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Music | Page 4 of 10 | Zikoko!
  • From “Shokori Bobo” to “Ojapiano”: Kcee is Nigeria’s Underrated Hitmaker 

    From “Shokori Bobo” to “Ojapiano”: Kcee is Nigeria’s Underrated Hitmaker 

    Whether its hot takes about new and old cats, or which artist really took afrobeats to the world, conversations about the Nigerian music scene seem to be limited to the Big Three (Wizkid, Davido and Burna Boy), OGs (2baba, Don Jazzy and P-Square) and the new streaming kids (Tems, Rema and Omah Lay). But this leaves several musicians in between, whose artistry has been just as influential on the scene. 

    One of these artistes is Kcee. With 20 years in the game, Kcee has had an enduring career that’s outlasted many of our faves from back in the day. While many other artistes from the early 2000s have struggled with keeping up with the times, Kcee has reinvented himself repeatedly, reappearing on the charts and in conversations you least expect him in. 

    With the increasing popularity of his latest hit, Ojapiano, we’ve decided to revisit his career and give flowers to a hitmaker who’s transcended multiple generations. 

    The Kennis Music Era 

    We can’t talk about Kcee without mentioning his KC Presh days. Kcee, alongside his friend Precious John, became famous as KC Presh in 2002, when they won the maiden edition of the reality singing series, Star Quest. The win got them a deal with Kennis Music — home to Eedris Abdulkareem, Tuface Idibia (now known as 2Baba) and Tony Tetuila — where they released their gospel-inspired debut album in 2003 and delivered jams like Sio Npo (Make a Noise), KC Presh Anthem and My Reign with Zaaki. 

    The Blingz Record Era 

    Stepping away from a major label can either make or break an artiste. So it’s safe to say audiences were shocked when KC Presh decided to leave Kennis Music, arguably the biggest record label at the time, to start their label, KP Records, in 2006. 

    Two years later, the duo re-launched the label as Blingz Record and finally released their first album post-Kennis Music, No Time, in 2008. The album was responsible for hits like Shokori Bobo, U Said U Love Me and Ginger Your Swagger with Timaya.

    Just Kcee, no Presh: The solo hit maker 

    2011 was the year KC Presh decided to say goodbye to each other, after over a decade of hits. This breakup notably impacted the Nigerian music scene at the time. Just like Plantashun Boiz before them and P-Square after, the separation put a lot of pressure on the now solo artistes to deliver songs to rival their group efforts. 

    Kcee flourished under the pressure, returning with a string of hits that solidified his spot as a major player in the game. There was no escaping Limpopo in 2012, and his 2013 debut solo album, Take Over, introduced us to Pullover with Wizkid and Don Jazzy and the wildly underrated Give it to Me with Flavour. 

    RECOMMENDED: Sarz’s Biggest Bangers Ranked by Twerkability

    Batman Kcee, meet Robin Harrysong 

    Kcee might’ve been solo after leaving KC Presh, but that didn’t mean he was alone. Like Don Jazzy and D’Banj back then, and Olamide and Asake now, Kcee buddied up with Harrysong, his Star Music labelmate. They became inseparable, giving us bangers from 2014 to 2017, when they allegedly parted ways. 

    Kcee goes to church 

    The lockdown of 2020 changed us in many ways. Some of us considered opening a bakery after successfully baking one loaf of banana bread. But for Kcee, it meant going back to his gospel roots. In 2021, he collaborated with Okwesili Eze Group to take gospel music to the clubs with Cultural Praise. The song had everyone in the spirit and became such a cultural phenomenon that Kcee decided to tap into his inner Nathaniel Bassey with Volume Two to Volume Five, and a sequel, Cultural Vibes, at the end of that year. 

    What happens when you mix Amapiano with palm wine music?  

    Everyone is making Amapiano music now. From Wande Coal to Asake, an Amapiano hit is the music version of when Nigerian tech bros decide it’s time to grow dreadlocks, pierce their eyelids and paint their nails. How else will you know you’ve made it in 2023 if people can’t blow loud whistles to your song? 

    Kcee understood the Amapiano craze but took it a step further. Instead of making a random Amapiano song, he created a sound that merged the South African import with his signature Igbo instruments and melody, delivering one of the year’s biggest hits, Ojapiano

    With Ojapiano, Kcee has reinvented himself one more time, fitting comfortably into the current trend without losing the ethos of what made his music popular 20 years ago. 

