Music | Page 8 of 10

The Ultimate K-Pop Beginner Playlist From One K-Pop Newbie to Another

One of my biggest personality traits, outside of not drinking beer, was my “I don’t listen to K-pop” line. But now, I’m here to testify that I’ve seen the light and K-pop slaps with vim.

One thing I’ve realised since I started listening to K-pop at the end of 2022 is, from R&B to punk rock, it’s more than just one genre. While I’m still finding my footing (you won’t see me arguing with stan groups on Twitter, yet), I’ve compiled a list of ten songs that are sure to seduce even the hardest “I don’t listen to K-pop” believers out there.

Listen and be blessed.

Singularity — BTS

If someone had told me earlier that I’d be having deep thoughts about fornication while listening to BTS, I’d have called them a detty liar living a fake life. But here we are today. While I’d heard BTS songs like Butter and Dynamite (against my will), nothing prepared me for the delicious sexiness that’s Singularity. Even though I literally have no idea what BTS is talking about, this seductive slow banger has me weak in the knees for real.

You’ll like it if you like: Tay Iwar, Daniel Caesar and Omah Lay

Hype Boy — NewJeans

NewJeans’ Hype Boy is about to be one of my biggest obsessions in 2023, and I’m not sorry. Easily finding that sweet spot between bubblegum pop and R&B bounce, Hype Boy is the kind of song that makes you want to throw your head back and forth, summon your inner white girl hair-flipping dance moves. Hype Boy has transformed me from a Conrad to a Britney.

You’ll like it if you like: Ariana Grande, Sabrina Carpenter and Tinashe.

Replay — SHINee

Remember when pop boy bands were a thing, with teenage boys wearing matching outfits and break dancing under the rain? Well, if you miss the good old days, let me introduce you to SHINee (This spelling is stressing me out because I’m tempted to call them Shin-Nayy). Even though I’d never heard Replay before 2023, the 2008 song sounds so familiar because it has all the fun, snappy elements that made songs from that era slap really hard.

You’ll like it if you like: N’sync, Backstreet Boys and B2K

Ddu-Du Ddu-du — BLACKPINK

BLACKPINK is one of the biggest K-Pop exports, with a long list of fans and collaborations with everyone from Lady Gaga to Selena Gomez. But while the Instagram and TikTok viral hit How You Like That had everyone in a chokehold during the panini, it’s their 2018 track, DDU-DU DDU-DU that recently caught my attention. One thing about these girls is they’ll give you EDM, rap, R&B and a pop ballad all in one track without it sounding chaotic. I don’t know how they do it, but I totally get the hype now.

You’ll like it if you like: Miley Cyrus, Dua Lipa and Taylor Swift (Reputation Era).

MOVE — TAEMIN

If you watched the video for SHINee’s Replay, you might recognise TAEMIN as one of the singers from that group (Don’t worry, I didn’t immediately know this, so you’ll be fine too). Just like Zayn Malik left One Direction and created an almost perfect R&B/Pop record with Mind of Mine, TAEMIN’s MOVE is a significant departure from his boy band sound. He seems to have traded toasting his lover for downright dirty seduction, and I’m here for it. Once again, I don’t know what he’s saying, but if I were his love interest, I’d start undressing ASAP.

You’ll like it if you like: The Weeknd, CKay and Amaarae

ALSO READ: These 9 Alternative Korean Musicians Will Elevate Your Playlist

Gotta Go — CHUNG HA

One thing about me is I’ll always stan the pop girlies, whether they’re from South Korea, London, South Africa or Italy. Gotta Go by CHUNG HA is pop perfection, and I fell in love with it from my first listen. While I assumed the “gotta go” part was about ditching a relationship, I fell deeper in love when I learnt that the lyrics are about leaving a party early — anyone who knows me will tell you I’m always asking, “When are we going home?”

You’ll like it if you like: Tyla, Charli XCX and Rita Ora

Euphoria — Jungkook (BTS)

Before anyone comes for me about putting two songs from BTS on the list because they’re the most popular group, let me remind you that Euphoria is technically a Jungkook song, so it deserves to be on its own. Thank you for coming to my TED Talk. I heard this song for the first time on, wait for it… the TV show, Euphoria. Jungkook’s vocals are ethereal and make me feel like I’m floating. Euphoria might be the first K-pop song I ever liked. Chef’s kiss over and over again.

You’ll like it if you like: Khalid, Justin Bieber (Purpose era) and Troye Sivan

Any Song — Zico

While I’d heard part of Zico’s Any Song on TikTok back in 2020, thanks to a popular dance challenge during the kpandemic, listening to it again — and in full — recently made me like it even more. Any Song is the perfect feel-good song that’ll have you bobbing your head from left to right no matter how messed up your mood is. The next time we talk about songs with crack in them, Zico’s Any Song has to be on the list.

You’ll like it if you like: Shawn Mendes, Anderson.Paak and Rema

Still Life — RM

RM’s album, Indigo is the only K-pop album I’ve listened to from start to finish — the guy had me at Erykah Badu and Anderson.Paak, for god sake. While it was hard to pick one song from the album, Still Life makes me feel good every time I listen. Anderson.Paak screaming, “I’m still life!” with the crowd background vocals echoing the same lyrics reminds me of a fun day at the beach, and honestly, who doesn’t love a fun day at the beach?

You’ll like it if you like: LADIPOE, Suté and PsychoYP

Raingurl — Yaeji

Yaeji’s Raingurl sounds like the soundtrack to a night out you can’t remember. You’ve been left sore and with a raging headache, but you comfort yourself with the belief that it means you had a crazy good time. Raingurl is the perfect EDM club song, and it always makes me feel like increasing my heart rate. If you enjoy EDM benders like Sweat-It-Out in Lagos, then this is for you.

