with little to show for your work.

    A younger me would never admit how I admired him. I’m like an updated version of the man, one who never combs his hair and is more given to excesses than he was.

    The other people I looked up to were too distant from my reality to offer any true lessons, like Anakin Skywalker, Frodo or Nas. Those who were close were too defective to be worthy of emulation, like Uncle Solomon, my childhood best friend who got addicted to cocaine and ripped a bass drum open with his head.

    In 2008, I left home to study Law at a university in Ekiti. It had come as fast as everyone expected. Tertiary education is considered a luxury where I come from so it felt like the entire neighbourhood was sending me off. I like to say I never returned home after that.

    Ado-Ekiti was a different world from the one I grew up in. I was a 15-year-old with pressure to deliver on years of promise, but I found myself in a place with no electricity, lethargic lecturers and all-powerful students. 

    Maybe it was the freedom or a need to treated like just every other person. But a few gang fights, some police trouble and many spontaneous inter-state trips later, four years had passed. 

    My first semester in university had been a parent’s dream. I’d skipped most of my lectures and managed to score in the top 5% of the class. When I graduated at 21, I was in the bottom 30%.

    Somewhere in those six years, I lost every inkling of who I was. People have blamed my parents for sending me off so young; others say it was being forced to study a course I had no love for. I only blamed myself. I’d let too many people down. I had to regain their trust and belief. That was what my year in law school and the few months I spent in practice were about; showing I was worth it.

    In 2016, the year I was supposed to go for NYSC, I moved to Benin for what was supposed to be a year of personal discovery. There, at the end of several cannabis joints and old Majek Fashek songs, I found something. Even when I feign disinterest as I often do, I’ve always felt like I had a point to prove.

    People often say I have a saviour complex. And it’s true. It shows up in my obsession with emerging artists, and how I like to commit to more work than I can reasonably handle. But I wouldn’t have it any other way. Somewhere beneath the reckless exterior, a part of me believes I have a duty to everyone who looked out for me, from the guy who gave me his uniform to the Head of Department who let me graduate on the promise that I’d make something of my self.

    It’s why years after my family moved, I got an apartment with my girlfriend a few minutes from the place I grew up in. No-one from Mile 12 knows that I live here. They don’t need to. I’ll go when I have something to offer them.

    I’ve spent the last four years cutting my teeth as a storyteller. I have an intense passion for music and diverse perspectives. It’s come with its own wins, but my biggest accomplishment is providing for my family. Overachieving for so long has caught up with my father, and while he insists he’s capable, I’ve taken on his role as provider, albeit from afar. I’m not the child of their dreams, the one neighbours would come to ask questions, anymore. Now, people are warier than anything when they look at me. But I like being misunderstood; it’s more exciting than being pampered.

    As proud as I am of hewing my path, life often reminds me of my backstory. A few years ago, I missed out an important job because “I’d never been outside the country and thus lacked the requisite exposure to tell stories on a wider scale”.

    Adulting to me is making sure no one will offer such an excuse to any of my kids. It’s making sure that my baby sister can attend her convocation, even if it means I have to take a loan for it. Adulting is making sure that I deliver on every promise that I made by being the kid who never fit in, even if it means disappointing the people around me by constantly lifting more than I can carry.

    It’s why I decided early that there can be no room for regrets. My journey could only have brought me here. Sometimes it feels too far from my destination but the excitement of not knowing if I’ll ever be fully capable of what’s expected of me is enough.

    There’s too much to prove; too little to time to slow down and take stock.

  • #BumpThis: Ezi Emela’s “Tables Turn”

    There’s so much music out there that it’s hard for even the most loyal fans to stay up with their favourite artists or what’s new and hot right now. That’s why we’ve created #BumpThis – a daily series that features the one song you need to listen to, every day. Don’t say we never did anything for you.

    It’s hard to pin Ezi Emela or her music down. The sultry singer has a habit for showing up with infrequent releases, only to withdraw from the public eye just as quickly. Hers is not an unusual case. Emerging artists often have to balance their efforts, visibility and expectations in a space where talent, or a great brand, isn’t enough to assure success. But the singer is relatively well-known, even if you can’t help but think she should be a lot bigger than she is.

    On her newest release, “Tables Turn”, Ezi Emela addresses the empty promises and disloyalty that may have affected her pace and led many to see her as a hobbyist in the last few years. Against the backdrop of trap drums and a light piano riff, the singer holds little back and calls out everyone who’s selling her dreams and wasting her time. She doesn’t go as far as calling names but as usual, the singer’s in diva mode. The sensuality that runs through all her music combines with a level of aggression that forces you or anyone who’s called her gift into question to see her in a new light.

    “You gon’ learn that the tables turn”, the most recurring line on the song, sounds like a warning. We can’t wait to see how she plans to prove her point.

  • Blue Tears Inna Mi Eyes

    Welcome. What you’re about to read is a light-hearted look at what happened this past weekend in the English Premier League, as told by one ardent fan. It won’t help you find the best ‘over 2.5’ odds to bet on but we promise you’ll love it.

    Any Chelsea fans here? Remember when we all wanted Maurizio Sarri, our club’s chainsmoking former manager, to leave just because we lost two games in a row? Haq haq haq. Who woulda thunk that it could get worse? Who knew, for the love of God, that months later, we’d be watching that same team run around like blindfolded toddlers? The new Premier League season is here guys, and as I type this, there are blue tears inna mi eyes.

    380 matches. 38 weeks. 20 teams. One winner. Whether you watch football or nah, it’s really hard to escape the English Premier League. It’s what bae really wants to watch when he tells you he’s too sick to come out for drinks on Saturday afternoon. It’s the real reason your gambling addict/Maths teacher flogged differently on Mondays. Basically, it’s a part of your life.

    I became a fan of Chelsea, one of England’s greatest clubs in 2005, at the ripe old age of 11. You know Chelsea: Terry, Lampard, Drogba, the human Duracell battery known as N’golo Kante. Since then, I’ve seen great moments and cried a few thug tears (Fuck you, 2011 Fernando Torres and 2018 Morata). For me, and most EPL fans for that matter, the new season promises a lot of twists.

    So how did the Boys in Blue perform on the opening week?

    Like a bunch of drunk Boy Scouts in an Oshodi street fight.

    But let’s backtrack a little.

    Chelsea has a (bad) reputation for changing managers with alarming frequency. So, not many people were surprised when Maurizio Sarri packed his bags after just one year and moved to Turin, home to Cristiano Ronaldo & Juventus in May.

    Up stepped Chelsea legend, Frank Lampard. See, we all knew Frank was green as a field of grass. Sure, he’s Chelsea record goalscorer. But he took the job with only one year of experience as a manager at a lower division club, Derby. For context, it’s almost the same as asking Burna Boy to become the Minister of Culture because he made a great album. (On second thought, this wouldn’t be such a… nvm)

    So why were we surprised when on the first game of the season, Chelsea got assaulted by Manchester United and a trio of kids?

    Kurt Zouma is an MMA fighter moonlighting at my club, and I want him out.

    A bit of backstory. Chelsea was banned from recruiting any players this season, thanks to a stupid decision to sign underage players a while ago. Plus Real Madrid tapped our best player, Eden Hazard. To make up for our loss, we turned to an army of talented youngsters who had spent the last few seasons cutting their teeth at smaller clubs. What they didn’t tell us was that some of them, like the rigid sack of bricks known as Kurt Zouma, had picked up other professions. Mixed Martial Arts, to be specific.

    Kurt Houma-ing.

    If I was worried about the prospect of staring the season against United, my heart fell into my stomach when Zouma got the ball barely 6 minutes in. The man looked around, covered it in gift wrap and passed to an opponent. Thankfully, that danger was averted. But Zouma had other plans. 

    Minutes later, he channelled his inner Israel Adesanya and hacked down Marcus Rashford, giving away a penalty that resulted in United’s first goal. And so he continued, using his legs like a chainsaw, passing to some mystery woman in the stands and being as useful as a cardboard cut-out until voila, 4-0.

    I wish I could blame Zouma alone but I can’t.

    Too many people played a role in hurting me this Sunday. There’s Tammy “Don’t pass to me if you want me to pass back” Abraham and Ross “Where’s everybody?” Barkley. Simply put, the entire Chelsea team was a bleeping mess. I had to go watch Hassan Minhaj’s show on Netflix to remind myself that more serious problems exist in the world. Father, be a magician and fix these boys.

    https://www.youtube.com/watch?v=TVBR3005l30

    I heart you, David Luiz. Come back home, plis.

    What most Chelsea fans were thinking after the 2nd goal went in.

    Elsewhere, Liverpool and Manchester City have started again.

    Some context. Last time out, Liverpool and City were in a race to the wire for the title. Both have great players like Mo Salah & Raheem Sterling and great coaches too, in Jurgen Klopp and Pep Guardiola respectively.

    You know what they say about elephants fighting and grass suffering? Long story short, both teams were beating opponents by obscene margins like 7-1 as either team tried to keep the pressure on the other. City eventually won the title, but if you thought that was a one-off scenario, you obviously dunno what’s going on here. Just look below.

    Elsewhere, former big club, Arsenal managed a win against Newcastle. There were wins too for Spurs, one of the best teams to watch & home to the most English human being alive, Harry Kane, and Brighton.

    Where do we go from here?

    The league continues next week with another round of matches. Frankly, I don’t know if I can take such heartache so early on. I have friends who support Arsenal; I know how these things begin. Cassh me here next Monday to know if I’ve severed ties with Chelsea. Also, you should share this with all your football-loving friends. Maybe we’l get one of them, preferably a Liverpool fan, to send in their thoughts soon.

    See y’all in a week.

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  • #BumpThis: Buju’s “Spiritual” w/ Zlatan

    There’s so much music out there that it’s hard for even the most loyal fans to stay up with their favourite artists or what’s new and hot right now. That’s why we’ve created #BumpThis – a daily series that features the one song you need to listen to, every day. Don’t say we never did anything for you.

    Whenever the emerging singer/songwriter Daniel Benson, also known as Buju, posts a snippet or recording on Twitter, it’s usually followed by fans asking for a release date and pushing it to the far ends of the internet. His newest single, “Spiritual” has its origin story in this pattern.

    After posting a snippet, Buju asked his fans to help secure a guest verse by Zlatan, a demand which the rapper, one of the hottest properties in Nigerian music, eventually granted after he was tagged in a ruthless flurry of tweets and Instagram posts.