    ALSO READ: 10 Random AF Collabs No One Saw Coming…But Still Worked

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  • From “Peru” to “Ku Lo Sa”: Wande Coal Walked So These 7 Artistes Could Run

    From “Peru” to “Ku Lo Sa”: Wande Coal Walked So These 7 Artistes Could Run

    Wande Coal is an Afrobeats GOAT; no one can tell us otherwise. From his days at Mo’Hits delivering killer hooks on songs like Pere, Close to You and Booty Call to his debut album, Mushin 2 Mo’hits and now, the fantastic, Legend or No Legend, Wande Coal has remained consistent with the hits. 

    Wande Coal’s distinct sound has influenced many of the artistes we listen to today, so we’re here to give him his flowers ahead of his special performance at Trace LIVE on June 16, 2023. 

    Wizkid

    Source: GQ

    Wizkid is one of the biggest Nigerian exports since crude oil. But before becoming Big W with the Grammys and Billboard Number Ones, Wiz lived with Wande Coal while making his debut album, Super Star. From songs like Love My Baby on that album to Pressure on his latest album, More Love, Less Ego, Wizkid has shown countless times that he has a degree from the Wande Coal University of Afrobeats. 

    Fireboy DML 

    Source: Billboard

    Till date, mandem are on the street arguing about who sang the second verse on Fireboy DML’s 2021 hit, Peru

    The influence Wande Coal has on Fireboy DML’s music has been clear from his debut album Laughter, Tears and Goosebumps. If you think about it, their collaboration on Wande Coal’s Legend Or No Legend album was written in the stars. 

    Oxlade 

    Source: Colors Studio

    Oxlade’s Ku Lo Sa was undoubtedly one of the biggest songs of 2022. 100 million TikTok challenges later, we can’t look at green walls the same ever again. 

    One thing that stands out in Ku Lo Sa is Oxlade’s falsetto and vocal run at the end. Listen closely and tell me it doesn’t remind you of Wande Coal serving vocals while singing: “Girl, you’re so damn fine” on Kiss Your Hands from his Mushin 2 Mo’Hits album? 

    Davido

    Source: New York Times

    Davido has claimed to be many things: the best, omo baba olowo and an assurance provider. But we think it’s high time we add Wande Coal prodigy to the list. Fun fact: Wande Coal’s influence on Davido goes beyond music. In an interview with Vibe Magazine, Wande shares how Davido left school in Atlanta to look for him twice and how he’s actually the one who first called the FEM singer OBO. Mad oh!

    RECOMMENDED: Wande Coal’s “Mushin 2 Mo’Hits” Was Way Ahead of it’s Time

    Teni 

    Source: Premium Times

    Teni is one of the few female musicians in Nigeria that has found a unique niche and sound that works perfectly for her songwriting. Songs like Askamaya and Uyo Meyo are solid hits thanks to Teni’s mix of Afropop and the Juju music most millennials heard their parents listening to. While her influences include Salawa Abeni, Shina Peters and co, we can’t discount Wande Coal’s Mo’Hits days influence on her sound. 

    Peruzzi 

    Source: The Guardian 

    Peruzzi popped up on our radars with his feature on 2Face’s 2018 hit Amaka. While Peruzzi has collaborated with many  artistes over the years, including Wande Coal himself, his solo music, especially songs like D-Side and Show Your Working, have given us a glimpse into his love for Wande Coal’s music post Mo’Hits. 

    Tay Iwar 

    Source: Instagram/TayIwar

    Only a few artistes are touching the hem of  Tay Iwar’s cargo pants when it comes to vocals and songwriting in the Nigerian music industry. While many Nigerians have placed Tay in an alté box, the singer steadily delivers insane R&B vocal performances and melodies that remind us of R&B Wande Coal circa Private Trips and Again

    ALSO READ: The 7 Nigerian Singers Guaranteed to Give You a Hit Song in 2022

  • The Most Bad Bitch Anthems and Quotes from Amaarae’s “Fountain Baby”

    The Most Bad Bitch Anthems and Quotes from Amaarae’s “Fountain Baby”

    There’s no way I’m the only one who’s rinsed Amaarae’s Fountain Baby countless times since it came out. Amaarae, girl, I’m sorry if your mouth  hurts from me replaying your album; it’s just too good. 

    In just 40 minutes, Amaarae takes us on a journey of sex, partying, designer clothes, astrology, expensive cars and most importantly, what it feels like to be a bad bitch. 