You’ll like it if you like: Oontz-Oontz music of any kind, to be honest.

ALSO READ: These 10 K-Pop Bands Should Be on Your Next Playlist

Conrad Johnson-Omodiagbe

January 10, 2023

Music, Pop

BLACKPINK, BTS, K-pop, music
11 Nigerian Songs to Ginger People Who Don’t Want to Resume Work

So our employers expect us to return to work after the Christmas and New Year break?

After almost three weeks of sleeping and enjoying Detty December, it’s time for us to do the work we agreed to in our employment contracts. But how do you find ginger to work when what you really want to do is sing, “Uloma, I dey on my ten toes” in the club? Well, it’s time to update your playlist with hustle-friendly songs that’ll remind you why chasing the bag is important.

Stand Strong — Davido

Standout lyric: “Cause I stand strong. O.B.O no go minus.”

If you could survive 2022, then you have it in you to survive one more year. The best time to play Davido’s Stand Strong is on your first day back, just to remind yourself that no matter what happens, capitalism will not kill you. At least, not today.

Terminator — Asake

Standout lyrics: “Terminator, we don get agreement oh. No terminating.”

Play Asake’s Terminator every time you’re tempted to resign after attending a five-hour Google Meet “chat”. Remember, you’ve signed a contract with capitalism, dear. There’s no turning back now.

Money Before You Love — Portable

Standout lyrics: “God, abeg ooo. Who go help ooo?”

If we’re keeping it real, no one wants to resume work. But who will fund our soft lives if we don’t work for our salaries? Play this song and scream silently in your office bathroom, if that’ll help you get through the day.

Won Da Mo — Mavins All Stars

Standout lyrics: “Wake up in the morning, hallelujah. Chasing the money, chasing the bag.”

This song should be your alarm, so you remember that securing the bag should be your only goal at the end of the day.

Double Your Hustle — Orezi

Standout lyrics: “Alaye, double your hustle. No time for gbati gbati.”

Like they say in Nollywood, “A word is enough for the wise.” Double your hustle as you get back to work, so maybe, next year, you won’t have to work at all.

Rush — Ayra Starr

Standout lyrics: “Padi man, nobody like work. But you must hustle if you wan chop.”

Ayra Starr was spilling tea when she sang these lyrics on Rush. No one likes to sit through meetings or work on documents. But how will you move from mechanic to baller if you don’t work? These are the questions, dear.

RECOMMENDED: How to Work When Work Is the Last Thing on Your Mind

Common Person — Burna Boy

Standout lyrics: “I be common person, but my happiness o, still be my own.”

If you’re one of those people who spent the salary they were supposed to use to survive in January in December, then there’s a high chance you’ll relate to Burna Boy’s Common Person. After all, nothing humbles a man more than a severe case of January SAPA.

2 Sugar — Wizkid and Ayra Starr

Standout lyrics: “Shori nonsense, ma’gbe sun mo mi.”

Ayra Starr’s lyrics on Wizkid’s 2 Sugar translate to: “Don’t bring nonsense near me,” which makes it the perfect jam to play when that annoying co-worker starts being extra. Don’t worry, you’re not alone, we all have co-workers like that.

It Is What It Is — Adekunkle Gold

Standout lyrics: “If e no be money, do not disturb me, please.”

Why is anyone messaging or calling you in January, when there’s no money involved? Adekunle Gold was right. Please and please, don’t lose focus.

Never Stopped — BNXN

Standout lyrics: “I’ve never stopped in my life. So tell me, why will I stop now?”

While I can’t relate, I encourage you to draw ginger from BNXN’s Never Stopped anytime work gets really exhausting. Listen to this song, look capitalism in the face and say, “Me run yuh. Ya not fi run meh.” It works every time.

Gone Far — Zinoleesky

Standout lyrics: “More money, more respect. Give them what they don’t expect.”

Staying out all night to do Detty December is cute, but you know what’s more attractive? Having funds. In Gone Far, Zinolesky reminds us that money cancels nonsense, so unless you want to face nonsense every day, I suggest you get your hustle on.

Conrad Johnson-Omodiagbe

January 6, 2023

Music, Pop

Funny, music, New Years
A Love Letter to SZA, From a Nigerian Man

The first time I ever listened to a SZA song — and by listened, I mean consumed every word and melody like it was Glover Court suya — was when I heard Drew Barrymore in 2017.

Coming out of nowhere, as if mid-conversation, SZA’s voice starts Drew Barrymore by asking, “Why is it so hard to accept the party is over?” But before I could find an appropriate answer, she’d moved on to the end of the song, singing, “I get so lonely I forget what I’m worth… I’m so ashamed of myself. I think I need therapy.”

And just like that, I felt dragged, seen and wrecked all at once.

There’s no denying SZA makes music for black women and their unique experiences. But it’s still human at its base, so I still connect to the overall theme of her music. We all go through moments of doubt, heartbreak and the daily questions of “What the hell am I doing with my life?”

Drew Barrymore didn’t feel like a song; it sounded more like a diary entry or the random rantings of someone who’s had too much to drink. It ditched clever rhymes and over-the-top vocals for something unfiltered and dark — vulnerability. It was almost as if SZA was saying, “I have issues. I’m a problem. And I’ll announce it to the world before anyone else uses it against me.”

I was both impressed and terrified. Sure, it sounded liberating, but as a Nigerian man, and a Nigerian in general, airing my shit is something I’ve been told never to do, no matter what.

