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underground | Zikoko!
  • BarelyAnyHook is an MC you keep your eyes on.

    barelyanyhook underground

    Tall and gingerly with a constant gaze, BarelyAnyHook wears his quirk on his sleeve, in his glasses, his intimidating head of hair and the multi-lingual lyrics that often sit front and centre in his songs.

    The rapper, real name Ejiro Ekperigin, first hit the public radar when he was featured on AYLØ’s “Honest Conversations” in 2016.

    The next few months provided more fragments of who the rapper is. He was a guest on the delicious “Blunt Deals” by producer Goldkeyz.

    More features came after. By now, the rapper had whipped up considerable interest and it was somewhat fitting that his first introduction of sorts came by way of a performance at the now-iconic 90s Baby Soundoff.

    The alte-verse may have met him on an evening in Lekki but barelyanyhook’s story starts much earlier.

    https://www.instagram.com/p/BdhKiRelrM6/

    A minute or so of digging led us his oldest recording on the internet, a soulful number titled “Good Girl” featuring verses rapped over a Ryan Leslie beat. The track was made over seven years ago when Barely made music under the moniker – “DK”.

    The new name – “barelyanyhook” – was the title of a project he was working on. But with time, the moniker detached itself from a body of work that never saw the light of day and stuck to its creator.

    Barely’s first shift had more to do with genres than nicknames though; it dates back to a time when melody, not ‘spoken word with sauce’ was his chosen art form.

    I’m actually a singer at heart. It’s what I began with,” he told More Branches’ Adedayo Laketu in 2017. “Then poetry. Rapping came after I swapped powers with a friend who did it. We rubbed off on each other and he encouraged it too.”

    Convinced that this marauding, puzzle-like form was the way to go, the new rapper threw himself into his art.

    https://www.instagram.com/p/Bs9_JlEgnD0/

    You can still hear his first love in his music though.

    The rapper enjoys building vivid motifs in his verses, by combing rapid delivery with a lyrical edge that makes every song feel like an intense conversation.

    Yet, he’s built a knack for kicking off songs with new soul melodies that would remind you of a more laidback Anderson .Paak before plunging headfirst into his verses.

    Take “Montezuma” for instance, where he takes your ears to Central America with a carioca-tinged hook, while he contemplates life by the ocean in his verses.

    Understanding barelyanyhook’s unfolding as an artist will take you through both sides of his two releases. In 2013, he released “22“, a three-track collection of tracks that serves as his debut project.

    5 years passed between that and his first full-bodied body of work.

    The 10-track “Took You Long Enough” was released in 2018. The 10-track project features gems like “Johnny Seabass”, “Montezuma” and “Reasons”.

    https://www.instagram.com/p/BtGJFjRg4E9/

    Hip-hop loves underdog stories. From an eager Jay-Z living in the shadow of Jaz-O and Biggie to a short black boy from Jos trying to wrestle the throne of Nigerian hip-hop, we love to see supposed underlings take a jump to respect and acclaim.

    More importantly, we’re obsessed with whatever instigates that jump – from Cardi B’s “Bodak Yellow” and the years of Instagram infamy that stimulated interest in her to Zlatan Ibile and how a dance style rebranded an underground rap vet as a pop prince.

    It would make sense that fans of BarelyAnyHook, and the artist himself, would be in wait for that moment. And if anyone knows how to take an opportunity, it’s Johnny Seabass.

    In 2017, while Jidenna was in Lagos during one of his frequent visits, BarelyAnyHook caught him after a show at Beat FM.

    The rapper decided to strut his stuff to another eclectic Nigerian brother.

    The video of that short freestyle made its way online via Beat FM’s Twitter and turned several heads his way.

    It’s been over a year since then and Barely shows no signs of slowing down.

    On his latest single “Line-Up”, he insists he’s closed the chapter on an old flame, even though she keeps blowing his line up.

    That’s it, really. I’m exploring the range of my emotions and states of mind as a person regardless of the context or location. And emotions are a lot like a colour-changing gas inside a crystal ball for me sometimes,” he says.

    We’ve just gotta be cool with all sides of ourselves, basically.

    Keep your eyes on this guy.

  • Singer/songwriter Oluchi first began to take music seriously after she left Project Fame in 2016.

    https://www.instagram.com/p/BIktrz2A8HS/

    She had made it to the top 10 but it wasn’t her day or her edition.

    “I had been making music since after secondary school but I started taking it seriously after (Project Fame),” she tells me.

    Her first release, “Chi Ihunanya” came shortly after in the same year.

    The song, produced by YBNL’s in-house beatmaker, Pheelz is an African contemporary folk song about a woman’s search for love.

    It was Oluchi’s foot in the water – and you can hear the early form of what she now describes as her “Afro-Soul” sound taking shape.

    https://www.instagram.com/p/Bbt-kAtB6oO/

    Love and the people she shares it with are key themes in Oluchi’s music. She’s not afraid to tell deeply personal stories.

    On “xxxx”, an unreleased track from her forthcoming EP, she recalls her mother’s sacrifices.

    It is brutally thankful, as a grateful child would do to a mother she adores but with a tinge of anxiety as if she worries if she could deliver on the faith shown in her.

    Recently, Oluchi has been spending her time chasing her Master’s Degree.

    https://www.instagram.com/p/BtGsgWIg-c9/

    It’s been a good couple of months but that chapter is done now.

    And it’s back to her first love.

    She’s currently working on her debut EP.

    It’s set for release sometime this year. Here’s what we can tell you.

    Just. Wait.

  • For years, there’s been a lot of buzz around the University of Lagos and its community of emerging musicians. And rightly so.

    Underground: Magixx

    Besides sitting in the heart of Yaba, one of the most culturally vibrant suburbs in Lagos, UNILAG has become an assembly line for creative talents, particularly in music. The list is long, but somewhere in contemporary times, names like Ycee, Vector, Lil Kesh and Reekado Banks show up.

    If you believe the hundreds of students who throng to every performance and hound his social media, Magixx will be the next name to join that list.

    When he’s not taking mass communication classes, 20-year-old Alexander Adelabu is evolving to that sweet spot where raw vocal power meets the love of hip-hop.

    In some ways, Magixx may feel rough at the edges.

    https://www.instagram.com/p/BsvYTV6HzEL/

    But in his best moments, he connects to personal struggles, ambition and hopes like on the unreleased “Eyan Giga”.

    A typical performance sees him hit high notes, just before relaxing into a half-sung flow that betrays his influences–Eminem, MI Abaga, Lil’ Wayne.

    As he tries to meander his way, UNILAG’s biggest gift to him has been a loyal, almost fanatic fanbase that has cheered him through every landmark.

    He’s also gotten a few of today’s pop acts in his corner.

    There are rumours of a collab with Mayorkun. Rapper Zlatan Ibile is also a big fan.

    Magixx has a way yet to go. We’re excited to see what’s next.