    Source: Zikoko Memes

    Princess Going Digital

    Source: Zikoko Memes
    • “I been going out like a bad bitch” 
    • “Tryna find love, but ninjas be doing the most” 

    Bad bitches catch feelings, too. Princess Going Digital is for the bad bitches that know they’re fly but wouldn’t mind finding a lover who’s ready to match their energy. Amaarae is asking for someone to take her off the streets, and all of you are dulling? Shame. 

    Angels in Tibet 

    Source: Giphy
    • “Y’all bitches boring” 
    • “Don’t you want to taste it?”

    Where are my main character girlies? You know those who swear they’re the Beyoncé of their friend group? Yes, Angels in Tibet is for all of us. It’s not easy being the most wanted and hottest in any room we step into. Like Wande Coal once said, “Wo ko wa je bi amala ati ewedu”. 

    Reckless and Sweet 

    Source: Zikoko Memes
    • “Looking at me, you get goosebumps” 
    • “Call me when the money come come come” 

    Bad bitches don’t play with poverty, and that’s on Eucharia Anunobi’s eyebrows. Reckless and Sweet is an anthem for bad bitches who disagree with Tinubu on letting the poor breathe. They have their own funds, there’s no way you can step to them when your bank account is giving struggle energy. Run along now. 

    Co-Stars

    Source: Meme Monkey
    • “I met a girl, she a saint and a demon” 
    • “Down to earth but way too high”

    Astrology babies, get in here because Amaarae just made a new anthem for you. From sex with a Gemini feeling like a threesome (multiple personalities, sho get?) to Leos being hot but unloyal, Amaarae drags each sign by their edges, giving us a rulebook on which ones to avoid. Thanks, girl. 

    RECOMMENDED: The Zikoko Guide To Dating A Nigerian Astrology Babe

    Disguise 

    Source: Zikoko Memes
    • “I like my coffee with some head in the morning” 
    • “Fuck you and give you away” 

    Amaarae is on fire, name-dropping Mowalola, singing about pulling up to the motive in a fly Mercedes, partying hard and getting faded like it’s no man’s business. This isn’t your average bad bitch anthem. This is Gwen Stefani-level luxurious. 

    Sex, Violence, Suicide

    Source: Zikoko Memes
    • “Ruin your day and then I take a bow”
    • “Want a feeling. Something real tonight”

    What is it with bad bitches and true crime? Famous serial killers Ted Bundy and Wayne Gacy are referenced in this song that finds Amaarae down bad, asking her lover to tell her she’s the best. Once again, it’s okay to be a bad bitch and like someone. It’s the duality of bad bitchery. 

    Water from Wine 

    Source: Zikoko Memes
    • “Call me for tongue in tongue” 
    • “Shawty I can’t be caught in no love”

    Who says you can’t eat your cake and have it? Water from Wine is for the sexually liberated bad bitches (to be honest, you can’t be a bad bitch without being sexually liberated) who want to have a good time and dip. No long talk. Take off your pants; we’re here for a good time; not a long time. 

    Listen to Fountain Baby here: 

    ALSO READ: Amaarae: “I Make Music For Bad Bitches”

     

    Here’s a link

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  • Bad Boy Timz Has Bad Days Too

    Bad Boy Timz Has Bad Days Too

    It’s difficult, almost impossible even, to look back at the tumultuous year that was 2020 and not acknowledge how strange it was for Nigerians and the global community at large. Riddled with fear of the unknown, and a daily surge of coronavirus cases, the world shut down. Navigating those confusing days was scary. However, for Olorunyomi Timilehin, 2020 was also the year the world got a massive introduction to his musical avatar, Bad Boy Timz. His breakout single, MJ, dropped just five days after the Nigerian government announced a nationwide lockdown, on April 4, 2020.

    “I was sad and happy at the same time,” the singer tells me at the tail end of 2022, over two years since the lockdown was lifted. “I saw my song climb the charts, but I was broke. I couldn’t perform or make money. It was a club song, but it peaked online. I wish it had dropped when we were all outside.” 

    Outside or not, MJ, Timz’s catchy tribute to the late king of pop, Michael Jackson, quickly became one of the biggest Nigerian songs of 2020, its infectious energy providing reprieve in uncertain times. The single was followed by two remixes, one with Mayorkun and the other with Teni.

    In an industry where lightning rarely strikes twice, much less thrice in a global pandemic, Timz’s tagline “Iyanu yen shock won ba kan”, which loosely translates to “The miracles will shock them”, became a reality. A star-making appearance on Olamide’s Carpe Diem standout, Loading, was soon followed by another feel-good anthem, Have Fun, and finally, the Headies’ Rookie of the Year award to close out 2020. But just when it seemed like the then-21-year-old had established himself as an act to look out for post-lockdown, he disappeared for a while. 