If Drew Barrymore shook me, then the whole album, CTRL, was the earthquake that ended me for real. With The Weekend, SZA accepted her position as the side chic in a love/sex triangle. Love Galore asked the pertinent question that crosses my mind whenever someone enters my DMs and later ghosts me: “Why you bother me when you know you don’t want me?” On Supermodel and 20 Something, SZA forced me to examine why I’m never satisfied with my own company yet always ready to run from love. Meanwhile, Garden (Say It Like Dat) forced me to confront my biggest insecurity, my body, and all the times I’ve wondered if I’d ever be enough physically.

RECOMMENDED: Is “More Love, Less Ego” Wizkid’s Horniest Album? Here’s What We Think

Listening to CTRL was like talking to a friend who found the balance between calling me out for being a mess and helping me understand that it won’t define me if I don’t let it. As a young 20-something-year-old navigating life post-university, I needed this album.

Growing up, I was never explicitly told I couldn’t share my feelings or intrusive thoughts with the world. But somehow, I knew of this unspoken rule. While it started from the stares I’d get when I tried to defend myself as a child, it mainly came from existing in a space where none of the men I interacted with, both within and outside my home, were willing to be vulnerable. Men didn’t cry or apologise when in the wrong. As a man, I was groomed to be an impenetrable wall.

This air of no emotions, and most importantly, lack of accountability, trickled into the music I had access to growing up. Men sang about heartbreak, yes. But when they did, most of the songs centred on their partners’ wrongs, with very little focus on their role in the relationship’s demise — P-Square’s Omoge Mi and Djinee’s Ego are prime examples of this. And if there’s one thing SZA does well, it’s holding herself accountable.

Listening to SZA played an essential role in helping me hold myself accountable for my mess-ups. And with her 2022 album, SOS, there’s even more material to help me accept my faults and find a way to fix them.

SOS is sonically and thematically different from CTRL. While SZA’s first album was about finding control and admitting that she’s not perfect, SOS seems to revel in these imperfections, declaring that not all broken parts need to be fixed. On the one hand, she’s pining after an ex but still imagining what it’d be like to unalive him (Kill Bill, Nobody Gets Me), and on the other hand, she’s trying to convince herself she’s moved on from the relationship (Conceited). This merry-go-round from unhealthy codependency to “I don’t need you” is something I’m trying to shake as well.

People always say accepting you have a problem is the first and hardest step to finding a solution. With CTRL and SOS, SZA has helped me reach a point of honesty with myself while understanding I still have space to grow. I still only express these feelings to myself, or with close friends at least, but I can’t help but hand it to SZA for taking it upon herself to reveal the messiest parts of herself for our entertainment and Instagram captions, but most importantly, for a chance to help people like me feel seen.

ALSO READ: Psycho YP Doesn’t Know How to Drop a Mid Song

Conrad Johnson-Omodiagbe

December 14, 2022

Music, Pop

music, SZA
The Biggest 2022 International Collabs Ranked from “Flop” to “Bop”

Collaborations between Nigerian and foreign artists don’t surprise us anymore. But after 2021 gave us Fireboy DML and Ed Sheeran’s Peru, Tiwa Savage and Brandy’s Somebody’s Son, and Wizkid, Tems and Justin Bieber’s Essence, the pressure for 2022 to deliver was definitely on another level.

Did 2022 deliver? Check out this ranking of some of the international collaborations we enjoyed (or didn’t need) in 2022 to find out.

Frozen remix — Madonna, Sickick and Fireboy DML

The original Frozen dropped 24 years ago and Fireboy DML already had a hit remix on his hands with the Ed Sheeran-assisted Peru, so neither Madonna nor Fireboy needed this remix. Apart from being a forgettable and downright bad one, something about Fireboy (a black man) kneeling in front of Madonna (a white woman) rubs me off the wrong way. It’s giving coloniser vibes.

Verdict: An unnecessary flop.

Ku Lo Sa — Oxlade and Camila Cabello

If there’s one song that can compete with Burna Boy’s Last Last as the most viral song of the year, it’s Oxlade’s Ku Lo Sa. After inspiring a TikTok challenge and countless covers, Oxlade employed the help of former Fifth Harmony singer, Camila Cabello, for a remix that fails to capture the beauty of the original.

While we can acknowledge this as a smart move at increasing streams and maybe gaining a Billboard Hot 100 entry for Oxlade, it doesn’t mean we have to pretend that the song slaps, because it doesn’t.

Verdict: The flop we saw coming.

Calm Down — Rema and Selena Gomez

After giving us major collaborations with Chris Brown, 6LACK, Yseult and AJ Tracey on his debut album, Rave & Roses, Rema’s Calm Down remix with Selena Gomez is a sonic misstep for the Mavin Records artiste. The song is still a banger, but that has nothing to do with the featured artist.

Why have a remix when it does nothing to make your song better?

Verdict: Meh.

Attention — Omah Lay and Justin Bieber

For a song called Attention, Omah Lay and Justin Bieber’s collaboration tried and failed to hold our attention. This song came and left faster than a Lagos man after hearing his girlfriend is pregnant. Attention might not be the year’s best feature, but unlike my previous mentions, it deserved more than what we gave it.

Verdict: Would’ve been a bop if people listened.

Bloody Samaritan — Ayra Starr and Kelly Rowland

Bloody Samaritan was the song that cemented Ayra Starr’s current title as the It Girl of Afrobeats. Tapping into that Gen Z “IDGAF” attitude, Bloody Samaritan became a global hit that resonated with everyone, regardless of age. Even though most of the elements and lyrics that made the original song a success exist on this remix, Ms Kelly’s verse, especially towards the end, sounds like it belongs on an entirely different song.