    On “Spiritual”, Buju and Zlatan combine for a song that shows the best of both artists. Beats By Steph, a close collaborator of his, provides a slow-paced, piano-driven beat that’s right down Buju’s lane as he purrs his desires to a well-endowed woman. As you’d expect, Zlatan’s adlibs punctuate every other line.

    Melody, not energy, is Buju’s forte and as such, Zlatan offers a worthy complement. His verse is typically high-energy, and he stays on topic. While the beat often feels a bit laid-back, it’s more proof of Buju’s preferred sound than anything else.

    Stream Buju & Zlatan’s “Spiritual” on Apple Music & Spotify.

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  • #BumpThis: Lady Donli’s “Corner” w/ Van Jess & The Cavemen

    There’s so much music out there that it’s hard for even the most loyal fans to stay up with their favourite artists or what’s new and hot right now. That’s why we’ve created #BumpThis – a daily series that features the one song you need to listen to, every day. Don’t say we never did anything for you.

    Lady Donli has never been too shy to let us into her journey or more importantly, the mind and emotions that drive her decisions. Her impressive catalogue is a run through an individual’s evolution from an awkward teenage prospect to a self-assured woman. It is perhaps why “Enjoy Your Life”, the title of her 15-track debut album sounds like a decision made on a night at the beach after years of chasing her dreams.

    “Corner”, one of the project’s standouts shows why that title and the decision are perfect. In the last few months, Lady Donli has added a more contemporary, highlife element to her music. Merged with her jazz leanings, it’s produced a smooth, mid-tempo sound that’s a perfect entry point for fans across generations.

    The song opens with a choral rendition that feels lifted from an Igbo highlife song, or more recently, folk hits from the 1990s. Donli sticks with that feel as she sings in a hushed tone about a love interest who’s playing tricks or ‘corner corner’ on her. The Cavemen, a stellar band who she’s worked with on songs like “Cash” provides a minimalist bed of live instrumentation. It’s perfect for Lady Donli to evoke her inner Madam, with help from Van Jess, a Nigerian-American R&B duo composed of sisters Ivana and Jessica Nwokike.

    Seen by many as the First Lady of Nigeria’s much-vaunted Alte scene, the new album from Lady Donli (or Madam President to you common folk) sounds like a journey through decades of Nigerian sound.

    The culture is more than safe in her hands.

    Listen to “Corner” and the “Enjoy Your Life” album on Apple Music and Spotify.

  • Nonso Amadi Is Not Afraid To Create On His Own Terms

    Since he first announced himself with “Tonight”, Nonso Amadi’s music has never been defined by his roots or particular influences.

    A self taught producer and vocalist, he’s become one of the faces of the new sounds coming out of Nigeria. As the internet propels this new wave and inspires collaborations like “War”, his 2017 EP with Odunsi, Nonso Amadi has played in his lane.

    He’s earned a reputation as a loverboy, mostly by capturing young adult emotions in music that blends his love for internet-era R&B with the melodies of Afrobeats, pop and soul.

    The title of his new EP’, “Free” suggests liberty or release; to no longer be confined or imprisoned. It’s an interesting prospect for a reserved artist who’s carved his niche of emotive pop songs.

    On “Never”, the album’s opener, Nonso shows why liberty is this project theme. Over the spacious sound of drums and airy chords, Nonso talks about the pressures of having the whole world on his shoulders and “why he’s been so shy from the start”

    For one seen as a preppy pop act, it’s somewhat surprising to hear him get so vulnerable. Yet, it’s a neceasary moment from an artist who’s eager to move beyond what he’s become known for and sets the tone for the EP.

    While “Free” starts on a sombre note, any fan of Nonso’s work would expect Free to have its share of love songs and they won’t be disappointed. On “Better”, he taps Simi for a stripped down ballad about making effort in relationships. “No Crime”, the album’s lead single, is Nonso Amadi in his bag, a love song that’s become a playlist staple since its release.

    “Free” is glorious in the moments when Nonso Amadi gives himself the liberty to go beyond the familiar. The album’s title track, starts as just another airy R&B track before it kicks up into a more melodious take on Afro-swing. It’s fitting that on the song, he asks a lover for space to do what he wants.

    On “Go Outside”, he taps the globetrotting Mr Eazi for a dynamic song that combines his love of Afrobeats with lyrics that paint him as an assured ladies man. It’s far from the delicate loverboy who shows up on the final track, “What Makes You Sure?’, a plea for his lover’s trust.

    The 6-track EP is proof that Nonso Amadi is no longer afraid to create on his terms. On a project with high profile collaborators like co-producers, Juls and Spax and diverging subjects, he achieves a seamless listen that should be the precursor for a new chapter of his career.

  • #BumpThis: Tems’ “Try Me”

    There’s so much music out there that it’s hard for even the most loyal fans to stay up with their favourite artists or what’s new and hot right now. That’s why we’ve created #BumpThis – a daily series that features the one song you need to listen to, every day. Don’t say we never did anything for you.

    Nigeria’s emerging alte r&b/pop scene has many gems. Tems is one of the best at making music as an experience, whether it’s disgust at an unfaithful lover on “Looku Looku” or the fervour of infatuation on “Mr Rebel”.

    After the singer’s brief silence, Tems’ new release, “Try Me” shows off her vocal range and why her brand of fusion brims with potential. Tems’ voice often carries undertones of pain, most notably on “Shadow Of Doubt”, her collab with Show Dem Camp. On “Try Me”, an upbeat song about ill intentions, it makes her sound confident. It’s fitting for the production, a lively beat influenced by 2000s pop.

    “Try Me” lets Tems flex her chords in a manner that is as easy on the ears as it’s defiant. She’s sure of herself even if as she sings, those who should complement her have worse plans, “Why you want to stop me? Try to challenge me?“, Tems sings, helped on by a cheeky marijuana reference. She’s a voice that you’ll hear a lot more of in years to come.

    Stream Tems’ “Try Me“.

  • 28, Cruising and Living With My Mom

    We want to know how young people become adults. The question we ask is “What’s your coming of age story?” Every Thursday, we’ll bring you the story one young Nigerian’s journey to adulthood and how it shaped them.

    What’s a good word to describe the feeling of comfort in an imperfect situation? ‘Lethargy’ sounds like I’m lazy – I’m not. My mother says you can leave me in a spot as the world collapses and I’ll stay put until something comes close. I move at my own pace, even in the worst situations. I’ve been called many things for this: lazy, unbothered.

    Before those monikers, my role was being the only son of a customs officer. It was an important position. My father was a driven man who gave a bigger share of his life to working and got married in his late 40s, decades after his mates. My mother was 25 at the time they got married. I was born the next year. In family photos of outings during my childhood, we look like three generations – one stern, grey-haired man in flowing traditional wear, a fine woman in her 30s and a little child. 

    We lived in Bashorun, Ibadan. In the 1970s, it was reserved for wealthy civilians and influential military men. When I was growing up, it wasn’t as exclusive, but life was good.

    I went to the best school in Ibadan. My dad’s name got me in and his money kept me there. On the best days, usually Fridays, I’d return home to him and my mum, a full-time housewife, sitting over drinks in the shade of the veranda while the driver pulled into the compound. 

    Once, when I was 12, I returned from school early for the wrong reasons. The look on my mother’s face changed from fear to shock when I told what happened.

    A classmate had made me the butt of a nasty joke, so I played a more practical one on him. He wasn’t the first person in my school who unknowingly sat on a pencil, but my mischief bruised him so hard, he bled. Knowing hell would break loose if his parents showed up, the principal sent me home.

    I returned with my dad, apologised and stepped out of the principal’s office on his instruction. That was it. Nobody laid a finger on me, not even him. I swear. I guess people in their 60s don’t get surprised easily. If my father was ever fazed, it happened before my lifetime. Granted, he had the range to solve his problems and every family member’s. But he’d make them drink and talk about random things first.

    It was his way of getting them to relax. It gave me the impression that people tend to overreact to issues. Perhaps, he wanted them to see that.

    I know boys say their fathers are their heroes, but when I look at my father’s photos, I see the only man I’ve ever wanted to become. My dad and I were an unlikely pair. Between spending weekends with him and sitting at his feet while he talked to guests, I only ever looked up to one person: him.

    My fairytale was cut short on the 16th of September 2009. My father was 66 when he died – peacefully, I assume, in the backseat of his car on a trip home from Lagos. They say he lived a full life. I don’t know. All I felt was emptiness.

    I should have been in my third year studying Psychology at the University of Ibadan when it happened. It was when things had passed and cooled off that I told my mom I hadn’t been a student there for over 6 months.

    I was placed on probation after the first session and advised to work on my grades or be withdrawn. But I was too distracted. I had everything I wanted and a two-bedroom at Agbowo. At the end of the first semester, I didn’t have enough attendance to write exams. My time at U.I was done. It became official when the session ended.

    My mother was disappointed, but she no fit carry two things wey dey fight to be the one wey dey pain am pass, so she gats fix wetin dey her power.

    Strings were pulled and I got into the pre-degree program at The Federal University of Technology, Akure (FUTA). Everything started well. Raw regret fuelled a new level of diligence. Starting afresh was simply humbling. But I soon noticed I was on the fringes. It didn’t help that my mum had become tight-fisted after my dad passed. I couldn’t beat them, so I joined them. 

    I was doing things like travelling to party in Abeokuta for the fear of missing out. FUTA isn’t well-run, so I could skirt the problems that got me sent away from UI. I could catch a cruise, miss classes and pay for grades. I graduated as a 25-year-old who lived a 19-year-old’s life. Youth Service at the Broadcasting Corporation of Oyo State (BCOS) was next, from 2016 to 2017. I practically lived at home.

    I think people are eager to project their responsibilities so they can appear more serious adults than others. What’s that? Why would you want to prove you’re better at suffering than others?

    I haven’t held a full-time job since BCOS. I can afford not to. My father left everything to my mother and me.

    I live with my mother and help manage his investments. That’s making sure no-one sells our land, houses are maintained and tenants pay rent on time. I spend my spare time with friends, travelling or exploring small business openings. Ibadan is a big place and opportunities are opening. Taxify launched here recently. More people are moving from Lagos. Soon our nightlife will start popping properly. I have to get in on that action.

    I know people say stuff about me and the money, especially family. A lot of it comes from envy. Is it my fault that my dad left money behind? Am I to blame for being an only child? 