    Source: Courtesy of subject

    Bad Boy Timz’s introduction to music was unknowingly orchestrated by his father. Accompanying the accountant who moonlighted as a Tungba band member gave the future singer front-row seats to making and performing music. After years of covers and recording music unprofessionally in secondary school, Timz’s first brush with the spotlight happened when his freestyle to Davido’s If went viral in 2017. The freestyle caught the attention of rap icon, Olamide, who reposted the video and invited him to perform backup on Radio Lagos, off his Lagos Nawa! album that year. 

    In 2020, Olamide placed the singer front and centre in both the audio and visuals for Loading. “We recorded the song in 30 minutes,” Timz says. “I remember being in Ikorodu when he [Olamide] called me. Omo, I rushed to the island sharp-sharp, and he introduced me to P.Priime, the producer. I already had the melody in my head, so it was easy. Shoutout to Baddo. That’s my egbon right there.” 

    Loading changed Timz’s life. He admits to booking countless shows after the single was released. But things took a dramatic turn when a brewing rift between the artiste and the label he had previously signed to in 2019 forced him to take a break from releasing music after the Headies. “Winning the Headies came with mixed emotions as I’d already started having issues with my label at the time,” he confesses. “I expected MJ to win, but I also felt the heat from what was going on with my team. I couldn’t perform or release new music because I needed to leave that label. I was being acknowledged as one of the greats, but I couldn’t even enjoy the moment.” 

    ALSO READ: T.I Blaze is Not Just a Street Artiste, He Wants to Make Love Songs Too

    While Timz doesn’t go into details about his label drama, the whole thing played out publicly, with an arrest and lawsuit dominating headlines in the early months of 2021. By May 2021, Timz had founded his own record label, Shock Absorbers Music, with a distribution deal from Empire Label, which also handles distribution for the YBNL squad, Tyga and Snoop Dogg, allowing him to make a massive comeback with Move in October the same year.

    The highs, lows and complexities of Timz’ creative adventures converge on Igboro, the opening track of his long-awaited No Bad Boy, No Party debut album which came out in June, 2023. Giving insight into his journey from the ghetto, Bad Boy Timz reminisces about the past while acknowledging the poignant Nigerian dream of blowing regardless of where you come from. 

    The party part of the album goes into full gear after the first track and continues until the album closes with the BNXN-assisted Make Sense. With production from heavyweights like P.Priime and BeatsByTimmy, and appearances from Olamide, Zlatan and Shenseea, Timz successfully packaged a fun night out into a 30-minute LP. But as club-friendly and fun as this album sounds, there’s more to Bad Boy Timz than what the audience is getting right now, especially after 2022’s Big Money with its underlying social message. The best part? He agrees. 

    “I feel like the Nigerian audience is ready for artistes to be versatile,” he admits to me while discussing his decision to put out more experimental music. “I want them to say, ‘Ah, Bad Boy Timz, we love this lamba music, but we also love your R&B work.’ There will be reggae Bad Boy Timz, drill Bad Boy Timz and even trap Bad Boy Timz soon. I need my fans to get to the point where they love my music so much, they won’t even care what genre I’m doing.”

    Source: Courtesy of subject

    Timz’s new direction is inspired by another artiste. “I’m not saying Burna Boy is my role model,” he tells me. “But this guy has the kind of versatility that allows him to talk about social problems or heartbreak while making you dance.” He explains that while he wasn’t always bothered with messaging before, now, more than ever, there’s a need for music that connects with people’s souls instead of just helping them escape bad times. 

    As a singer whose music has become known for its resilient, positive energy, I’m curious to know if Timz is familiar with these bad times he talks about. Taking a minute to catch his breath, he reveals that, just like everyone else, he struggles with navigating life in Nigeria while dealing with the pressure of being in the spotlight. 

    “People think we’re not human beings with real emotions,” he says. “We are prone to make mistakes. I try to remember that if I don’t make myself happy, no one else will. I used to allow the craziness around me fuck me up mentally. But now, I understand that problem no dey finish. If I wait for my life to be perfect before I enjoy myself, I’ll wait till eternity.” 