They should’ve just recorded a new song together. Now, that would’ve hit in all the right places.

Verdict: Not a flop, but not really a bop either.

RECOMMENDED: 5 International Afropop Collaborations that Were Totally Meant to Be

Every Chris Brown Feature

If Chris Brown wants to move to Lagos, wear a white t-shirt and start break dancing on one of those promo trucks, then he should just do it. This man is basically a Nigerian at this point. From his remix of Lojay and Sarz’ Monalisa to Time N Affection with Rema and Call Me Everyday with his regular collaborator, Wizkid, no international singer did more Nigerian collabs than Chris Brown this year.

Verdict: We hate to say it, but these are bops.

WATAWI — CKay, Davido, Focalistic and Abidoza

CKay is the obvious star of WATAWI. But after dropping the Ke Star remix and Champion Sound in 2021, I’m a bit offended that Davido and Focalistic haven’t released a joint album or EP yet. The magic is there between these two; we need it harnessed for an album that could save humanity.

Verdict: Cute bop.

Cloak and Dagger — Burna Boy and J Hus

It’s safe to say a Burna Boy and J Hus combo will always work. Teaming up again after 2017’s Good Time, Cloak and Dagger off Burna Boy’s Love, Damini proves their chemistry is still as potent as ever.

Verdict: Bop as usual.

All I Ever Wanted — Asa and Amaarae

If someone had told me last year that Asa would be on a song about hotel sex and “5-star diamond dick”, I would’ve called them a detty liar who lives a fake life. But here we are today. I didn’t know how much I needed this Asa and Amaraae break-up jam, but now that I have it, I feel like it’s all I ever wanted.

Verdict: The bop we didn’t know we needed

One Woman — Adekunle Gold and Ty Dolla $ign

People aren’t talking about Adekunle Gold’s Catch Me If You Can enough, and it’s upsetting me and my homegirls. I thought AG was our baby?

Apart from solo gems like It Is What It Is and Mase Mi, Adekunle also kills it on the feature side with guests like Fousheé, Davido and Stefflon Don. However, it’s One Woman with Ty Dolla $ign, where he compares his babe to ofe nsala that hits all the right spots, for me.

Verdict: An underrated bop.

Wait for U — Future, Drake and Tems

Temilade, I love you, but I’ll gladly pay to never hear Wait For U again. The Future and Drake hit, which samples Tems’ vocals from the soon-to-be classic, Higher, was everywhere this year. Like, all you had to do was breathe, and you’ll hear Tems sing “If the world was ending” and Future replying with “Travel around the world.”

While Wait For U is a great song that has earned Tems two Grammy nominations and her first number-one on the Billboard Hot 100, I’d be glad to leave it behind in 2022.

Verdict: An overplayed bop.

Stand Strong — Davido and the Sunday Service Choir

If there’s one artist who can go from singing about chopping Nigerian koboko straight from Magodo to dropping one of the best gospel-inspired tracks in the same year, it’s Davido. Can we talk about the range?

Featuring the same choir Kanye West made famous with his Sunday Service sessions, Davido delivers a stand-out track about facing fears and finding strength amid the pain. Stand Strong is a significant departure from the hyper Davido we know. Still, his sincerity ties the song together beautifully, leaving us excited for what his next album might sound like.

Verdict: The ultimate bop.

ALSO READ: We’re Judging Anyone Who Didn’t Listen to These 10 Albums in 2022

Conrad Johnson-Omodiagbe

December 12, 2022

Music, Pop

collaborations, music, ranked
Psycho YP Doesn’t Know How to Drop a Mid Song

Psycho YP isn’t exactly sure where he stands on the “rap music is dead in Nigeria” conversation. On the one hand, the 24-year-old rapper is proud of his healthy catalogue — YP has released EPs back-to-back since he debuted in 2018 with Ypszn. But on the other hand, he doesn’t really fuck with the industry.

“I know my music will always slap,” he tells me with an air of confidence that’s almost intimidating. “But the industry is fucked. If I dropped A-Q’s last album as YPSZN3, boys would’ve dragged me on social media for putting out something mid. But that same album might win the Headies for Best Rap album next year. Rap music is moving at the same pace as Nigeria right now. You have to accept the fact and try to kill it in your own lane.”

YPSZN3, YP’s 2022 EP and the final chapter in his YPSZN series, is a hard-hitting project chronicling his experiences navigating life between Abuja and London. Cutting across multiple hip-hop subgenres like drill, grime and trap, YP paints a vivid picture of internal battles with self-doubt (Sinner), encounters with the Nigerian Police (Silent Mode) and the conflict of juggling multiple relationships (Commitment Issues).

The project is unapologetic, emotional and loud AF, with guest appearances from Zlatan, Odumodublvck, Ycee, Reeplay, Backroad Gee and more.

RECOMMENDED: We’re Judging Anyone Who Didn’t Listen to These 10 Albums in 2022

When we talk about the story behind Silent Mode, one of my favourite tracks on the EP, YP laughs as we swap stories about the different times we’ve either been arrested or harassed by the Nigerian Police for simply existing. Even though humour is a recognisable Nigerian trait used to disguise trauma, YP’s story about sleeping in jail and mastering alternative routes to avoid the police is, unfortunately, the reality of most young Nigerians.

“I don’t really talk about my life experiences on social media or in person,” he explains. “I pour everything into my recording sessions. Rap is all I know.”

