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Cruel Santino | Zikoko!
  • 10 Random AF Collabs No One Saw Coming…But Still Worked

    Sometimes, you hear two artistes are working together, and it makes a lot of sense — Wande Coal and Olamide, Wizkid and Burna Boy, The Cavemen and Asa or Flavour and Phyno. Other times, your first reaction to a collaboration is, “WTF?”

    This is a list of the collaborations that started out as “WTF?” but after listening, changed to “Yasss.” 

    Showmetheway — Cruel Santino and Poco Lee

    A collaboration between alté king, Cruel Santino, and hype man, Poco Lee, wasn’t on my bingo card for 2023, but here we are today. Even though Showmetheway has been a popular sound on TikTok since 2022, listening to the full version with its unexpected feature is a whole other experience. Poco Lee’s appearance is a blink-and-you-’ll-miss-it moment, but it further amplifies the synthy-owambe fuji music vibe of the song. 

    Stand Strong — Davido and The Sunday Service Choir 

    It’s easy to imagine Kanye West’s Sunday Service Choir providing backup to some inspirational song by Cobhams, Asa or Darey Art Alade that’ll get you teary-eyed. But a song with David Adeleke, Nigeria’s very own Shakespeare? No one saw that coming.

    Surprisingly, Stand Strong stands out, pun very much intended here, as one of Davido’s best songs to date. Over ten years into his career, the song is a testament to Davido’s growth from Back When to international choirmaster.

    All I Ever Wanted — Asa and Amaarae 

    2022 came with many surprises, but listening to Asa and Amaarae vibe on lyrics about hotel sex, eating coochie and five-star diamond dick was lowkey one of the year’s biggest surprises. Having the artiste who made alté music way before it was called alté on a track with one of the sound’s new leading voices was the gift we didn’t know we needed until we got it. 

    Every time Burna Boy collaborated with white people 

    From rock bands like The Fallout Boys (Sunshine Riptide) and Coldplay (Monsters You Made) to British icons Lily Allen (Heaven’s Gate), Sam Smith (My Oasis) and Ed Sheeran (For My Hand), Burna Boy has built a reputation for the most unhinged international collaborations.

    If you think an artiste’s sound won’t work well with Burna’s, that’s the artiste he’ll carry on his head. The best part is his coloniser collabs always slap. 

    Coming — Naira Marley and Busiswa 

    Naira Marley and Busiswa’s Coming is everyone’s guilty pleasure. Granted, we can’t play it in our Nigerian homes (or you’ll have to explain doggy style to your parents).

    Still, it’s two artistes who lead two very different movements. Naira Marley rules street pop, and Busiswa is the South African queen of house music. Now, we just need someone to erase this Tiny Desk version from the internet and our minds: 

    Crown of Clay — M.I and Vector 

    What if 2Pac and Biggie Smalls squashed their beef and released a song together after years of dragging each other like small gen? That’s what Vector and M.I did when they hooked up with Pheelz for the song, Crown of Clay.

    This 2021 collaboration was so unexpected because I can’t imagine working with someone who called me Judas, The Rat. M.I is a much better person than most because the beef would’ve turned to shaki by now. Nice song, though. 

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    Beautiful Onyinye — P-Square and Rick Ross 

    P-Square and Rick Ross’ Beautiful Onyinye remix is hands down one of the most random international collaborations ever. Then again, the song came out when Nigerians were willing to take any international collaborations that came their way. Remember Wizkid’s remix of Don’t Dull with Akon? P-Square threw in a random rapper on an audience fave, and now, we can’t listen to the original because the remix is somehow better. 

    Sweet in the Middle — Wurld, Zlatan and Naira Marley 

    Only Davido could think of adding Wurld on a Zlatan and Naira Marley feature. After dropping R&B and alté-inspired songs like Show You Off and Contagious, Wurld laying vocals alongside two of the biggest names in street pop sounded weird, but Sweet in the Middle became a major bop. Each featured act killed their parts, with Davido’s adlibs tying it together. 