    Source: Courtesy of subject

    Timz’s pursuit of happiness bled into his music first, and now, he has his sights set on new dreams — becoming a toymaker then a restaurateur. Yes, you read that right. The first is an attempt to reconnect with his childhood while growing a sustainable business that could see Nigerian toys become valuable collectables in the future. And the food part? Well, Timz is aware that no matter what, Nigerians will always need food. “Do you know how much Olaiya makes in a day?” he asks me, referencing one of Lagos’s most popular amala joints. 

    Singer, future toymaker and restaurateur, Bad Boy Timz has his hands full with present tasks and future aspirations. But in the face of everything, I want to know the ethos that drives the singer? 

    “I’m trying to make a statement,” he explains. “I want people to know I’m capable of much more than what they’ve come to expect from me. I won’t box my creativity to fit in.” 

    Listen to No Bad Boy, No Party here:

    ALSO READ: Seyi Vibez Misses the Trenches But Doesn’t Regret Leaving

  • The Best Duos Since Don Jazzy and D’Banj

    The Best Duos Since Don Jazzy and D’Banj

    It can’t be argued that some of the exceptional music talents of the Nigerian music scene are in the form of a duo. These artistes are either paired up by birth, friendship, partnership or alignment of dreams. 

    Here are some of the exceptional musical duos currently holding it down.

    Show Dem Camp

    Tec and Ghost have been incredibly consistent as one of the major frontiers of African Hip-Hop. For over a decade, they’ve been killing it with their series of Clone Wars and “Palmwine Music”. The former which caters to core Hip-Hop fans first came out in 2010, now in its fifth installment. “Palmwine Music” was introduced in 2017 and its fourth installment came out 2023. SDC, as they’re popularly known, is consistent in  providing a platform to new and young artistes via their music projects. In case you’re wondering which Nigerian rappers are currently touring North America, “It’s the Show Dem Camp, omo yes indeed.”

    The Cavemen.

    Made up of siblings Benjamin James, a drummer and Kingsley Okorie, a bassist; the Cavemen are  known for their fresh take of Highlife music. Their Headies-award winning debut album, “ROOTS” was released in 2020 and made fans out of many young Nigerians. The Cavemen’s sophomore album “Love and Highlife” came out in 2021. The album boasts of features from Made Kuti, Efuk Ubong, PC Lapez and Cobhams Asuquo.

    Umu Obiligbo

    Chukuemeka and Ifeanyuchukwu Obiligbo are also siblings making Highlife music. Their discography boasts of two recording albums and two EPs. Their traditional and cultural approach has gained them placements on Basketmouth’s “Yabasi” and Larry Gaaga’s “Rattlesnake” soundtrack albums. Umu Obiligbo toured the U.S this year, and concluded the European leg two months ago.

    ATTENTION: tomorrow, all the hottest babes are partying at HERtitude 2023. Have you bought your ticket?

    Ajebo Hustlers

    Straight out of Port Harcourt, singer Piego and rapper Knowledge, known for their strong street poetry and rap-highlife fusion, began their musical journey in 2015. Five years later, they got the mainstream’s attention with their “Barawo Remix” that featured Davido— the song which originally addressed the gruesome killing of the ALUU 4, became the unofficial anthem during the End SARS protest. Ajebo Hustlers released their full length debut titled “Kpos Lifestyle Vol. 1” in 2021, the same year they became the first artistes and musical duo in Apple Music’s “Up Next” programme.

    READ: We Don’t Rate You If You’re Not Listening to These 10 Female Artists

    Lost & Found

    Though rappers Boogey and PayBac iBoro have their solo careers, through their super rap group “Lost & Found,” they’ve given us some of the most memorable lyrical sparring moments ever. “Face-Off”, their debut, came out in 2016. Their latest offering is the critically acclaimed “Alternate Ending” released in 2019. Boogey hasn’t released new music in a while, PayBac keeps pushing the envelope with his latest, “West African Goat”.

    BOJ and Ajebutter22

    These guys have had each other as guest artistes on their songs multiple times, but the first time they put out joint music in 2018— their EP, “Make E No Cause Fight”, their chemistry was so evident. The second installment of the EP included rapper Falz as primary artiste.

    P-Square

    Legendary! That’s the word for them. More than two decades they’ve championed the Nigerian and African music scene; dropped serial hits, inspired kids to dance and toured around Africa. After their public, messy break-up in 2017, the twin brothers, Paul and Peter Okoye, took to solo careers; though not as  successful as their group career. After years of the feud, the brothers reunited in 2021. In the last 24 hours, news of their new album has been going around. We’re excited.