    My mum has suggested I get a full-time job. She once asked if I would like to move to one of our flats. Why should I leave a house that’s big enough for me, my mum, extended family and friends, just to prove a point? For what though? In a country where the reward for hard work is getting by? Half the people who yarn about me want to be me.

    Am I adulting? Yes, but I think if you ask most people, they’ll disagree because of my privilege. But what does it matter? I like what I have and I don’t see the point in plunging myself into adversity to prove something.

    I miss my father a lot. Maybe I’d have a better sense of how I’m doing if he was still here. It would be fun to ask if he thinks I’m doing okay.

  • These Nigerian Fashion Trends From The 2000s Must Never Make A Comeback

    I’m not proud of everything I’ve done in my rather eventful life. I look back at that time I ran away from a bunch of kids trying to mug me in 2011 and shake my head in regret. There’s also the time I went to a Constitutional Law lecture in a pair of jeans and got the dragging of my life. But none of that comes close to the 2000s; the decade I let peer pressure get the better of me.

    The 2000s are iconic for many things; every other person had Y2k fever, and the lyrics to Will Smith’s “Will 2k” were gospel. Good times. Who woulda thunk that barely years later, I’d be rocking corduroy trousers big enough for my entire body to fit in? If you look at the photos of you and your best friends from that era, you’ll get my point better. The 2000s were a dark time, a time when we collectively decided to dress like badly drawn cartoon characters.

    Now that street fashion is more popular than ever, and more fashionable people are looking to past decades for inspiration, we must make sure nobody ever decides to bring these fashion fads back.

    • Anything With ‘OBEY’ On It

    The first time I saw a shirt with “OBEY” written on it, I assumed it was a PSA. Like the United Nations had sponsored a program to get Nigerian children to be more obedient. Then I began to see it on TV, on the backs of people who have never obeyed any instruction in their lives. Man, every young Nigerian male who was alive and had spare cash in the 2000s rocked something with OBEY on it. The ‘OBEY’ clothing line was vital in bringing streetwear to the masses (and our people at Aba did their fair share to help). To be fair, their designs are pretty cool. Nah, they’re not. I’ve seen enough OBEY for 60 lifetimes.

    • Boot Cut Trousers
    Bracket doing it for the culture.

    What do you know about walking around in trousers that feel like they’re hiding an entire village and its citizens. From time, trouser cuts have been the first casualties of fashion trends. So I reckon people were excited when the boot-cut thing (or bell bottoms, as some call them) showed up. They shouldn’t have. Except that you’re trying to smuggle your extended family into another country, there’s no alternate reality where these trousers make sense. Imagine walking and waiting for the bottom half of your trousers to catch up with you. There’s also the part where the trousers would swallow your shoes, with no regard for how much you spent on them. Never Again.

    • Supra Hightops

    Christ. These ‘sneakers’, which was the ruse they were sold under, look like what happened if Wall-E spent too much personal time with a leather ball. Yet everybody I knew, boys and girls wanted to rock a pair in 2008. Supra fever was so intense that it was tied to dance moves like the Dougie and an entire batch of baby-faced rappers. To be fair, they stood out; a pair of Supras look like Optimus Prime is hugging your feet with your trousers all scrunched near your knee. Hightops aren’t bad; a nice pair of 23s will prove this point. Supras just don’t work.

    • That Shirt & Sweater/Waistcoat Combo
    P-Square Being P-Square

    Yes, Bayo. I know you’ve seen all those interviews of Jeff Bezos where he’s stylishly decked in a dress shirt and a nice sweater. I know you want to be like Bezos. I wanted to be a young, hip billionaire too. So I let my friends convince me to dress the part – by wearing waistcoats over dress shirts in the midday sunshine, with a patriotic ‘Nigeria’ pin for effect. Guess who’s still poor? Me. Certain philistines still dress like this, but we must raise awareness and kill this virus before it overwhelms the entire population.

    • Multicoloured Snapbacks
    This guy again.

    I blame Wizkid and “Holla At Your Boy”. You see, when a young, talented singer who’s supposedly in his teens shows up and grabs all the (ladies’) attention, it’s only understandable that every potential baby boy wants to look like him. Hats, or face caps as they are also known, had been a thing long before Wiz. But when he began to show up everywhere in snapbacks of varying colours, the mandem followed suit. Then, unimaginative Nigerians began making theirs, complete with meaningless terms like “SWAGGER” embossed in hideous colours. Snapbacks are still a part of popular culture, as Wizkid will show you any day. But the 2000s were a dark time we must never return to.

    HONOURABLE MENTION

    No matter what you do, you just can’t beat this one. It’s trying to live forever.

    • Colour Blocking
    Debs, an Abuja Lifestyle Blogger

    Want to see what a person looks like when they manage an outfit that combines all 9 primary colours? To be fair, you’ve probably seen it already. Colour blocking is essentially a display of graphic design. People rock items of very different colours, supposedly to create a diverse visually-pleasing palette. What I see is pure, unadulterated confusion.

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  • Meet My Favorite Nigerian TV Families

    Nowadays, if you’re in the mood for some local entertainment, all you have to do is hop to a cross-dressing Nigerian comedian’s Instagram page, turn on Africa Magic, or (if your soul is dark) scroll through Instablog9ja.

    As a 90s baby who grew up in the 2000s, I hdid different things. As a child, local TV shows were my primary form of entertainment for years.

    https://www.youtube.com/watch?v=o3ZjHeIQpUo

    Cartoons were great (and judging by all the new anime on Netflix, they still are) but local television was more relatable. For long, my entire week revolved around Super Story. When I developed a taste for anarchic humour, Fuji House of Commotion took its place. Shows like those showed me multiple views of Nigerian life that I couldn’t get anywhere else.

    Of course, that’s a massive world of realities. But over time, I found that my favourite shows were those with a family as the central cast. They still are. Family life in Nigeria is special, for lack of a better word and there’s no better way to see the many varieties in full splendour than on Nigerian TV.

    That said, here are my 5 favourite families from Nigerian Television shows through the years.

    • The Johnsons (from “The Johnsons”)
    https://www.youtube.com/watch?v=xSGMnZ6M66E

    I got into this show just as I was leaving the safety of my parents’ house for the jungle that is the Lagos job market. If there’s any show that captures the mischief typical of eccentric Nigerian kids (and a cheapskate father), it’s this one. The Johnsons are a lowermiddle-class family – but that’s where all the normalcy ends. The father, an amateur scientist played by funnyman Charles Inojie, is one of those middle-aged men who won’t stop reminding people he got an A in Physics. His family is just as dramatic. His wife, the family’s semi-educated matriarch tends to mispronounce words loudly.

    Their kids are a mess too. Chinedu Ikedieze plays the first son, who’s as problematic as he’s smart. His brother, played by Olumide Oworu is a lily-livereed mummy’s boy who will do anything for a girlfriend. Blessing, the last of three, loves attention so much she ran away from home because she wasn’t getting enough. The Johnsons are a family of misfits, but they are lovable in all their flaws. One minute, you’re wondering how a family like this can work, then you realise just how well they complement each other.

    • Chief Fuji’s Family (From “Fuji House of Commotion”)

    The family that struck the fear of marriage into the young hearts of Nigerians in the 2000s. If there’s one TV family I never wanted to join, it was this one. Fuji House of Commotion was a spin-off of “Checkmate”, the iconic Nigerian series by Amaka Igwe. While Checkmate is remembered for nuanced stories, The Fuji House was, at first look, pure chaos.

    Chief Fuji, as the main character was called, was the centre of it all. Of his three wives and one mistress, only one – the first wife played by Toun Oni – did not have an insane capacity for troublemaking. Add half-a-dozen men in their 30s who are fine with being overgrown babies + a dozen children and you see why the title makes perfect sense. Chief Fuji’s house was a barracks, refugee camp, rehabilitation centre and cultural hub, rolled into one.

    What appealed to me about the Fuji family was how it managed to reflect all the troubles you’d typically expect from such a large, multi-tribal household. But it also showed how it could work; for every new dispute, the family would manage to reach a compromise and keep moving. Such examples of resilience and multi-tribal unity are rare on Nigerian TV, even if I would rather live on crackers than join that family.

    • The General’s Family (Extended Family)

    You probably remember “Extended Family” as the show that brought comedian Bovi to the limelight. This 2000s show revolved around a family with a very stern father, referred to as “The General” (because what else would you call a dictator ruling over his own tiny (family) nation). The general’s main goal at the start of the series was to raise successful and well-behaved kids.

    Enter his two nephews. Bovi, in particular, seemed bent on undoing all the general’s hard work with his get-rich-quick schemes and loyalty to his old lifestyle. I’ve come to realise that I may like this family in part because of my childhood. I’m partial to TV families that feature rascals and how they navigate their relationships with stern authority figures. Great comedy also helps.

    I’m ashamed that I can’t remember their names, but my conscience will block my throat if I don’t include this.

    • Family Circle

    How do you make a list of Nigerian TV families without Family Circle? Apart from being one of the more popular series of the 1990s, the show did a great job of getting into the nitty-gritty of Nigerian family life. From disputes with extended family members to dealing with impressionabl kids, Family Circle touched everything with nuance. Sadly, there’s very little record of this show on the internet of things (or in my brain, for that matter, which explains why I can’t remember the characters’ names)

    Unlike many other shows on this list, comedy wasn’t the main vehicle. Instead, we were introduced to a regular family, with regular ideals and problems, trying to live a regular life. And sometimes, being regular is special enough. There’s also the part where the family head, played by Norbert Young, was the definitive stoic father of the 1990s. Let’s just say he reminded me of someone I knew.

    HONOURABLE MENTION:

    • The Soundtrack (Everyday People)
    https://www.youtube.com/watch?v=bUjA1MSTOHM

    This is hands down my favourite Nigerian TV show ever. I loved everyone and all the families on this show. Everyday People was perhaps one of the most-watched TV drama series of the 1990s, largely because many viewers could see themselves in the ensemble cast. The show was as close to reality as you could get with a scripted series in the 1990s; that’s how real the stories were. But what kept me coming back was the soundtrack. I still remember the words. The families weren’t that bad. But man, that soundtrack was special.

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  • #BumpThis: DJ Juls, Oxlade & Falz’s “Angelina”

    There’s so much music out there that it’s hard for even the most loyal fans to stay up with their favourite artists or what’s new and hot right now. That’s why we’ve created #BumpThis – a daily series that features the one song you need to listen to, every day. Don’t say we never did anything for you.