    Calm Down — Rema and Selena Gomez

    Before anyone drags me, I’ll drag myself by admitting I didn’t like this Rema and Selena Gomez remix when it first dropped. But you know what? My opinion has changed. 

    Although the remix doesn’t even come close to the magic Rema captured on its original, it’s hard not to like it — especially after hearing it 100 times a day thanks to the radio, TV and social media. 

    High — Adekunle Gold and Davido 

    Adekunle Gold’s transition from sweet Orente baby boy to Afropop Zaddy reached an all-time high in 2021 when he dropped High alongside Davido.

    While an Adekunle and Wizkid collaboration might’ve sounded very on-brand, something about collaborating with Davido felt off. But that’s exactly what Adekunle needed to complete his transition. High was so good it ended up on our 2021 list of best Amapiano songs

    ALSO READ: 5 International Afropop Collaborations that Were Totally Meant to Be

  • #BumpThis: Kold AF, Pheelz, Teezee and Cruel Santino Are Here to Elevate Your Playlist

    So much new music is released that it’s hard for even the most loyal fans to wade through the crows to find gems to listen to. But that’s where I come in with #BumpThis — our Friday series recommending new songs by and featuring Nigerians you absolutely need to hear.

    Here are my picks for the week:

    Kold SZN — Kold AF 

    There’s nothing like listening to artists who have figured out their sound right out of the gate. After an impressive run of features with Moelogo, Kaey and MoGunz, Afrofusion artist, Kold AF (I want to steal this name), has made her solo debut with the EP aptly titled Kold SZN

    From a night of fun and seduction on Wasted to using booze and music to deal with the trauma of a toxic relationship on Blues, Kold AF presents a five-minute preview into the different aspects of navigating love and life as a young Nigerian. This is a bold artistic introduction. I only wish it was longer. 

    Ballin — Pheelz 

    2022 has undoubtedly been a great year for Pheelz and everyone who bet in favour of the producer-turned-singer. For those who bet against him, Ballin is specially dedicated to you. After dropping two of the most inescapable songs of the year — Finesse with BNXN and Electricity with Davido — Pheelz caps things off with Ballin, a song that fully affirms his position as one of the biggest hitmakers of the moment. 

    On Ballin, Pheelz swims in a lavish pool of confidence, calling himself the “King of the dance hall”, as he calmly drags everyone, who said he wouldn’t make it, by their edges. It’s another potentially infectious hit from the singer, proving yet again that he deserves our attention. 

    Ku Lo Sa (Remix) — Oxlade and Camila Cabello 

    Oxlade’s Ku Lo Sa is hands down one of the biggest songs of 2022. From viral TikTok videos to soundtracking Rihanna’s Savage X Fenty show, Ku Lo Sa was the gift that kept on giving, until now. Towing the same line as Wizkid with his Justin Bieber Essence remix and Rema’s Selena Gomez-assisted version of Calm Down, Oxlade scores his own “I must climb the charts” collaboration with Havana singer, Camila Cabello. 

    While the Ku Lo Sa remix won’t go down as the worst international remix we’ve heard this year, it joins a list of remixes that feel forced and mismatched — Camila sounds like she’s on a different song on most parts. That being said, it’s still worth your listen. Hopefully, it’s a grower, not a shower. 

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    Dreams — Ajebo Hustlers 

    2020 was a wild year for everyone, but for Ajebo Hustlers, it must’ve been ten times more insane. While we all dealt with the effects of a global pandemic, the #EndSARS protests and inflation, the Ajebo Hustler boys also dealt with newfound fame after their single, Barawo, became a nationwide hit. 

    Two years later, armed with hits like Loyalty and Pronto, Ajebo Hustlers is back with Bad Boy Etiquette 101, an EP that explores the effects of fame on love and relationships. While Fave and Mayourkun make appearances on the EP, the non-feature song, Dreams, stands out. On it, the artists are raw and honest about desperately blocking out distractions to focus on the music. 