    The Grey Area

    Consists of singer-songwriters 3rty and Kid MARLEY. Although their solo careers are not taking back seats, they came together to become The Grey Area in 2015. They put out their self-titled joint album in 2018. With organic instruments, interesting perspective and strong storytelling, they’ve proved to be one of the best duos since Don Jazzy and D’Banj. In preparation for their next offering, they’ve started receiving beats.

    ALSO READ: The Real Reasons Why You Didn’t Listen To Nigerian Music Before 2010

  • The Best Nigerian Songs to Listen to When That Credit Alert Hits

    The Best Nigerian Songs to Listen to When That Credit Alert Hits

    If there’s one thing that makes Nigerians (well, anybody) happy, it’s salary week

    If you know you’re getting ready to cash out over the next few days, this playlist is for you. Remember to enjoy this moment because SAPA is always around the corner, waiting to take your last card. 

    Chop My Money — P-Square

    This is a great song to sing in the club when that salary hits. But also note that this is an invitation, so don’t be mad if someone does indeed chop your money in the end. 

    2 Sugar — Wizkid and Ayra Starr 

    2 Sugar off Wizkid’s More Love, Less Ego might hint at protecting your mental health. But the way Ayra sings, “Sho ri nonsense, ma gbe sun mo mi” makes it the perfect song to dedicate to all those people who wait until salary week to ask if they can borrow small cash for one problem or the other. Ogbeni, “I dey fight my own demons, don’t you see?” 

    Peace Be Unto You (PBUY) — Asake 

    Asake is the current, always-dropping music, reigning king of party music in Nigeria. Period. But if there’s one of his many hit songs that I’d gladly put on a salary week playlist, it’s Peace Be Unto You (PBUY). On this song, Asake recognises that hard work brings money into your account, so my dear, spend that cash because you earned it. However, the best part is when he sings, “Before them use me, I go use myself”, meaning spend your money before unnecessary wahala lands on your doorstep to snatch it from you. 

    Billionaire — Stanley Okorie

    It doesn’t matter whether your salary is in billions, millions, hundreds of thousands or just small thousands; you’ll relate to Stanley Okorie’s Billionaire on salary day. But please and please, take that “no mercy for money” part with a pinch of salt. After all, the song’s title is still “Billionaire”, not ₦10k. 

    Unavailable — Davido and Musa Keys 

    This special number is dedicated to bills and people who like to bill. Yes, it’s salary week, but like Davido said, “If it’s not owo, I can’t talk”. So, forget I exist unless you plan on giving me more money. We’ll all be fine last last. 

    Holiday — Rema

    It’s good to celebrate salary week, but it’s also good to remember all the times when bad belle people cast you away. Nothing screams “New money” like a good grass-to-grace story. 

    RECOMMENDED: Rema Hasn’t Missed Since 2019 and We Can Prove It

    Who’s Your Guy? — Spyro 

    Who’s the big boss in the street right now? Yes, it’s you, bitch. Now that salary has come, best believe you’re about to be everybody’s guy. Just remember to divide the bill by everybody on the table because the money still has to last you until next month. 

    Asiwaju — Ruger 

    This song might be tied to someone who allegedly sold drugs — I said, “allegedly” here, and I didn’t mention names. But it doesn’t mean you can’t use it to celebrate your win as a fucking baller who’s ahead of people whose salary doesn’t come until the first week of a new month. 

    Who Born the Maga — Wande Coal and K-Switch 

    Having natural confidence is sweet. But you know what’s sweeter? Having natural confidence that’s also backed by funds. No one can tell you nonsense during salary week. No, like, who actually born the maga? Having money is the real BDE, trust me. 

    Bandana — Fireboy DML and Asake

    This song works two ways. One, it’s a reminder to everyone that you’ve arrived now that the bag has been secured. But it could also serve as a warning from SAPA that you’ll never see him coming. So, tap into whichever anointing and spirit you feel when singing Asake’s chorus. 

    Party No Dey Stop — Adekunle Gold and Zinoleesky 

    Yes, this is an Adekunle Gold banger, but it’s also the motto for the first two weekends after salary drops. Why are you at home on a Friday night with all that money in your account? Better listen to AG and Zino and go pop some bottles — champagne or beer, a bottle is a bottle. 

    Loaded — Tiwa Savage and Asake 

    This song doesn’t need too much serenre because you get the gist when Asake starts singing, “I’m loaded”. It’s either you’re loaded, or you’re not. Loaded people, please, come to the front. The rest of you, go and listen to Tiwa’s Stamina until your money drops because that’s what you’ll need to withstand the SAPA. 