    He may not know it, but Ghanaian DJ & Producer, Juls played a big role in making Ghanaian highlife a vital part of Nigerian pop. Yet another skill of his, as shown on his new project “Colors” is tapping talented upstarts from across Africa for incredibly smooth summer tunes.

    Oxlade was relatively unknown when he grabbed attention for crafting the melody of Blaqbonez’s “Mamiwota” last year. Just over a year later, and the Surulere, Lagos singer is one of 2019’s best revelations.

    Oxlade’s dexterity with melody seems ready for a larger audience, and on “Angelina”, he proves it by perfectly complementing Juls’ sparse production and Falz’s comedic raps. The song sounds mostly like the soundtrack to a raunchy night hopping through town with a temporary love interest – a point that Falz passes across with lines like “Omo this your figure eight e dey slay guys, If I bust 16 you go change mind, na all her 36 she take smile.

    Angelina captures what we love the most about all three collaborators; and for Oxlade, shows that he can hold his own beyond the safety of the Underground scene.

    Listen to “Angelina” here.

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  • Seven Movies and Documentaries You Should Watch This Weekend

    With Netflix, Amazon and more publishers claiming Nigerian titles, it can feel surprising when you sit channel-surfing for the whole day trying to find something worth watching.

    That’s why we’re here. Some of the best Nigerian movies and tv shows of all time have been released in the last few decades. They show different sides to the Nigerian experience. If you haven’t seen anything on this list, do yourself a favour and fix up.

    • Finding Fela (2014)
    https://www.youtube.com/watch?v=ghUTffIYemo&t=4978s

    This expose on the life and times of Nigeria’s enigmatic musician, Fela Kuti is a staple. The documentary is shot with two timelines. The main story is about Fela’s life, from his childhood in Abeokuta to his final days in Lagos.

    The journey sits side-by-side with a visual journal that follows the cast of Fela: The Musical as they prepare for their grand premiere. With interviews featuring Yeni & Femi Kuti and Sandra Iszadore, it’s arguably the most comprehensive look at Fela on Youtube.

    • Up North (2018)
    https://www.youtube.com/watch?v=MvTVkh1LeLc

    This 2018 movie, by Anakle Films, was one of the most talked-about movies of last year. It helped turn the production firm into a more prominent name. The movie’s highlight, however, is its portrayal of the NYSC program. The movie’s protagonist, a wealthy heir is forced by his father to Bauchi for his compulsory year of national service. There, he becomes more thoughtful and finds love. Up North has its ‘meh’ moments but it’s a good look at the gulfs between Nigeria’s social classes and makes a good case for the oft-maligned NYSC.

    • Knockout (2019)

    For many Nigerian 90s babies, Wale Adenuga Productions reflected the playfulness of our childhood. Maybe that explains why Knockout, a movie by the same production firm is one of the funniest and most commercially successful movies out this year.

    Featuring an ensemble cast of funnymen that includes Charles Okocha, Brother Shaggy and Klint The Drunk, Knockout is a beautifully offbeat movie about one man’s hare-brained attempt to win a boxing competition. Turn your deep thinking instincts off for this one and just have a few nostalgic laughs.

    • Women Of The Bay (2019)

    With much thanks to the DIY culture, a crop of young filmmakers is creating timely exposes on Nigeria as they see it. One of the best in recent times is this short film by Nora Awolowo, produced by Kiki Mordi. The film is a humbling look at the lives of the women of Tarkwa Bay. Most Lagosians know the small island as a prime vacation spot, away from the bustle of Lagos. Tarkwa Bay is also home to an impoverished community of indigenes and local immigrants who service the wealthy Lagos Island neighbourhoods.

    • Hire A Woman (2019)
    https://www.youtube.com/watch?v=UwQuE-FHGPk

    Considering the new ground that this movie breaks, it’s strange that it’s only a footnote in most conversations. Despite being a staple of the Genevieve Nnaji’s Nollywood in the 1990s and 2000s, chick flicks, and their close cousins, romantic comedies have been replaced with shows of highbrow living in Lagos.

    It makes “Hire A Woman” a refreshing watch. It’s like a real-life version of a plotline in Big Brother Naija, only with better acting, more creepy gazes and fewer disappearing accents. Definitely something to watch with bae while you try to forget you have serious problems.

    • “This is Not LA, This Is Lagos” (2019)

    Lagos’ alte subculture has caught global attention in the last year, especially around musicians like Santi and Odunsi who have given more eclectic tinges to contemporary music. This documentary by Alte Daily is about one of the overlooked parts of the community; its burgeoning skate scene.

    The documentary follows the WAFFLESNCREAM brand that has become known for skate gear and fashion in Lagos as they try to give skate culture into the Nigerian mainstream. The documentary is a refreshing look into what the kids are up to nowadays.

    • “Sweet Crude” (2009)

    On a more serious note, if there’s one documentary you want to watch with a box of tissues in your hand and your phone on airplane mode, it’s Sweet Crude. The story of the Niger Delta, Nigeria’s overreliance on oil is familiar to most. This 2009 documentary (and Winner of the Perception of Vision Award at that year’s Seattle Film Festival) goes deeper into the heart of the problem.

    It goes to the homes, boats, dead farms and empty nets of the people who have suffered the worst environmental crisis in Nigeria’s history. But rather than simply emphasising the problem, the documentary looks at the history of non-violent protests and the emergence of the Movement for the Emancipation of the Niger Delta (MEND).

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  • “Can Adulting Wait Till I Turn 25?”

    We want to know how young people become adults. The question we ask is “What’s your coming of age story?” Every Thursday, we’ll bring you the story one young Nigerian’s journey to adulthood and how it shaped them.

    The young woman in this story admits she isn’t exactly an adult. She’s 20 and only a few weeks from her convocation ceremony – not like you need to be a full-blown adult to know what it means when your allowance gets cut off. There’s only one way to pay the bills. Money.

    When I was in junior school, JSS3 precisely, two classmates and I started a small business selling sweets in school. This was in Seolad College, the secondary school I attended in Mowe, Ogun State. We had clocked that the cafeteria didn’t sell sweets and that some of our other classmates liked to keep their jaws busy in the middle of classes, so we came up with a brilliant idea to start selling sweets.

    We bought packs of lollipops to sell every day and every day, before school closed, we sold out. When the school authorities found out, they beat us. Even worse, it was in front of the class. I’m not sure why. Perhaps it was because we were making money. The profit was really good. It was a very lucrative business. I was sad to stop, but the experience was great for me, it was one of the experiences that made me realise that money made the world go round.

    My parents raised my siblings and I – two boys and me – like a gang moving through three neighbourhoods in two states. First in Lagos, between Mile 12 and Ketu, and later in Mowe. We were tight-knit. Snitching was and is still a sin. When one of my brothers learned something, we all knew about it within hours. We did all sorts of fun things. One of our favourite hacks was making cookies by compressing a mix of milk biscuits and powdered milk and putting Robo chips on top. My oldest brother once made a magazine; he wrote an entire book full of stories, cut-outs and collages. He took it to school and his classmates happily paid to read it. We did these mostly for fun; although looking back now, I can see how we were always trying to create new things that kids our age would be interested in.

    As a child, I thought all adults were ballers. I don’t know why, but I assumed people in their early 20s got some sort of stipend to help them figure their shit out. I didn’t think about it deeply. If I did, I would have wondered why some people’s slay was low-budget.

    Our family was relatively comfortable. My dad started a chain of small businesses when I was 5. My mum was a teacher. My brothers got into university early – simple and straight-forward. I never worried about money (although I don’t know anyone who doesn’t like extra cash.) All my cash came from my dad.

    So when I began to understand how life worked, my chest began to hurt. I think it happened when we moved to Mowe. I was 12. We’d been living in this nice three-bedroom in a good neighbourhood in Ketu; then the landlord woke up one day and decided to double the rent. Two months later, we were standing at the gate to my father’s uncompleted house in Mowe, with no running water, no electricity and lots of work to do. I was so worried. Why were we moving to the bush? I wondered why he couldn’t just finish the house; so I asked and he broke it down. He taught me about cash flow, savings and expenses in detail. He had money coming in, but he had expenses so he never had enough to finish his house on short notice.

    From that point, nothing scared me like the knowledge that people run out of money, or worse, that my dad would stop giving me an allowance at some point. Man, I switched up once I realised how important money was.

    Everything about this life is money. You need money to navigate anything and everything else. I cannot wait to have a lot of it. The only other thing I’m looking forward to is independence and living alone – going out with the girls and having my friends over for intelligent conversations.

    When I say these things, my brothers often ask how I plan to get there. I’ve never known. In all the schools I went to, I was constantly told to pick a mentor and follow their example. That’s not for me. I could like something about you, but not enough to follow every step you take. There are people I like but they don’t rank as role models.

    I’m also lucky to have siblings that help me manage the pressure. One of their favourite things to say is how they’re doing all the suffering so I won’t have to. It’s helped me a lot, because, unlike a lot of my friends, I might actually have the luxury of deciding when I want to take on full-blown adult responsibilities.

    Right now, I think I’ll be ready for adulting when I turn 24 or 25. I plan to start a baked goods business after school that should be profitable by that time. I don’t want to work for anybody. I don’t think I can do any of that exactly as I plan though. My dad is somewhat overprotective and I’m sure he won’t let me start adulting when I want. My brothers had to run away from home when it was their time. I’m the last child and a girl. Serious azzdent. My parents are fairly conservative and there’s a role I’m supposed to fill. Plus women typically have it harder starting out.

    I hear women talk about how they have to do demeaning things to get or hold on to their jobs. They also tend to get disrespected often by their male colleagues. I remember reading an article once about how hard it is for single women to rent apartments. I laughed because my dad has a few apartments and he never rents to single women. I can’t imagine myself trying to navigate that world.

    It’s still 50/50 sha.

    For all the pressure, the real reason I’m reluctant to sign up for adulthood is simple: Bills. Those guys show up at random. You can never plan your finances well enough. Gas runs out at the worst times. If you have a car, you need to get fuel every morning. And if the car has a small issue, you have to get a mechanic. If he has your time or he’s just plain incompetent, he’ll spoil something else. Then you’ll have to call another mechanic. More expenses. You want to turn on the generator and something cracks. Expenses. Imagine paying for your cable subscription every month.