YP grew up listening to a combination of Young Money and P-Square, although he identified more closely with the former. Despite citing the works of Chocolate City rappers, M.I, Jesse Jagz and Ice Prince as early Nigerian rap influences, it was until Blaqbonez’ dropped Mr Boombastic in 2019 that something changed for YP. “That album made me realise rap could actually cause a wave on the Nigerian music scene,” he tells me, taking a deep pause before adding, “But Blaqbonez doesn’t even rap anymore. Everyone is singing now. I still haven’t listened to his new album, Young Preacher.”

This pressure to sing like everyone else is something YP is all too familiar with. Afropop seems to be the major genre selling out shows and climbing the charts in Nigeria. “There’s a sense of self-doubt that comes with being a Nigerian rapper,” he says. “Everyone keeps asking when I’m jumping on the amapiano sound. Then I go home and still get questions about why I’m not singing like Buju (BNXN). I have to keep grinding until they see that my grind is paying off.”

With five well-received EPs, a 2020 Headies nomination for Best Rap Album, a North American tour opening for Rema and his title as the Best Rapper of 2021 from Native Magazine, I put it forward to YP that his grind is actually paying off. He agrees to an extent, but he’s also conscious of the pressure that comes with people projecting this rap saviour identity on his image and music. After all, look what happened to former rap saviour, Kanye West.

“I can’t make an album that’s mid or full of skips,” he admits. “People aren’t rapping like they used to. So, one slip up and everyone starts saying, ‘Rap is dead’ again. I have to keep pushing myself.”

What’s next for a rapper who’s more consistent than the naira? Well, more music.

Although he’s a bit tight-lipped about what he’s currently working on, YP assures me his debut album will soon make its way to the public. But for now, he’s picking up the flowers being thrown at him for YPSZN3. “Everyone is happy I didn’t fuck up,” he says. “I can’t have anything less than greatness right now.”

Consistently shooting for greatness sounds like a lot of pressure. But something tells me YP will be just fine.

ALSO READ: Seyi Vibez Misses the Trenches But Doesn’t Regret Leaving

Conrad Johnson-Omodiagbe

December 10, 2022

Music, Pop

Interview, nigerian music, Psycho YP, rap
#BumpThis: Kold AF, Pheelz, Teezee and Cruel Santino Are Here to Elevate Your Playlist

So much new music is released that it’s hard for even the most loyal fans to wade through the crows to find gems to listen to. But that’s where I come in with #BumpThis — our Friday series recommending new songs by and featuring Nigerians you absolutely need to hear.

Here are my picks for the week:

Kold SZN — Kold AF

There’s nothing like listening to artists who have figured out their sound right out of the gate. After an impressive run of features with Moelogo, Kaey and MoGunz, Afrofusion artist, Kold AF (I want to steal this name), has made her solo debut with the EP aptly titled Kold SZN.

From a night of fun and seduction on Wasted to using booze and music to deal with the trauma of a toxic relationship on Blues, Kold AF presents a five-minute preview into the different aspects of navigating love and life as a young Nigerian. This is a bold artistic introduction. I only wish it was longer.

Ballin — Pheelz

2022 has undoubtedly been a great year for Pheelz and everyone who bet in favour of the producer-turned-singer. For those who bet against him, Ballin is specially dedicated to you. After dropping two of the most inescapable songs of the year — Finesse with BNXN and Electricity with Davido — Pheelz caps things off with Ballin, a song that fully affirms his position as one of the biggest hitmakers of the moment.

On Ballin, Pheelz swims in a lavish pool of confidence, calling himself the “King of the dance hall”, as he calmly drags everyone, who said he wouldn’t make it, by their edges. It’s another potentially infectious hit from the singer, proving yet again that he deserves our attention.

Ku Lo Sa (Remix) — Oxlade and Camila Cabello

Oxlade’s Ku Lo Sa is hands down one of the biggest songs of 2022. From viral TikTok videos to soundtracking Rihanna’s Savage X Fenty show, Ku Lo Sa was the gift that kept on giving, until now. Towing the same line as Wizkid with his Justin Bieber Essence remix and Rema’s Selena Gomez-assisted version of Calm Down, Oxlade scores his own “I must climb the charts” collaboration with Havana singer, Camila Cabello.

While the Ku Lo Sa remix won’t go down as the worst international remix we’ve heard this year, it joins a list of remixes that feel forced and mismatched — Camila sounds like she’s on a different song on most parts. That being said, it’s still worth your listen. Hopefully, it’s a grower, not a shower.

RECOMMENDED: Oxlade Breaks Down 5 Essential Lyrics From Debut Project, ‘Oxygene’

Dreams — Ajebo Hustlers

2020 was a wild year for everyone, but for Ajebo Hustlers, it must’ve been ten times more insane. While we all dealt with the effects of a global pandemic, the #EndSARS protests and inflation, the Ajebo Hustler boys also dealt with newfound fame after their single, Barawo, became a nationwide hit.

Two years later, armed with hits like Loyalty and Pronto, Ajebo Hustlers is back with Bad Boy Etiquette 101, an EP that explores the effects of fame on love and relationships. While Fave and Mayourkun make appearances on the EP, the non-feature song, Dreams, stands out. On it, the artists are raw and honest about desperately blocking out distractions to focus on the music.

Manhattan — Teezee and Cruel Santino

Anyone who followed alté music from the start will confidently describe artists like BOJ, Teezee and Show Dem Camp as pioneers of the movement, while Cruel Santino, Lady Donli and Odunsi the Engine helped cement its presence in pop culture. So, Manhattan, a song bya pioneer and an icon of the movement, sounds like an alté wet dream.

Leveraging their individual strengths, both Teezee and Cruel Santino ride on a beat that’d fit perfectly on Santino’s debut project Mandy and the Jungle, as they sing (and rap) about everything they’d do for the girl they like. No one saw Manhattan coming, but boy are we glad it’s here.