    Finesse — Pheelz and BNXN 

    No, but whose business is it that you’re broke? Sure, you’ll have to inconvenience your friends and family by borrowing money and begging for food later, but for now, enjoy Folake for the night

    Suffer Suffer — Lady Donli 

    Raise your hands if you didn’t come to this life to suffer. This Lady Donli anthem off her 2019 album, Enjoy Your Life, is a perfect reminder that we were put on earth to have a good time (another Lady Donli song). Suffering is not your portion, so wipe away that poverty mentality and enjoy some of the money you busted your butt making over the last month. 

    Godwin — Korede Bello 

    What God cannot do does not exist. It’s not easy being a salary earner. 

    ALSO READ: We Don’t Rate You If You’re Not Listening to These 10 Female Artists

    Listen to our salary playlist here:

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  • How “Holla At Your Boy” Started Wizkid’s Superstar Journey

    How “Holla At Your Boy” Started Wizkid’s Superstar Journey

    With a Grammy (and multiple nominations), two top ten hits on the Billboard Hot 100, groundbreaking collaborations and a signature sound that’s captured the hearts and waistlines of fans worldwide, Wizkid is undoubtedly one of the most iconic figures in afrobeats today. But how did Ojuelegba’s Ayodeji Balogun become the biggest Nigerian export since crude oil? It all started with his highly contagious debut single, Holla At Your Boy

    About six days before Justin Bieber took over the world with the Ludacris-assisted hit, Baby, miles away, Nigerians got introduced to our version of a teen popstar heartthrob when Holla At Your Boy dropped on January 2, 2010. 

    Decked head-to-toe in all the 2010s fashion trends: skinny jeans, Supra sneakers, shambalas, a non-religious rosary, graphic tees, Ray Ban glasses and a mohawk, because why not? The sound and visual appeal of the then 19-year-old singer were so well-crafted that he seamlessly caused a shift in the music industry, offering a glimpse into a new phase of afrobeats that would eventually usher in other young stars like Davido, Dammy Krane, Mo’Cheddah and Olamide. 

    Source: Youtube 

    Produced by DJ Klem and Vebee, Holla At Your Boy sampled Girls by Korean singer Se7en, with Wizkid’s vocals and palpable energy carrying the song across the finish line. Unlike the relaxed, no-stress Big W we know today, who’s confident enough to make an album called More Love, Less Ego, baby Wizkid had no ego — all he wanted to do was prove himself and make a statement in a game dominated by legends who’d been running things for almost a decade at the time. Wiz was hungry for success, and he poured every ounce of that drive into what would later form part of his debut album, Super Star

    RECOMMENDED: Is “More Love, Less Ego” Wizkid’s Horniest Album? Here’s What We Think

    But before there was Holla At Your Boy, Wizkid was Lil Prinz, an upcoming singer in a group called the Glorious Five, with his friends from church. The transformation from Lil Prinz to Wizkid reached completion when he got signed to Banky W and Tunde Demuren’s record label, Empire Mates Entertainment (EME), in 2009. 

    Following his signing to EME, Wizkid caught our attention when his vocals provided the hook for Fast Money Fast Cars, off MI’s critically acclaimed 2009 debut album, Talk About It. Making an indelible impression opposite “Nigeria’s own Kanye West from the West” was no easy feat, but Wizkid pulled it off. That same year, Wizkid made a cameo in Banky W’s star-studded Lagos Party music video, doing a cute one-two step alongside his label head. 

    After Holla At Your Boy, Wizkid became a household name. While the song had teenagers and adults singing along to the playful “If you see me drive by, holla at your boy/ I got more swag, holla at your boy”, the Patrick Ellis-directed video was a pop culture moment in its own right, with cameos from Banky W, Ice Prince and Skales, as well as future entertainment juggernauts like Asa Asika, Uche Odoh and Sophie Alakija

    Source: Youtube 

    At a time when streaming wasn’t even a thing, Wizkid charmed his audience with an infectious bop, setting the stage for a career that’s broken records and pushed afrobeats to the forefront of the global music conversation. While we’re grateful for the Wizkid that gave us Ojuelegba, Jaiye Jaiye and Essence, we’ll never forget the 19-year-old dreamer who doggy-ed in his skinny jeans on a basketball court with his friends. That was the moment when we fell in love with Ayodeji Balogun. 

    ALSO READ: We Ranked the Best Wizkid Songs of the Decade

    Can you handle the hotness of Zikoko’s women’s only party of the year, HERtitude? Click here to buy your ticket and find out.