    I hang out with a lot of older people. I hear them talk about finances and obligations. I won’t lie, it scares me sometimes. The biggest thing I’ve learned from them is to save money. Life is super unpredictable. You can wake up in the morning and something hits you so hard in the face like my family when we moved away from civilisation, it could be your reserve fund that saves you. That’s why 25 is where it’s at for me. I hope I’ll be ready then. For now, chasing that goal is what keeps me busy.


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  • #BumpThis: Davido & Chris Brown’s “Blow My Mind”

    There’s so much music out there that it’s hard for even the most loyal fans to stay up with their favourite artists or what’s new and hot right now. That’s why we’ve created #BumpThis – a daily series that features the one song you need to listen to, every day. Don’t say we never did anything for you.

    Nigerian musicians are not famous for their use of songwriters, even though many know it’s a common practice behind the scenes. On his mission to reach the upper echelons of global pop, Davido has been criticised for using and not using songwriters. It’s consistent with the vitriol that he’s faced throughout his career – and addressed in a recent Instagram video. It is somewhat fitting that on “Blow My Mind”, an international collaboration featuring American singer Chris Brown, Davido proves why his formula (or the absence of one) works.

    Last year, Davido sprung onto US charts with two singles; “Fia” and “Fall”, months after their release. “Blow My Mind” is similar in its Afropop leanings, albeit with a tinge of airy R&B and afro-fusion elements. Davido’s melodies are unusually light and breezy – as such, many Nigerian listeners were quick to draw parallels with Wurld, the Nigerian singer who has writing credits on the song. Davido’s pairing with Chris Brown proves to be an inspired choice as well; the US pop star’s forte is melody-driven pop songs and he delivers a typically memorable verse.

    The production is a catchy mid-tempo beat that gives a summer tinge to the artists’ invitation to beautiful women. Davido may not have a songbird’s voice as many critics are quick to point out.

    Whether he uses songwriters or churns out hits with no help, the man is in the business of crafting hits. “Blow My Mind” is the latest of them and it is as perfect as summer anthems get.

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  • What Would Happen If Your Fave Musicians Became Governors?

    Next to music and the price of fuel, governance (and to a larger extent, politics) is one of the other things I care about. Much of it is down to learning to read by staring at Nigerian dailies.

    Like music, politics is about individuals. Both mediums require us to choose (or vote) if we enjoy or subscribe to what they represent. Their fans enjoy their content – either as music or as speeches and policy decisions. And in both cases, their trajectories are determined by how they wield their influence and tangible power.

    It perhaps explains why most militant artists have a political tinge to their music or even go as far as running for office. Nigeria’s Fela Kuti is a great example. More recently, Uganda’s Bebe Cool announced that he would be running for president in 2021.

    Typically, Nigerian singers would rather praise a woman’s shoes than comment on their reality. Interestingly, SDC’s “Clone Wars IV: These Buhari Times”, Falz’s “Moral Instruction” and Burna Boy’s “African Giant” – three of this year’s best albums – are, in one form or the other, political in tone. You could say 2019 has been an exception in that regard. So it should come as no surprise that we – meaning me – have decided to insert the unique personalities of Nigerian musicians into the large scope of Nigerian politics.

    God safe us all if anything here was to happen in real life.

    • Burna Boy as Rivers State Governor:

    A low-hanging fruit, I must admit, but the reasons are obvious. Burna Boy was a freedom fighter of sorts on his last album. Rivers State needs some serious government. The problem is, with Burna as governor, things in Rivers will get a lot more serious than everyone is prepared for. Burna will make known his anger at all the years of colonial rule and exploitation, so get ready to see hundreds of European and American expats walking to their embassies with all their possessions in Ghana-Must-Go bags, provided by the governor of course.

    Burna will almost certainly lift stringent laws on membership of secret societies, (which he’s a fan of). All that hard work and the inevitable bad belle from other governors may get to him, so by the second year, Burna will probably announce his mum as Chief Of Staff. He’ll then become a recluse who shows up rarely, in his cloud of smoke while his mother does the day-to-day on his behalf. On the slightly brighter side, marijuana will most likely be legal in Rivers at this point. Take that however you will.

    • 2face as Benue State Governor

    INAUGURATION SONG: “Only Me”

    In many ways, 2face is Nigeria’s Benue in human form; he’s had Nigerian music’s creative sauce for the better part of two decades now. His persona also sits midway between traditional and modern, much as Benue sits in Nigeria’s middle belt, between the North and South. The only difference is that nobody thinks 2face is rural, violent and desolate. 2face’s primary duty as Benue State’s governor would be PR and we know just how he’ll achieve it.

    We can’t wait for the new governor to dip into his conscious music bag and make an entire album about sustainable farming and nature’s beauty (essentially, pro-Benue propaganda with Larry Gaaga and nice beats). As someone who’s remained relevant while many of his peers fell off, 2face could be the one to get Benue’s defunct parastatals working again. One thing you can be sure of is that the statehouse will be treated like a relaxation centre. 2face would also be the most laidback elected official alive, only surpassed by the next person on this list.

    • Wizkid as Lagos State Governor:

    INAUGURATION SONG: “Pakurumo”

    If he ever becomes a governor, Wizkid would start by missing his own inauguration, due to visa and passport issues. When he eventually shows up, he’ll spend the first few months trying to decide who should be first lady. While he grapples with such important matters of state, Daddy Bolu will be reminded at some point that Lagos has real problems. His solution? Convert his Instagram account to the official LASG account. Then over the next few months, Wizkid’s team will tease snippets of a new album to distract us. By the time the album’s ready, Lagos will most likely be submerged. We must make sure this never happens.

    • Olamide as Ogun State Governor

    INAUGURATION SONG: “Oil and Gas”

    Olamide is a rapper so in touch with the streets that his best album is titled “Street OT”. In the last few years, Olamide has become a praise singer of sorts and overtly campaigned for former Lagos governor, Akinwumi Ambode in the 2015 elections. You could say he’s more in touch with partisan politics than many of his peers. If Olamide was to run for governor of Ogun state, his election would likely be near flawless. The first sign that all is not well will come soon after. The new Commissioner for Education, DJ Enimoney will announce that ‘Street OT” will replace Civic Education in the state’s school curriculum.

    It’s almost inevitable that Ogun state will deal with the fall-out of Lagos’ endless population growth. To make sure he has the right people in his state, Olamide’s commissioner for urban development, Lil’ Kesh will launch a programme giving tax exemptions to all ‘Yahoo Boys, No Laptop’ and Science Students, as Olamide’s primary consituents. At least, Ogun State will be an APC stronghold, something the men at the top would be very pleased with.

    • Davido as Osun State Governor

    INAUGURATION SONG: “Fia”

    While he campaigned for his uncle, Senator Adeleke, Davido showed us glimpses of what he would look like as a governor. The last few weeks of the Adeleke campaign in Osun were dominated by Davido. The man turned his entire 30BG crew into an army of campaign staff, and held concerts at every rally till election day. As the most popular member of the Adeleke clan, many have tipped Davido to get into politics at some point. It wouldn’t be surprising; same as whatever he does as an elected official. First on Davido’s agenda would be to bring his rowdy energy to Osun, a state that sometimes feels like the geographical equivalent of a child on sleeping pills. The best way to do this would be to make it compulsory for all students to sing the whole of “FIA” immediately after the national anthem every morning. (If you’ve heard this song live, you’ll know this would work). Next step would be to improve foreign investment. By then, Davido would likely be bored so he’d probably hand over to his ‘main adviser’, Peruzzi to carry on.

    • Sani Danja as Katsina State Governor

    INAUGURATION SONG: “Follow The Leader”

    I just want him to make sure every resident of Katsina does the Tambola dance at least once a day, regardless of where they are. Going by his music videos and all those questionable Glo ads, I reckon he’d be glad to.

    • Falz as Ekiti State Governor

    INAUGURATION SONG: “Talk”

    It seems almost inevitable that Falz will get into governance as an elected or appointed official. For years now, Falz has been the most socially vocal Nigerian rapper around. It remains to be seen if this can translate into actual good politics, especially in Ekiti, the state he hails from. It’s almost certain that Falz will spend the first few months trying to decipher the complex Ekiti accent that almost everyone speaks with. He might have help on that front, but his biggest challenge will be to bring the state up to speed with the rest of the world. Seeing as most of the population is split between indigent civil servants and undergraduates, the Falz thing to do would be converting monthly addresses into skits.

    In these skits, Brother Taju will remind the people of Ekiti that Sunday evening pounded yam is not all that matters in the world. In all fairness, Falz would make a great governor. But as Segun Fayemi, Segun Oni and Peter Fayose will have anyone know, Ekiti is a hard hill to climb in more ways than one. We expect Falz will cover some ground until he realises nothing has changed. So he will call Lagos and ask if someone can cook him up a catchy beat for a song shaming prostitutes. All is well with his world again.

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  • #BumpThis: Blaqbonez’s “Best Rapper In Africa”

    There’s so much music out there that it’s hard for even the most loyal fans to stay up with their favourite artists or what’s new and hot right now. That’s why we’ve created #BumpThis – a daily series that features the one song you need to listen to, every day. Don’t say we never did anything for you.

    On the final bars of “#BRIA”, Blaqbonez sounds an offer out to a who’s who of Nigerian rappers. ‘Payper Corleone, stop tiptoeing and come get it/ Ladipoe hit me up whenever, this how I’m feeling/ Fresh L bruh you cool but whenever you want this smoke/ Pick an Alte gathering and then I’ll let it fucking blow,’ he raps. He goes on to send shots at Boogey, Psycho YP, Ycee and Paybac. Such blatant invitations to spar are a rarity in Nigerian hip-hop nowadays, more so for a rapper who’s relatively new to most fans. But Blaqbonez isn’t new; and for fans who are familiar with his battle-rap days, this is simply true to form.

    “Best Rapper In Africa” was released as an inevitable response to the backlash and diss songs that followed his declaration of being Africa’s best rapper. Such boss talk is common in hip-hop, but Blaqbonez did it different. He made the claim in a well-promoted freestyle video and has treated it as an album rollout, goading everyone with his funny use of social media.

    The beat, produced by rapper Alpha Ojini, is at once menacing and whimsical, a perfect compliment as Blaqbonez takes shots at rapper Tentik (who dissed Blaqbonez with “Blaq Friday”) and just about anyone in his line of sight. His delivery is playful at times, but the punches land hard. Lines like “career’s still underground like a building collapsed” are bound to cause some deep introspection for whoever owns the sub.

