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collaborations | Zikoko!
  • We Ranked Ajebutter 22’s Collabs Based on How Alté They Are

    Ajebutter 22 is not your mate when it comes to this alté music thing; that man is your daddy. Way before artistes like Cruel Santino, Odunsi the Engine and Tems helped make alté music and culture popular, Ajebutter was dropping bangers people didn’t quite get but still loved. 

    With his new album, Soundtrack to the Good Life, featuring collaborations with Oxlade, Ajebo Hustlers and Ladipoe, I decided to look through Ajebutter’s collab discography and rank these songs based on how alté they are

    Omo Pastor featuring BOJ

    Eight years before Beyoncé made a song for church girls on Renaissance in 2022, Ajebutter 22 and BOJ dropped Omo Pastor, a hilarious song that describes the adventures of a pastor’s daughter they know. While Beyonce’s church girl can drop it like a thotty, Ajebutter’s omo pastor is the superior babe here, downing four bottles of beer in one sitting right after choir practice and prayer meeting. 

    Alté-ness of the song: 9/10. This was Ajebutter and BOJ’s first major hit, and even though many people weren’t used to the sound, it crossed over into mainstream culture big time. Shoutout to Seyi Shay for flying that fence in the video. 

    Serenre featuring Taymi B

    You just had to be there when Ajebutter’s Serenre first hit the streets. No one knew what the song meant, but it was provocative, it got the people going. I remember hearing it for the first time on Ndani TV’s Gidi Up back in 2012 and going, “Whoa, who TF is this?” The sound was fresh and groundbreaking if we’re keeping it 100. 

    Alté-ness of the song: 8/10. This is Ajebutter 22’s Like to Party, his Dami Duro, his Ojuelegba — his game changer. 

    Damiloun featuring Show Dem Camp and BOJ

    You know it’s a vibe when you see Show Dem Camp’s name on a track that opens with the line, “classic”. Teaming up with my fave rappers and his music husband, BOJ, Ajebutter 22 delivers a romantic bop that’s perfect for trad weddings. You can’t listen to Damiloun and not think of firewood jollof rice and aunties asking you when they’ll be coming to your own wedding

    Alté-ness of the song: 7/10. This song has all the OGs of alté music. Chelsea, come on now. 

    Tungba featuring BOJ 

    Another Ajebutter and BOJ record? Hell, yes! These two work so well together they’ve dropped two EPs over the years — Make E No Cause Fight in 2018, which had Tungba, and Make E No Cause Fight 2 with Falz. 

    Alté-ness of the song: 8/10. The fact that the word alté became a thing after BOJ mentioned it on Paper is enough to have Ajebutter’s BOJ features occupy the top 5. 

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    Enjoyment featuring Ajebo Hustlers

    A song that finds Ajebutter 22 threatening his lover with an overdose of enjoyment? Inject it, please. In a collaboration destined to happen (Ajebutter 22 and Ajebo Hustlers, get it?) Ajebutter reminds his babe that the butter in his name isn’t there for decoration. My guy is really about that soft life

    Alté-ness of the song: 5/10. This might not be an alté song, but it’s my song for sure. I have an Ajebo Hustler bias.

    Lekki featuring M.I Abaga and Odunsi the Engine 

    M.I Abaga’s 2017 EP, Rendezvous, was a big creative risk that paid off. After years of wearing Nigeria’s rap king crown, M.I pushed himself by working with artists like Nonso Amadi, Cruel Santino and Tomi Thomas, who were growing the alté scene at the time. But if there’s one track that stood out on that EP, it’s Lekki with Odunsi the Engine, Ajebutter 22 and Falz. Powered by a house-inspired beat, these men spend over four minutes coming for girls who prefer men who live in Lekki. 

    Alté-ness of the song: 4/10. Outside of the runs girl obsession, this song actually works. MI was able to curate a sound that appeals to his core fans and the alté crowd. None of the artistes sounded out of place, but maybe it’s because they were talking about something they seemed to be super passionate about. 

    Bad Gang featuring Falz

    Remember when Ajebutter and Falz made themselves the morality police with Bad Gang in 2017? From those who love wearing all black and taking shots to those who don’t comb their hair (I’m bald, can’t relate), no one was safe from Falz and Ajebutter’s stray bullets. Bad Gang also started Falz and Ajebutter’s unnecessary obsession with runs girls. 

    Alté-ness of the song: 3/10. While Bad Gang is a bop, Falz was never an alté artist, and don’t get me started on that “body count going way up” line. We do not slut-shame in this house, dears. 

    Amapiano x Shisha featuring Toby Shang

    Ajebutter 22 making amapiano music is shocking but still very much on brand. His signature baritone skates so seamlessly over the amapiano beat that I can’t imagine him doing anything else. This is one Ajebutter song that has the clubs in a chokehold. 

    Alté-ness of the song: 2/10. It’s not an alté song, but it slaps harder than pounded yam and efo riro. Something about Toby Shang shouting, “Amapiano is the rave right now” just sends me. Not him saying what we already know like it’s brand new information. 

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  • The Biggest 2022 International Collabs Ranked from “Flop” to “Bop”

    Collaborations between Nigerian and foreign artists don’t surprise us anymore. But after 2021 gave us Fireboy DML and Ed Sheeran’s Peru, Tiwa Savage and Brandy’s Somebody’s Son, and Wizkid, Tems and Justin Bieber’s Essence, the pressure for 2022 to deliver was definitely on another level. 

    Did 2022 deliver? Check out this ranking of some of the international collaborations we enjoyed (or didn’t need) in 2022 to find out. 