    Manhattan — Teezee and Cruel Santino 

    Anyone who followed alté music from the start will confidently describe artists like BOJ, Teezee and Show Dem Camp as pioneers of the movement, while Cruel Santino, Lady Donli and Odunsi the Engine helped cement its presence in pop culture. So, Manhattan, a song bya pioneer and an icon of the movement, sounds like an alté wet dream. 

    Leveraging their individual strengths, both Teezee and Cruel Santino ride on a beat that’d fit perfectly on Santino’s debut project Mandy and the Jungle, as they sing (and rap) about everything they’d do for the girl they like. No one saw Manhattan coming, but boy are we glad it’s here.  

    ALSO READ: These Alté Nigerian Musicians Don’t Look Like Their Government Names

  • Love It/Hate It: Cruel Santino’s “Subaru Boys: FINAL HEAVEN”

    Alté hive, arise! Cruel Santino has rejoined the group chat. Three years after releasing Mandy & The Jungle, an album that cemented his position as a leading voice among a new group of Nigerian creatives pushing the musical thread, Cruel Santino — formerly Santi — has made a major comeback with his new 21-track album, Subaru Boys: FINAL HEAVEN. For Love It/Hate It, we asked Nigerians what they think about the new album, and this is what they had to say. 

    “Ajebo agberos, rise! Don’t waste this album” — Josh  

    Cruel Santino is the only one that can unleash both the ajebutter and agbero side of Nigerians at the same time. You listen to him and you want to break bottles but you also want to talk to your girl about romance and anime. This album is peak culté. It’s insane because no one man should have all this power. Is this the best album I’ve listened to this year? Yes. People may say I’m capping, but my question is: and so fucking what? Is it your cap?

    “I see we’re back with this pretentious shit. Alright.” — Khadijah 

    Fake alté people will not allow us hear word for the next one week because of this very mid album. Their oga may have changed his name, but everything else is still faux-intellectual rave BS. I listened to it because, honestly, I want to like his music. I don’t know where the hype is coming from, but 21 songs where I couldn’t hear you properly on like 18? Oh wrong nau. Old Nollywood called, they need their aesthetic back. 

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    “This is the type of album you release when rent is due. Inject it inna mi veins!” — Tobe

    Subaru Boys for life mehn! I don’t know how he does it, but Cruel Santino is way ahead of his time. My brain cells can only comprehend like three of the songs on this album, but that’s what you get when you listen to an artist who’s experimenting with his sound. Now I want to listen over and over again until I actually get it. This is what good music is about and I’m soaking it in. The man did a madness abeg. 

    “Werey will not touch me IJN (Amen)” — Lara 

    Why does Cruel Santino like to play with demonic spirits? It doesn’t sit right with me and my heavenly race. His music reminds me of the evil Mount Zion films preached against, but my coconut head will still listen, and I will be jumping up and down to the songs. Please and please, this album is elite. But as much as I love vibing to it, I’ll never shout, “Werey touch me,” because na from clap, dance dey start.  

    “Gorgeous gorgeous girls do usually listen to Cruel Santino” — Ashley

    Instagram stories and TikTok will ban me from using songs from this album before next week, let’s bet. I can’t believe he made us wait three whole years! This album was totally worth the wait because it’s the most cohesive album I’ve heard in a long time. Everything just blends and no song feels out of place. It’s easy to get bored listening to an album with 21 tracks, but this man had me in a chokehold and I lowkey liked it. Hey daddy!

    “Cruel Santino needs to push himself with collaborations” — Uchenna 

    In my opinion, no one makes alté music like Cruel Santino. He knows what works for him and he has mastered it. But at what point do you actually reach outside the box? This album is golden, but the collaborations are predictable. The guy needs to work with people with different sounds. Can you imagine how much a Cruel Santino and Zinolesky track would bang? Santi’s collaborations need to come out for air once in a while. 

    CONTINUE READING: The Year in Alté: 12 Songs That Got Us Through 2021