    Blaqbonez has been accused of disrespecting the OGs (he’s called out Show Dem Camp’s Ghost as well) and of stirring up bad blood as a vehicle for self-promotion, much like his mentor, M.I Abaga did with 2017’s “You Rappers Should Fix Up Your Lives”. One could respond to that by saying hip-hop has always been a blood sport. The best make their names by putting their words where their clout is, and so far, Blaq isn’t doing wrong.

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  • Five Nigerian Songs That Deserve Movie Adaptations

    Nollywood doesn’t get enough credit. While it is recognised for its productivity – it is the 3rd largest movie industry in the world – and for exporting Nigerian culture, what most people won’t tell you is that Nollywood is also a place where dreams come true, whether they’re good dreams or nightmares. It’s a place where any idea is good enough, as long as you have enough money to bring it to life.

    Why? No, Why? Why did these have to happen?

    That’s the only explanation for movies like “BlackBerry Babes” and “Beyonce vs. Rihanna”. Nollywood has an unhealthy obsession with Nigerian pop culture – and it often shows in the most honest way possible: by re-adapting popular songs & trends for the small screen. Needless to say, not all these movies are anything to be proud of.

    We can’t stand the Nollywood slander anymore (even if we do our fair share of that thankless job from time to time) so we decided to help. Burna Boy’s new album, African Giant is getting all the buzz now, and it’s only a matter of time till someone gets the smelly idea to turn “Different” into a movie about Nigerian women that love marijuana. If you know someone in Nollywood who’s hungry for inspiration, please tell them to place their focus here instead. These are a few songs you can make into movies instead.

    • Omawumi – “If You Ask Me”

    You don’t name a song “If You Ask Me,” unless you have bombshells that you think people should hear. If an artist has ever successfully compressed the Nigerian spirit of drama into a song, it was this one. Omawumi spent four minutes teasing us with gossip that she never really let on till the end.

    The highlight was the music video, which interpreted each verse as a different story about Nigerians misbehaving. And just in case anyone in Nollywood is worried about shocking the existing audience, they shouldn’t be. The stories look written for Nollywood; there’s a pregnant teenager, some cheating, the usual works. So there you go Zeb Ejiro; one song, three storylines and free visual templates or expo. You’re welcome.

    • 2face – “E Be Like Say”

    One of the more frequent criticism against about some Nigerian art is that they never truly reflect the state of society. Nollywood has the best medium to change this. And if they’re on the hunt for inspiration, look no further than 2face’s “E Be Like Say”, which sounds like someone did a survey of Nigerians’ feeling before all the elections ever and made it into a song. I can already see this movie in my head; think of a movie about revolution.

    It’s the end of a dismal president’s tenure, and young Nigerians simply can’t take it anymore. Except, instead of protesting redundant leaders ahead of the new elections, they just gather at campaign rallies and leave immediately after refreshments are shared. When the elections arrive, someone on Twitter puts out a poll asking people to choose between fried yam and fried potato. “Fried Yam” ends up getting more votes than all the candidates combined.

    • Eedris Abdulkareem’s “Jaga Jaga”

    One of my unpopular opinions is that Nigeria at the moment feels like the prequel to Mad Max. Sometimes, it’s a great place to be in, but on other days, it’s like what happened before the world became a dusty landscape with fierce war boys and a bloodthirsty man-baby as king. Sometime in the early 2000s, a Nigerian rapper called Eedris Abdulkareem made the musical version of that prequel.

    The chaos of “Jaga Jaga” is only comparable to the chaos it describes. That’s why we think it needs to be a movie. Imagine political commentary plus 90 minutes of a hopeful society descending into anarchy. We can finally see whether Solomon Dalung starts the militia he’s been dressing for since 2015. They think Nollywood doesn’t have the range; this is one of the ways you people can show them.

    • Adekunle Gold and Simi’s “No Forget

    I shed a few thug tears when I first heard this song and a few more when I saw the music video. Adekunle and Simi’s love story had been years old by the time they made “No Forget”, which made all the hugging and sobbing feel even more real. In a way, the song is a metaphor for their real-life relationship.

    The two are now married, which would be the best conclusion to the scenario they painted in the music video. Do I need to outrightly say it? This is in essence a real story waiting to be adapted into the abroad love story in the music video. I need to get paid for this shit.

    • Maleek Berry’s “Lost In The World”

    This remorseful love song is on this list because it sounds like the soundtrack to a movie that never got made. In it, Maleek describes a woman who he loved so much he would have given her his last name. Only that she got caught in material distractions and eventually, got lost in the world.

    If any scriptwriter sits with this song, it might end up being the easiest script they ever wrote. The lyrics are so descriptive that you wonder if Mr Berry wasn’t trying to talk to someone. Whether or not he was, the movie version of this song will be yet another tool in the hands of overbearing parents and guardians which is enough to make it one of the biggest Nigerian movies whenever it drops.

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  • #BumpThis: Burna Boy & M.anifest’s “Another Day”

    There’s so much music out there that it’s hard for even the most loyal fans to stay up with their favourite artists or what’s new and hot right now. That’s why we’ve created #BumpThis – a daily series that features the one song you need to listen to, every day. Don’t say we never did anything for you.

    One of the more common responses to Burna Boy’s infamous response to the Coachella 2019 promotional material was the question of exactly what the singer meant by the term, “African Giant”.

    “Another Day”, off his recently-released fourth studio album, does a better job of explaining than he has in interviews. The song, which features Ghanaian rapper, M.anifest expresses the social stagnancy and political wheeling-and-dealing that has defined Africa through the decades.

    The song opens with an excerpt of Jide Olanrewaju’s “A History Of Nigeria” in which he describes how the British bought the area now known as Nigeria, for commercial purposes, at the beginning of the 20th century.

    Burna Boy reinforces this theme of struggle by interpolating lyrics from two classic Nigerian protest songs; “E Be Like Say” by 2baba and Original Stereoman’s “E Dey Pain Me”. M.anifest’s laid-back verse is a perfect condiment; it offers a more recent, relatable perspective to the song’s theme.

    The effect is two-fold; the sampled classics are a reminder that the problems they speak off are old. But this also points to a bigger issue; that songs about Africa’s social & political issues are rare – the exception, not the norm as you would expect given the influence that African pop stars wield among their listeners.

    The beat, a reggae-inspired groove by Kel-P, now Burna’s go-to collaborator, is more celebratory than you’d expect. It makes ‘Another Day’ sound like a campaign for change rather than yet another sob story.

  • A 16-year-old Just Won 1.1 Billion Naira. For What? Playing Video Games.

    If your parents ever beat you for ‘visiting’ a game centre or seized your console for so long that you both forgot it existed, you might want to read this with an open mind. In the immortal words of Ice Prince, “let bygones be bygones, no need to buy gun.”

    Yesterday, in front of thousands at the Arthur Ashe Stadium, 16-year-old pro-gamer, Kyle Giersdorf (or @Bugha, as he is known online) won the solo title at the Fortnite World Cup and with it, the biggest individual prize in competitive gaming history, or 3 million dollars.

    That’s 1.1 billion naira, if you want to cause unnecessary chest pain for yourself. Bugha didn’t ‘manage’ to win; the commentators described his final game as a “ridiculous victory lap”. He had a smile on his face as he beat his rivals.

    If you’re wondering how a teenager gets paid so much for playing video games, here’s the abridged version of the story: There’s an entire world of competitive video gaming or e-sports out there. It’s estimated to be a billion-dollar industry, complete with players, teams, agencies and media platforms. The biggest players, like Bugha have millions of fans who watch them play video games solo, or against each other in competitions.

    These competitions are annual highlights. The Fortnite World Cup finals saw 100 players clash in the hit computer game, Fortnite on enormous computer screens. Altogether, winners took home a total of 30 million dollars.

    I want to rant plis.

    Everything your parents told you (and you’re probably telling your kids) about video games is a big lie. Shame on you. If you watch the footage of the moment Bugha was announced as winner, you’ll see him grin and shrug like he’d just achieved world peace.

    I’ve not thought about that kind of money before, but 1.1 billion naira sure feels like world peace to me. It’s hard to not hate this world when you realise that someone just got rich for the same reason you have a high threshold for beatings and daddy issues. I could have been Bugha too.

    END OF RANT

    The world of competitive gaming is growing. The prize pool for the Fortnite World Cup may be the biggest in history but that record’s about to be broken by another competition, The International, set to happen in August.

    You want to hope that one day, Nigerian gamers can get in on the action too. But it’s a long way between here and there. We do congratulate Bugha though; a freshly-minted, deserving champion.


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  • Who is Burna Boy? Party Starter, Freedom Fighter Or “African Giant”?

    Burna Boy’s follow-up to his 2018 career-defining album “Outside” has arrived, four months after “Steel and Copper“, an intermediate release that placed his year in context. Just so you’re certain how significant his 7th body of work is, the album’s press release alludes to the belief that 7 is the number of perfection, “an auspicious sign from our gods that one is on the right life path.”

    Burna would be justified in thinking so. In the last 18 months, the 28-year old who opened his debut album, “L.I.F.E” by implying that his path was predesigned has put together the run to support those claims. When, days before his album’s release, Burna performed on Jimmy Kimmel’s show — a high profile set that many compared to Majek Fashek’s 1992 appearance on the David Letterman show —  it seemed like a logical next step, not the rare exotic showcase that African music is often presented as.

    For the first time in a decade, fans are acknowledging that Afropop’s long-standing duopoly, Wizkid and Davido has a third entrant. The truth is that the duopoly no longer exists.

    His response to the Coachella 2019 promotional fliers may have shot the ‘African Giant’ tag into infamy, but the multiple themes that dominate the album date further back to his earliest mixtape, “Burn Notice”.

    Burna Boy’s Coachella set also set off an inevitable conversation on how much African music needs the US market. If he felt any pressure to address those concerns, there is no evidence here.

    https://www.youtube.com/watch?v=BuMM9vv4Gt0

    “African Giant” sounds like an assertion of Burna’s belief in himself, the era that birthed his multiple tastes of the Nigerian experience, the cultures he has come to cross-pollinate and the continent he speaks for.

    Much of that is down to Burna’s own primary inspirations. Damini Ogulu has, in the last few months, given a contemporary twist to Fela’s militant afrobeat on three singles, “Ja Ara E“, “Anybody” and “Gbona“. The album’s title track follows the trend, but more so in theme than tone. “Tell them Africa don tire,” is an apt summation of the collective mood among the continent’s youth.