ALSO READ: These Alté Nigerian Musicians Don’t Look Like Their Government Names

Conrad Johnson-Omodiagbe

December 9, 2022

Music, Pop

#BumpThis, Ajebo Hustlers, Cruel Santino, New Music, Pheelz
We’re Judging Anyone Who Didn’t Listen to These 10 Albums in 2022

There’s a lot of music in circulation these days (like, A LOT), so maybe I shouldn’t blame you for not consuming everything that dropped in 2022. From Asa’s triumphant return with V to Burna Boy’s moments of introspection on Love, Damini, the music scene was popping like crazy.

But in case your playlist got drowned out by all the heavily-promoted albums this year, these ten are totally worthy of your attention.

Sad Romance — CKay

Why you should’ve listened: Love Nwantiti is one of the biggest Nigerian songs of the last decade, but what if I told you CKay has songs that’ll drag Love Nwantiti by its edges because they’re a lot better than it? Seductive and playful, CKay’s Sad Romance is a well-thought-out record that’s unfortunately drowned out by his overplayed viral breakout song.

Standout songs: Samson and Delilah, You and Mmadu.

Heart of the Heavenly Undeniable — Somadina

Why you should’ve listened: Somadina makes music for the emo kid obsessed with anime, who believes fairies exist and dreams of floating in space. Drenched in delicate punk-rock and ethereal vocals, the music on Somadina’s Heart of the Heavenly Undeniable sounds just as weird as the album title. The record might be an acquired taste, but best believe it’s tasty AF.

Standout songs: Small Paradise, Citrus Tears and Crzy Girl

YPSZN3 — Psycho YP

Why you should’ve listened: Wizkid has said, “Rap is dead,” but I’m confident he hasn’t heard Psycho YP’s music or his 2022 EP, YPSZN3. Presenting the final instalment of his YPSZN series, Psycho YP curates a project that creatively cuts across trap, grime, drill, and R&B. YPSZN3 is unapologetic, emotional and loud AF — exactly how I like my music.

Standout songs: My Country People, Haffa?, Bando Diaries and Sinner

Festival of the Sun — Ogranya

Why you should’ve listened: You know that friend who talks about having a hoe phase after their breakup but still ends up in a brand new relationship two weeks later? That’s Ogranya, or at least, that’s what his music sounds like. Festival of the Sun is a poetic EP about love, yearning and heartbreak. Ogranya wants you to have a good time but still think about that random ex as soon as the dancefloor empties out.

Standout songs: Brenda, I’m Sorry and Ecstasy.

Matter of Time — Dami Oniru

Why you should’ve listened: “I sing what I feel. Don’t know how it looks to you,” sings Dami Oniru on Just 4 U, Matter of Time’s bold opening track — and that’s exactly what she does over the EP’s 20-minute run time. Dropping nuggets of wisdom on love, self-love and the desire for something more out of life, Dami Oniru uses this EP to position herself as one of the most exciting acts on the music scene right now.

Standout songs: Soft Life, Know My Name and Just 4 U.

RECOMMENDED: 10 Years Later: Please, What Did Mavin Record Put Inside Their Stew?

Bahd — Falz

Why you should’ve listened: For his first project since 2019’s Moral Instruction, Falz takes a surprising break from socially conscious music to make an album about having fun and being in love. It sounds like a different version of Falz, but somehow it still slaps like old Falz.

Standout songs: All Night, Parampe, Another Me and Woman.

For Good Reason — Aylø

Why you should’ve listened: It’s hard to explain, but Aylø’s music sounds like what I imagine being high is like — immersive, emotional, confusing, adventurous but incredibly fun. On For Good Reason, Aylø builds on the heavy trap/R&B foundation that has helped him out from alté peers like Odunsi the Engine, Tay Iwar and Santi.

Standout song: James Bond, Tekkers and Blvnk

My WurlD With U — Wurld

Why you should’ve listened: When Wurld first popped up on my radar with Show You Off in 2016, he was the unknown IJGB looking to find space in the growing soundscape of Nigerian music. Six years later, with several hit singles to his name, Wurld dropped My WurlD With U, an album that takes a deep dive into the life of a famous man just trying to find love between Lagos and Atlanta.

Standout songs: Same As You, Press and Sad Tonight

Something New — Yinka Bernie

Why you should’ve listened: While Omah Lay’s Boy Alone introduced a wide range of Nigerians to sad emo boy music, no one executes this sound with the same level of vulnerability and honesty as Yinka Bernie does. 2022 was a challenging year, and Something New reminded me it’s okay to break down and rebuild as many times as is necessary for my journey.

Standout songs: It’s Okay to Cry and Who Do You Call?

Some Nights I Dream of Doors — Obongjayar

Why you should’ve listened: Obongjayar is more than just a singer; he’s a movement all on his own. Wielding a voice almost instantly recognisable, Obongjayar’s songs sound almost intrusive, like you’ve been granted access to someone’s diary. But the best part? This diary reads like something you wrote because Obongjayar’s stories feel universal — we’ve all lived them.

Standout songs: I Wish It Was Me, Tinko Tinko, Paradise and Message in a Hammer.

ALSO READ: Skales on His Best Song, Most Underrated Hit and Craziest Collaboration Yet

Conrad Johnson-Omodiagbe

December 7, 2022

Music, Pop

afrobeats, CKay, Dami Oniru, nigerian music, Ogranya, Psycho YP, wurld, Yinka Bernie
Seyi Vibez Misses the Trenches But Doesn’t Regret Leaving

Seyi Vibez was forced to make a difficult decision barely two weeks before his debut album, Billion Dollar Baby, was released to the public at the start of November [2022]. His manager informed him the remix of one of his songs, C Major, with Tiwa Savage, would have to be removed from the album (and everywhere else) due to some label drama from the featured artist.