    Frozen remix — Madonna, Sickick and Fireboy DML 

    The original Frozen dropped 24 years ago and Fireboy DML already had a hit remix on his hands with the Ed Sheeran-assisted Peru, so neither Madonna nor Fireboy needed this remix. Apart from being a forgettable and downright bad one, something about Fireboy (a black man) kneeling in front of Madonna (a white woman) rubs me off the wrong way. It’s giving coloniser vibes. 

    Verdict: An unnecessary flop.

    Ku Lo Sa — Oxlade and Camila Cabello 

    If there’s one song that can compete with Burna Boy’s Last Last as the most viral song of the year, it’s Oxlade’s Ku Lo Sa. After inspiring a TikTok challenge and countless covers, Oxlade employed the help of former Fifth Harmony singer, Camila Cabello, for a remix that fails to capture the beauty of the original. 

    While we can acknowledge this as a smart move at increasing streams and maybe gaining a Billboard Hot 100 entry for Oxlade, it doesn’t mean we have to pretend that the song slaps, because it doesn’t. 

    Verdict: The flop we saw coming.

    Calm Down — Rema and Selena Gomez 

    After giving us major collaborations with Chris Brown, 6LACK, Yseult and AJ Tracey on his debut album, Rave & Roses, Rema’s Calm Down remix with Selena Gomez is a sonic misstep for the Mavin Records artiste. The song is still a banger, but that has nothing to do with the featured artist. 

    Why have a remix when it does nothing to make your song better? 

    Verdict: Meh.

    Attention — Omah Lay and Justin Bieber 

    For a song called Attention, Omah Lay and Justin Bieber’s collaboration tried and failed to hold our attention. This song came and left faster than a Lagos man after hearing his girlfriend is pregnant. Attention might not be the year’s best feature, but unlike my previous mentions, it deserved more than what we gave it. 

    Verdict: Would’ve been a bop if people listened.

    Bloody Samaritan — Ayra Starr and Kelly Rowland 

    Bloody Samaritan was the song that cemented Ayra Starr’s current title as the It Girl of Afrobeats. Tapping into that Gen Z “IDGAF” attitude, Bloody Samaritan became a global hit that resonated with everyone, regardless of age. Even though most of the elements and lyrics that made the original song a success exist on this remix, Ms Kelly’s verse, especially towards the end, sounds like it belongs on an entirely different song. 

    They should’ve just recorded a new song together. Now, that would’ve hit in all the right places. 

    Verdict: Not a flop, but not really a bop either.

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    Every Chris Brown Feature 

    If Chris Brown wants to move to Lagos, wear a white t-shirt and start break dancing on one of those promo trucks, then he should just do it. This man is basically a Nigerian at this point. From his remix of Lojay and Sarz’ Monalisa to Time N Affection with Rema and Call Me Everyday with his regular collaborator, Wizkid, no international singer did more Nigerian collabs than Chris Brown this year.

    Verdict: We hate to say it, but these are bops.  

    WATAWI — CKay, Davido, Focalistic and Abidoza 

    CKay is the obvious star of WATAWI. But after dropping the Ke Star remix and Champion Sound in 2021, I’m a bit offended that Davido and Focalistic haven’t released a joint album or EP yet. The magic is there between these two; we need it harnessed for an album that could save humanity. 

    Verdict: Cute bop.

    Cloak and Dagger — Burna Boy and J Hus

    It’s safe to say a Burna Boy and J Hus combo will always work. Teaming up again after 2017’s Good Time, Cloak and Dagger off Burna Boy’s Love, Damini proves their chemistry is still as potent as ever. 

    Verdict: Bop as usual.

    All I Ever Wanted — Asa and Amaarae

    If someone had told me last year that Asa would be on a song about hotel sex and “5-star diamond dick”, I would’ve called them a detty liar who lives a fake life. But here we are today. I didn’t know how much I needed this Asa and Amaraae break-up jam, but now that I have it, I feel like it’s all I ever wanted. 

    Verdict: The bop we didn’t know we needed

    One Woman — Adekunle Gold and Ty Dolla $ign 

    People aren’t talking about Adekunle Gold’s Catch Me If You Can enough, and it’s upsetting me and my homegirls. I thought AG was our baby?

    Apart from solo gems like It Is What It Is and Mase Mi, Adekunle also kills it on the feature side with guests like Fousheé, Davido and Stefflon Don. However, it’s One Woman with Ty Dolla $ign, where he compares his babe to ofe nsala that hits all the right spots, for me. 

    Verdict: An underrated bop.

    Wait for U — Future, Drake and Tems 

    Temilade, I love you, but I’ll gladly pay to never hear Wait For U again. The Future and Drake hit, which samples Tems’ vocals from the soon-to-be classic, Higher, was everywhere this year. Like, all you had to do was breathe, and you’ll hear Tems sing “If the world was ending” and Future replying with “Travel around the world.” 

    While Wait For U is a great song that has earned Tems two Grammy nominations and her first number-one on the Billboard Hot 100, I’d be glad to leave it behind in 2022. 

    Verdict: An overplayed bop.

    Stand Strong — Davido and the Sunday Service Choir 

    If there’s one artist who can go from singing about chopping Nigerian koboko straight from Magodo to dropping one of the best gospel-inspired tracks in the same year, it’s Davido. Can we talk about the range? 

    Featuring the same choir Kanye West made famous with his Sunday Service sessions, Davido delivers a stand-out track about facing fears and finding strength amid the pain. Stand Strong is a significant departure from the hyper Davido we know. Still, his sincerity ties the song together beautifully, leaving us excited for what his next album might sound like. 

    Verdict: The ultimate bop.

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