    Like Fela, Burna presents himself as a messiah – “so here comes the African Giant,” – even if he knows it will take more to save us. It closes with a sample of an Igbo folk song with lyrics, “Obudu Obelugo jim jim” that translate into: “The country is shaking.” This theme of Africa’s struggle, liberty and pride is strong through the album. 

    Wetin Man Go Do“, one of the album’s more sombre cuts, shrouds the perpetuity of the average Nigerian’s struggles for necessities in folksy guitars and Fela Kuti’s call-and-response delivery. “Dangote“, titled after Nigeria’s richest man, is a reminder that the paper chase never ends — something a large number of his listeners relate to in more survivalist terms. “Collateral Damage” sits on a jaunty beat that Burna uses to evoke a charged Fela Kuti and blatantly state several Nigerian truths. “My country problem pass Jesus” is a sharp comment in a society where religion has never delivered returns on the people’s devotion. 

    “Another Story”, one of the album’s best tracks, samples the opening words of Jide Olanrewaju’s acclaimed documentary “A History of Nigeria“. (The excerpt, which describes how the Royal Niger Company traded the area now known as Nigeria, has inspired a wave of interest so strong that many fans are now revisiting “Royal Niger Company” by rapper Jesse Jagz.) Buoyed by a stellar, descriptive verse by Ghanaian rapper, M.anifest, Burna interpolates other conscious songs: 2baba’s “E Be Like Say” and Original Stereoman’s street-pop hit, “E Dey Pain Me” to paint what is, in essence, an updated version of the same reality.

    Burna Boy’s 2018 album was described as a ‘fine lesson in mixing genres without making mud’, “African Giant” sums up what it means to be a Nigerian born in the 1990s, raised on different continents in the digital 2000s, and representing Africa in a globalised 2019. 

    These multiple perspectives (on life, culture and music) come across in the variety of sounds he manages to compress into one cohesive body of work. He’s schooled in the electronically-produced bashment and garage sounds of the UK, but Burna’s as comfortable on the live instruments of Ghanaian highlife and Afrobeat.

    It’s hard to remember the man who was first introduced to fanatics as a reggae hyphenate. On “African Giant”, Burna seems intent on further obscuring the lines between Afropop and the form of global pop music that has incorporated African melodies. If in doubt, listen to anything from Ed Sheeran’s “No. 6 Collaborations” EP to Beyonce’s “Lion King: The Gift”.

    Compared to the high-octane, genre-bending scale of “Outside”, “African Giant” may, at first listen, sound like a deliberately simple take on Afro-fusion. The latter is more atmospheric than its predecessor, and will sound more accessible to first-time Burna Boy listeners. That’s because Burna’s influences are more coherent and smoothened. There is little of the purposeful watering-down that other contemporary afropop ambassadors believe to be necessary. 

    He is as confident painting vivid love scenes in pidgin alongside UK R&B sweetheart, Jorja Smith on “Gum Body” as he is trading boastful bars on a menacing beat with Zlatan Ibile on “Killin Dem“. 

    On “Omo“, Burna goes back in time to give us a taste of the melodies that made “Smooth Sailing” a cult favorite, then introduces “Secret”, a futuristic reggae/R&B hybrid featuring Serani and Jeremih that asks lovers for utmost discretion.

    This Side“, his collaboration with YG is an unusual gem that sits smack between Lagos and the West Coast that the US rapper wears on his sleeve.

    Much of the album’s cohesion is courtesy of the featured artists – a motley crew ranging from a breakout Nigerian rapper to semi-retired world music icons. There are the men and women behind the scenes as well – Burna personally hailed the work of UMPG A&R, Sureeta Nayyar – and perhaps, most importantly, the producers. Hours before the album’s release, he also did a Twitter roll-call of the beatmakers who contributed – Nigerian producers, TMXO, GMK, Chopstix, BenJamz, Kel-P, Kleb Beatz as well as DJDS, Levi Lennox, Skrillex, Dre Skull and Supreme Young Stars.

    Thematic albums work best when the soundscape is crafted by one or a few producers. Burna himself has done this before; 2013’s “L.I.F.E” was helmed by producer Leriq to great effect. Here, the list is longer. But much credit should go to Kel-P, who is credited on 10 songs and has found a sweet spot between Burna’s various inclinations.

    Not all the collaborations stick. A Future & Burna Boy collab should be flames on paper, but when restricted to an afro-Carribean beat, the two don’t strike up synergy on “Show And Tell“.

    More than anything, “African Giant” is a triumph of self. In the days preceding its release, the “Outsiders” as Burna’s fans are known, made references to the early days of his career; days when everyone supposedly knew he would be this big, even if Burna also doubled as his own biggest problem.

    Perhaps there is something to be said here about fans and our entitlement to artists and their growth. Not many expected that the hyper-masculine singer who made an album wondering aloud about his place in the world could find himself enough to define a path for the next wave of Nigerian musicians.

    In the years since he had his concert cancelled over a court case, Burna Boy has opened up layers within his art that provide context for his person. On “African Giant”, he is at many times sensual (“Pull Up”,”Gum Body”), celebratory (“Omo”, “Anybody”), ponderous (“African Giant”, “Wetin Man Go Do”), introspective (“Destiny”) and militant (“Spiritual”, “Different”).

    The album hit its climax at two points. “Pull Up”, the album’s sixth single is followed by a supernal skit by Blaq Ryno that sounds more like panegyrics than a sketch. What follows is “Destiny”, an autobiographical song that could well be an update of “Where I Come From”. 

    Feel good, I ain’t gonna lie… They can take everything I have, but they can’t touch my destiny“, he sings. He’s come a long way from the days spent “standing on the corridors, dodging feds and the coroners.”

    For all of his troubles, it’s the first time Burna admitted he’s impressed at how his story’s unfolding. It’s a sharp shift from the fears of failure he expressed in the past, and provides fitting context for “Different“, the album’s most glorious moment. 

    Introduced with a brooding beat, Burna taps two heavyweights, Damian Marley and Angelique Kidjo for a song that is bound to make award nominations lists. “Different” is just that… different. In many ways, it also suggests Burna’s ascension into a class of greats. The PH-born singer reaches astonishing new heights trading monologues with Damian Marley on inequality and the confrontational prophets that these times require. 

    Four years ago, invoking Burna Boy in the same sentence as Damian Marley & Angelique Kidjo, or worse, as a socially-conscious freedom fighter would have been seen as hasty or disingenuous. Since he propelled himself to the forefront of conversations about Afropop’s global push, however, his belligerence has been translated into the form of hostile indifference it takes to absolve African music of the biases it encounters.

    The other crescendo comes at the end of the album. On “Spiritual”, Burna Boy takes on a simple Nigerian pop beat to address that transition. “When you start, them go yinmu” is a line that reiterates the bad press he got in his first few years, but Burna suggests that he’s lined up for a more special purpose than tabloid gossip and click-bait. 

    As the closing voice on the album, Bose Ogulu’s monologue portrays “African Giant” as a potential watershed moment in Africa’s music and culture. 

    The black world erupted in pride when Burna Boy’s mother/manager, first said “…the message from Burna I believe would be that every black person should please remember that you were African before anything else” as she received his 2019 BET Best International Act nod on his behalf .

    The “Afrobeats to the world” narrative is built on the belief that the world must accept African culture, first for commercial success, but mostly as some sort of validation. “African Giant” comes at a time when it’s never been better to be African. Numerous black artists are accepting their African roots, and re-establishing their ties to the motherland.

    Although he is often depicted as Nigeria’s best chance of ‘crossing over’, particularly in the US, Burna Boy has defined a different path for himself on “African Giant”. It is a statement-of-intent; that global appeal can be achieved without sacrificing the influences and experiences that make Africans and our culture distinct.

    In a world where movements of the oppressed clamour for validation to varying levels of success, Burna’s symbolic 7th body of work speaks to a continent’s place in the world – it is a thesis on why African pride should be our starting point. 

  • When Life Happens, Just Wing It

    We want to know how young people become adults. The question we ask is “What’s your coming of age story?” Every Thursday, we’ll bring you the story one young Nigerian’s journey to adulthood and how it shaped them.

    There are a lot of things you don’t realise about life and growing up when you’re a child. It’s worse when you’re a sheltered child, like I was. I grew up in an old city in south-western Nigeria, in a family of thirteen. My family was comfortable financially, but this changed and got progressively worse as I got older.

    Because I was smart, and because I hung out at a school close to my house, I started school early. Most of my early memories are dominated by this —  school: of the awards I collected, the friends I made, the crushes I had. Which is ironic because I hate school now.

    I’ve never had a grand plan for life, so my thoughts for the future were shaped by older people with influence over my life. People like my literature teacher who believed I should study law because I was good in government and argued a lot. I was fascinated by his belief in me and followed this path until I failed to gain admission into the university on my first attempt. I settled for English and continued riding that wave and winging life from there.

    Growing up, the only big picture I saw for myself was that I wanted to be comfortable. I didn’t want to be trapped in the same struggle-driven lifestyles many people around me lived. I have never been able to work out how to reach that state and stay there, but I know it’s important that I do.

    I think about adulting in two phases — the point when my parents first regarded me as an adult, and the point when I started regarding myself as an adult. The day I got my first NYSC allowance and travelled back home from Taraba was the day my parents regarded me as an adult. I was 22 at the time and they stopped giving me handouts after. It’s not like they completely kicked me out of the nest and neglected me, but they never offered anything and I never asked. In fact, I started sending money home to my mother soon after. I felt weird the first time I sent money to my father because it was such an adult thing to do and I still felt like a 12-year-old at heart.

    For me, adulthood started when the post-NYSC struggle arrived. This was the point when I knew I needed to actually do something with my life but I still had no plan. I was still actively winging things which made things worse. It was the most confusing period in my life.

    I eventually moved to Lagos because there was a job waiting for me; well a low-paying internship. I don’t think I should need to explain why I chose it. The only other offer I had was from that literature teacher. He offered me a position teaching government.

    I hopped from a bus to sleeping on a distant stranger’s cold floor to another even more distant stranger’s couch. I was living the adult dream; I was an intern at a media firm at this point, making barely enough to just eat. Things got better, and I made great friends who were along for the ride.

    At the same time things started to settle, I lost my father. It sucked because he deserved to get more out of life. But the universe doesn’t concern itself with giving you your dues. That’s one of the things I’ve had to learn from becoming an adult. You get it or you don’t, you still die.