“It ended up being this lightbulb moment for me,” he says. “I had other features with Simi and Mayorkun, but I realised I couldn’t depend on them. I didn’t have to. I stepped into the studio, recorded a new song in two hours and added it to the album at the very last minute.”

That new song was Chance (Na Am), a major standout from Seyi’s album and a crowd favourite, with over nine million streams in the three weeks since the album dropped. It’s easy to say the 23-year-old singer has proven to be a hitmaker with or without assistance. But this wouldn’t be the first time.

Born and raised in the trenches, as he calls it, Seyi Vibez’s childhood was defined by two distinct places in Lagos: Ketu, where he lived up until he was eight, and the chaotic streets of Ikorodu where he honed his craft performing freestyles in shorts and slippers for anyone willing to listen. He explains that Ketu represents Seyi, while Ikorodu helped him create Seyi Vibez.

Ikorodu is where Seyi had what he thought would be his first small concert, only to end up singing in front of over 200 people from around the area, who knew his songs word for word).

But singing isn’t the only memory Seyi has of his time in Ikorodu. He vividly remembers guys he knew getting into gang fights that either ended in death or got them behind bars at the local police station. “The streets taught me that life is short,” he tells me before taking a few seconds to compose his thoughts into words. “I loved my experience there, but it was also my biggest motivation to blow. I wanted to take care of my family. And most importantly, I didn’t want to die.”

RECOMMENDED: A Ghanaian Helps Us Break Down Lyrics on Black Sherif’s “The Villain I Never Was” Album

Fame eventually came knocking right before the pandemic and lockdown of 2020, with his breakout single, God Sent, which started out as an anthem in Ikorodu before organically transitioning into an online pop hit. He remembers giving his parents the first two million he made and buying a Toyota Solara with the next big paycheck.

A couple of singles followed God Sent, and by the time the singer dropped his debut EP, No Seyi No Vibez, audiences had already grown accustomed to his exciting blend of hip-hop and fuji music. This fusion created earworms that chronicled his struggles on the street, all while showing a dogged desire to make it no matter what.

While Seyi is cementing his status on and off the streets, with songs like +234 and Hustle, it’s important to note he’s doing it all without the backing of a label. When I ask him whether his independence is by choice or circumstance, he quickly tells me he enjoys being his own boss. “I can wake up tomorrow and decide to drop three albums if I want,” he says, laughing. “I like being in the front seat even though I have management. However, who knows. If I meet a label that checks all my boxes, I might sign with them.”

But before he drops (or doesn’t drop) those three albums, Seyi is basking in the reception Billion Dollar Baby is getting so far. Finishing the album has made him fearless and confident that he’s on the right track to fulfil his purpose in life. Despite the success of everything around him, Seyi wistfully tells me he misses the days he spent hustling in Ikorodu. He misses the unfiltered love that wasn’t driven by marketing, and most importantly, he misses the food. “Island restaurants can’t compete with food from the trenches,” he says.

I’m not sure I agree with him, but we’ll have to wait until he introduces me to this “trenches” food he’s talking about. Even though Seyi misses strolling around Ikorodu without security, he tells me he’s happy making music people can dance to and still connect to the lyrics.

Just like fans questioned what Adele would sing when she finds happiness, I’m curious about what Seyi will sing now that he’s got the fame and money he’s been yearning for. “The chase for money will never end,” he explains before reminding me even Dangote, one of the world’s wealthiest men, is still looking for money. “I don’t have the billion dollars I’m singing about now, so that’s what I want next. I have the babes, but I want more money.”

ALSO READ: Show Dem Camp May Have Saved 2022 With “Palmwine Music 3”

Conrad Johnson-Omodiagbe

November 29, 2022

Music, Pop

afrobeats, music, Seyi Vibez
7 Signs You’re Addicted to K-Pop

Nobody is saying you have a problem oh, but remember a year or 10 ago when you just “kind of” liked K-pop? Now, all you have is a terrible sleep schedule because you’re up late watching variety shows to spark joy in your life. And if you just started listening to K-pop, you’re well on your way to exhibiting these traits.

You and YouTube are besties

You spend too much time watching variety shows, music videos, behind-the-scenes interviews and live performances. No one is saying that’s bad, but check how long you spend on this app. At this point, your catchphrase should be “just one more episode”, liar isonu.

READ ALSO: How to Spot a K-Pop Fan in Nigeria

You’ve downloaded Korean apps

Weverse, VLIVE and all their family members, because the air you breathe — as it should be — is K-pop, and you must consume it everywhere.

Your fashion style isn’t for our weather

Your Google history is full of searches like “Korean street style”. Your parents don’t even complain anymore. How many times a day do you lie to yourself that you too could be fashion-forward if you had Jennie or Lisa’s wardrobe?

You don’t own your gallery anymore

Because it now belongs to your idols. It started as an innocent thing, saving one picture here or there, but now, you can’t find photos of your friends to post during their birthdays. To be fair, they too, should go and become K-pop idols if they want your attention.

You use K-pop lingo

You mention things like maknae, aegyo and bias in regular conversations like everyone understands what you mean. Bonus points if you sprinkle Korean phrases like kamsahamnida,saranghae and araso and expect people to act like their brains have subtitles.