    Since I’ve been forced to grow up, the most obvious realisation that’s hit me is that you can’t live for just yourself. With my father gone now, I’ve taken up more responsibility for my mother and sister. People call it the black tax. It can sometimes be really stressful, but I don’t know how you can do it any different for the people you love.

    Most fundamentally, I think adulting has made me grow more cynical with everything you can think of, so I tend to dissociate a lot and it sometimes bothers me.

    There’s no grand plan to life. I might be saying this because I’m a heathen, but I don’t believe anyone sat down to map out anyone’s destiny. It’s a luxury to think they just jump from one stage to another as designed. Things happen to you, and you just wing it; or you’re deliberate about life, and it works out for you or it doesn’t. You’d expect most people to be envious or concerned but my cynicism will not allow me feel badly about my peers doing better than me.

    Only one thing could make me jealous. It’s that some of them live deliberately with plans that sometimes work almost as well as designed.

    I’ve been lucky at life and enjoyed certain privileges many would kill for, but I’ve also held the short end of the stick from time to time.

    When life deals you a hand or several hands, you wing it and hope you luck out. 

  • #BumpThis: Cheque’s “Energy”

    There’s so much music out there that it’s hard for even the most loyal fans to stay up with their favourite artists or what’s new and hot right now. That’s why we’ve created #BumpThis – a daily series that features the one song you need to listen to, every day. Don’t say we never did anything for you.

    When the historians write about this era of Nigerian music, rapper/singer Cheque will be grouped alongside upstarts like Oxlade, Fireboy and Joeboy… and for good reason. The Penthauze signee has his peers’ zest for flitting through styles and inspirations. Getting signed to a label owned by Phyno would suggest the latter saw himself – a Nigerian rapper with a proclivity for timely pop hits – in Cheque.

    On “Energy”, Cheque shows his palette is much wider. Producer Hitsound’s beat interpolates aspects of Atlanta’s thumping trap sound and the more moody chords of emo-rap. It’s the perfect backdrop for Cheque’s sing-rap delivery. “I just want to change my life, I don’t go time for negative energy, I don’t even sleep at night,” Cheque raps about his hunger for success and what he’s willing to do. It’s a familiar trope, but where others would emphasise their point with ferocity, Cheque covers his substance in style and multiple melodies.

    https://www.instagram.com/p/B0Op3xAhD_2/

    As he tries to claim his place in Nigeria’s underperforming and heavily-saturated hip-hop scene, it’s a quality that will serve him well.

    Listen to Cheque’s “Energy” here.

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  • The 10 Best Burna Boy Deep Cuts

    In the past two years, Burna Boy has put out enough music in albums and singles, that his new fans have sufficient music to lose themselves in. For an artist in his seventh year, Burna has even more music than you know. You may only have noticed after he began dropping singles every three months from mid-2017, but the Port Harcourt-born singer is arguably Nigeria’s most prolific A-lister not named Olamide. As of the time of writing this, he’s dropped two mixtapes, three albums and a collaboration project.

    Burna Boy’s fourth studio album is set for release on August 26, 2019. In the 18 months since 2016’s “Outside“, Burna’s stock has risen – as seen in the past one week with his spot on Beyoncé’s “The Lion King: The Gift” and his appearance on American talk show host, Jimmy Kimmel’s show. “African Giant” has been described as a late-night take on afro-fusion, the genre Burna has worn like a tattoo since his first days. Perhaps more importantly, it is supposed to be his most personal album yet, a tag I used to describe “Outside” as well.

    For first time entrants into Burna Boy’s hazy, energetic kingdom, as well as the fans and fanatics he calls “Outsiders”, we made a list of Burna’s lesser-known gems – songs you’ve likely never heard on the radio and only true fans will know. In no order, these are Burna Boy’s 10 best deep cuts to help you get ready for the album.

    • Burna Boy – “Agbada”

    Some would say Burna is at his best when he gets personal. I wouldn’t disagree. The afro-fusion artist has a chequered past. When he gets into the gritty details or references his street cred as he does in “Agbada”, it makes for a great listen. The beat might remind you of OJB’s early reggae-influenced production. What steals the show, however, is Burna’s incredibly-vivid boasts and gang-speak that makes this feel like a call to war.

    • Leriq – “Cotton Candy” feat. Burna Boy

    If you listen closely to his more sensual tracks like Gwarn or Rock Your Body, you’ll hear it loud and clear. Burna Boy believes he’s a catch. When you’re a 28-year old with a messiah complex and boundless talent, it’s bound to be the case. On a beat by Leriq, who’s thought by many to be his most ideal collaborator, Burna explains why he’s as desirable as cotton candy. Pride has never sounded so good.

    • Burna Boy – “Chillin Chillin” feat A.I.

    In 2017, Ghanaian artistes, DJ Vision and A.I. released “Grind“, a gritty tale of sacrifice and survival. Burna Boy heard a song that was right down his alley and in weeks, released an updated version titled “Chillin Chillin”. Despite the controversy that followed its release, Burna’s version is so different that it’s a whole new song in its own right.

    • Burna Boy – “Celebrate”

    Shortly after “Like To Party” and “L.I.F.E” introduced his new sound, everyone wanted a taste of Burna Boy. Abuja-based producer, GospelBeatz was one of the producers he would strike a solid relationship with. Released in 2013, “Celebrate” was their first of few collaborations. The beat is fast-paced and filled with heavy drums, just as Burna likes it. Burna sings with the enthusiasm you’d associate with a freestyle, but whether it’s written or not, “Celebrate” is still a solid listen today in 2019.

    • Burna Boy – “Smoke” (feat. Onos)

    At a point in the early 2010s, more people knew this song than Burna Boy. Burna’s rare blatant approval of marijuana made sure it would become a cult classic, but the best part is arguably how Burna manages to sound like he’s singing to a loyal wife. The emotion is so strong that when fellow PH singer, Onos decides to sing about love, Burna cuts him off by saying “some man dem try change the topic”, even though “marijuana has never ever done me wrong” Obviously, this one didn’t make it to the radio. I can’t imagine what would have happened if it did.

    • Burna Boy – “Freedom”

    “Freedom” is seen by many as the song that broke Burna out in his home town in Port Harcourt. It is one of the singles off his “Burn Identity” mixtape and arguably his most personal song ever. From the very first word, Burna sings with heavy sentiment about the yet-undetailed events of his arrest and jail stint in the UK. The most striking part is arguably how he acknowledges the effect on his parents, making it a story that anyone who’s been in his shoes can relate to. A gem.

    • Burna Boy – “Touch Your Toes”

    Of the songs on this list, this is the only one that made it to radio. New to the Lagos pop market, Burna was on the hunt for a sound that sat somewhere between his afro-fusion tastes and the popular fast-paced dance music of the moment. “Touch Your Toes” was one of many such attempts. Burna kicks off the song in the most stereotypical way possible. What’s best about this song is the conversational tone and rapid delivery that would come to define Burna Boy’s music in the years after.

    • Burna Boy – “Smooth Sailing”

    The question of whether Burna Boy’s debut album, L.I.F.E is a classic is still up in the air. One song that most Outsiders seem to agree on, however, is “Smooth Sailing”, a cut from the album. On an album filled with quick dance tracks, the track is more mid-tempo and misty. Though he may not be known as a songbird, Burna’s raspy voice is entrancing when he gets in his bag as he does on this song. Although it starts off with thumping drums, Smooth Sailing gives you the same feeling as the title suggests; sipping ‘Guinness’ and a ‘spliff’ and living life to the fullest.

    • Chip – “Reaching” (feat. Burna Boy)

    In 2016, UK rapper Chipmunk had grown tired of trying unsuccessfully to break into the US market. As he made his return home, Chipmunk tapped Burna Boy for “Reaching”, a song that sought to reference Chip’s popularity in the motherland. The real star of the song though is Burna. Seen by most as being stuck in limbo at the time, Burna used the song to hint at the elements that would propel his global campaign. The hook is as Afropop as they come, with lyrics sung in Yoruba about haters and competitors. But Burna pulls it off well on a UK rap joint because as we’ve come to realise, he’s the best mix of both worlds.

    • Burna Boy – “Where I’m From”

    My favourite Burna Boy deep cut comes from his most recent album, “Outside”. Burna has been described as many things through the years – ‘self-indulgent’, ‘problematic’, ‘arrogant’. But very few have afforded him the courtesy of a fair reasoning or used the term, ‘misunderstood’. On this cut, Burna basically describes how the places he’s lived in (or where he’s from) have shaped the man he’s known as. The song is a vivid description of Port Harcourt’s street culture that gives you a peek into Burna’s mind. 10/10. Absolutely recommend.


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  • #BumpThis: Burna Boy’s “Pull Up”

    There’s so much music out there that it’s hard for even the most loyal fans to stay up with their favourite artists or what’s new and hot right now. That’s why we’ve created #BumpThis – a daily series that features the one song you need to listen to, every day. Don’t say we never did anything for you.


    There’s no mincing words about it. As the release of his fourth studio album draws nearer, Burna Boy’s has grown into the role of Afropop’s newest heavyweight. The increased global attention surrounding his music has also been buoyed by a sense of self-awareness that was conspicuously lacking in the past.

    The new Burna frames his music as a vehicle for African identity and pride. If there are doubts about his many claims, Burna hopes to clear them this Friday on his symbolically-titled “African Giant”.

    “Pull Up” is the final single before the album’s release later this week. Burna first hinted at a surprise release by engaging fans on social media. Despite being the most prolific of the big 3 musicians this year, Burna’s fans are stoked at any sign of a new release.

    Quite like the very similar “On The Low”, “Pull Up” is one of Burna’s more sombre songs. The Kel-P beat, built with the drums and shakers of Ghanaian Highlife, feels like you’re on a group vacation, sipping cocktails on the banks of the Upper Volta.

    “Pull Up” is sure to be yet another summer playlist staple. Burna’s lyrics are as direct as ever; even if this time, he’s simply asking a love interest to meet him in the middle. “Cause I love you for life, you no go understand, na small thing to bust a million for you“, he croons with self-assurance.

    If “Pull Up” is a hint at the sounds we’ve been asked to expect on “African Giant”, then 2019 looks set to be another year of Burna. “African Giant, This is Year 2000 and Gbese“, Burna calls as the song winds down. Who are we to disagree?

    Listen to Burna Boy’s “Pull Up” here.