You’ve watched videos without subtitles

If you’ve gotten to this point, just admit your fate. If you’ve ever found yourself watching a K-pop video for four hours and smiling until you realise you don’t even understand a word of what they’re saying, pele, welcome to the club. We’re broke because we spend all our money on data and merch in this club.

Your social media looks like a fan account

As it should be when you’re supporting greatness, to be honest, but what happens when half of your followers now have you muted? They’ll see someone complaining about how plantain is more than ₦1500, next thing a K-pop artist is dancing the most complicated choreography ever created.

READ ALSO: Popular K-Pop Fandoms And How to Identify Them

Malakai Bassey

November 16, 2022

Music, Pop

kpop, listicle, music, Pop, relatable
These 10 Nigerian Albums Deserved Some Grammy Love

It’s officially Grammy season.

In 2021, Wizkid, Tems, Made and Femi Kuti made it on the Grammy Awards nomination list. This year, with Burna Boy’s Love, Damini getting two Grammy nominations, and Tems getting two nominations for Wait For You, her collaboration with Drake and Future, it looks like Nigeria will be well represented again.

But outside of these artists who’ve already signed attendance with the Grammys before, here are 10 artists and projects we would’ve loved to hear when the nominations were announced.

Some Nights I Dream of Doors — Obongjayar

Obongjayar’s music is as raw as it gets. Whether he’s urging you to keep hustling on songs like Try and Sugar or reminding you that you deserve better on Tinko Tinko (Don’t Play Me for a Fool), Obongjayar maintains an intense level of honesty and emotion that’s hard to find these days.

There’s so much drama in this man’s voice, and even the album title is dramatic AF. What is Some Nights I Dream of Doors? But the best part is all the drama pays off beautifully when you listen to his music.

Boy Alone — Omah Lay

No one is doing this “sad boy music” thing like Omah Lay. After blowing up at the height of the pandemic in 2020, Omah Lay cemented his position as one of the most exciting Nigerian artists right now with the release of Boy Alone, his debut EP. Letting his emotions take centre stage, the album has given us hits like Soso, Woman, Bend You, and the song anyone suffering from imposter syndrome can relate to, I’m a Mess.

V — Asa

If there’s one Nigerian artist who seemed set for a Grammy win from the moment they stepped on the scene, it’s Asa. Her debut self-titled album was, and still is, a masterpiece, covering heartbreak, politics and existential thoughts. But it did nothing to prepare us for V, her fifth studio album released this year.

With V, Asa has moved her music to the dance floor. Singing about friendships, love and red wine, this album proves Asa can make any type of music, and it’ll still slap.

Catch Me If You Can — Adekunle Gold

Adekunle Gold’s rebrand from calm lover boy to in-your-face fashion icon/ DILF still makes my head spin. With 2020’s Afropop Vol.1, Adekunle introduced a fun, more pop-focused side of his music and personality. Bringing that energy into his 2022 album, Catch Me If You Can, Adekunle pulls out all the stops, featuring Davido, Lucky Daye and Ty Dolla $ign. Maybe I’m high, but it looks like AG Baby is here to stay.

Mr Money With the Vibe — Asake

2022 is the year of Asake; he hasn’t let us breathe. Every week, it’s one snippet followed by a single or collaboration until he dropped his debut album, Mr Money With the Vibe, in September [2022].

Although the album suffers from sounding repetitive, Asake manages to make each song as infectious as the one before it. While it looks like Asake is slowing things down, it doesn’t mean Mr Money With the Vibe doesn’t deserve Grammy love.

RECOMMENDED: Asake is the Fashion Icon the World Needs Right Now

19 & Dangerous (Deluxe) — Ayra Starr

Ayra Starr is that girl, and she knows it. Despite taking 2021 by storm with her self-titled EP, her smash hit, Bloody Samaritan, and her debut album, 19 & Dangerous, Ayra has shown no signs of slowing down. As a matter of fact, the hits dey rush.

Releasing the deluxe version of 19 & Dangerous with new songs and remixes, Ayra has thrown her hat into the ring. While her album may not be eligible, songs like Rush and the Bloody Samaritan remix with Kelly Rowland still make the cut.

Palmwine Music 3 — Show Dem Camp

Five years after tapping into their Feel Alright palm wine vibe to drop the first installation of what we’ve come to know as the Palmwine Music series, Show Dem Camp has closed out this chapter of their career with Palmwine Music 3.

Bringing in past collaborators like BOJ, Moelogo, Tems and Ladipoe, while creating space for new acts like Oxlade, Tay Iwar and Victony, Show Dem Camp successfully delivered one of the best albums of the year. It’s sweet, sour and relaxing, just like the drink it’s named after.

Rave & Roses — Rema

It’s Rema’s world right now, and the rest of us are just paying rent and agency fees. Three years after capturing our attention with the party starter, Dumebi, Rema officially kicked off 2022 with his debut album, Rave and Roses. While songs like Dirty, Time N Affection and Calm Down remind us Rema is a budding sex icon, his music really hits when he sheds off that gragra to give us songs like Addicted, Divine and Are You There?

Sad Romance — CKay

Capitalising on the international exposure he got after Love Nwantiti became TikTok’s official anthem in 2021, CKay dropped his debut album in 2022, and it didn’t disappoint. It’s interesting CKay named it Sad Romance when almost every song on it sounds like music that’ll get you pregnant.

Swimming in sensual R&B production and CKay’s bedroom voice, Sad Romance was a major standout of the year and deserves some recognition.

ALSO READ: Do Nigeria’s Biggest Artists Really Need the Grammys?

Conrad Johnson-Omodiagbe

November 16, 2022

Music, Pop

asa, asake, Ayra Starr, Burna Boy, grammys, nigerian music, Rema, Wizkid