  • 8 of the Coolest New School Artistes to Help You Get Into Ghana’s Music Scene

    8 of the Coolest New School Artistes to Help You Get Into Ghana’s Music Scene

    Ghanaian music has evolved a lot over the years. We had the VIP era, with Ahomka Wo Mu and Two Women (with Tony Tetuila), in the early 2000s. The mid-2000s introduced us to R2Bees, with Kiss Your Hand, and the azonto dance craze, thanks to bangers from Sarkodie and Fuse ODG. 

    With artistes like Amaarae, Black Sherif, King Promise and Kwesi Arthur building up massive fan bases across the world, we’ve decided to look at some of the new school artistes putting their stamp on the scene and continuing the legacy of the icons who came before them. 

    Yaw Tog 

    What do you get when you take a cup of black coffee with two scoops of pre-workout and half a can of your favourite energy drink? Chaotic adrenaline, for sure — which is more or less what you get listening to Yaw Tog’s music. At just 19, the Kumasi-born rapper has helped introduce Ghana’s version of drill music — asakaa — to the world. Delivering bars in his native language of Twi, you don’t have to understand Yaw Tog’s music to feel gingered to take on the world. 

    You should listen to: His 2020 breakout single, Y33gye, when hitting the gym or looking for extra energy to fight capitalism.

    Moliy

    Moliy is no stranger to Nigerians who love good music. Getting her big break on Amaarae’s global chart-topper, Sad Girlz Luv Money, Moliy has since collaborated with everyone from BOJ to Ogranya and producer, P.Priime. Features aside, Moliy holds her own on solo projects, proving that she’s more than just a chorus girly.

    You should listen to: Her 2022 EP, Honey Doom

    SuperJazzClub

    Nothing beats live music, and as someone who’s seen and felt the energy SuperJazzClub brings to the stage, I can confidently say they’re the real deal. With nine members, a number that rivals some famous K-pop groups (BTS only has seven members), SuperJazzClub is bursting at the seams with talent across vocals and production. The creative mix is evident in the music they’ve put out since their 2020 debut EP, For All the Good Times. Their rave-like performances have built a cult following outside Ghana, with fans worldwide (including me) ready to shout “Flash”, as soon as their 2021 smash hit, Cameras, comes on. 

    You should listen to: Paradise off their 2023 compilation, ACT 3.

    Baaba J 

    There’s no denying that Baaba J is one of the most exciting voices out of Ghana right now. Making a major entry into the scene with her 2020 debut EP, Lumumba St, Baaba J introduced herself as an artiste who’s comfortable knowing she doesn’t fit in. “I have no exes. I have no dresses. I’m a geek,” she declares on Tomboy, a standout track from the EP, before reminding everyone that, tomboy or not, she’s still the girl who can easily “pull both sexes”. 

    You should listen to: Her latest single, Ole. 

    RECOMMENDED: We Don’t Rate You If You’re Not Listening to These 10 Female Artists

    Fameye

    Listening to Fameye is like having a spiritual experience. Leaving his early rap days behind for a more high-life-leaning sound, Fameye has established himself as one of the most versatile artistes in Ghana, who’s not afraid to explore new territories. 

    You should listen to: His 2021 hit, Praise, and let his music minister to the deepest part of your soul. 

    Essilfie

    If you’re looking for a lush and sultry mix of pop/R&B with a sprinkle of amapiano, then Essilfie is your girl. With a voice that would fit seamlessly into the 1990s era of Jill Scotts and Erykah Badus, Essilfie makes music for the baddies who know their worth and refuse to take shit from anybody. Her music is unapologetic and right in your face. Whether you get it or not, Essilfie is that girl. 

    You should listen to: KroKro Me from her 2022 EP, Tori’s Lounge

    Marince Omario 

    If you’re into no skips trap artistes like Pyscho YP and Don Toliver, then Marince Omario is the Ghanaian rapper you need to have on your playlist. Famous for creating his own genre of music , Marince combines trap, R&B and what sounds like nostalgic high-life, to make the distinct style he describes as “Fu”. With Manrice, you don’t know if you’ll get a club banger or a song to play in the background while you journal. But one thing’s for sure: you’ll have a good time. 

    You should listen to: Ramblers off his 2020 EP, Oblitey, while pre-gaming before a dirty Friday night on the streets. 

    Larruso 

    If Larruso was a Nigerian artiste, he’d be on the radio daily, with earworms you couldn’t possibly avoid even if you wanted to. Blending dancehall with afropop and a certain swagger that’s clearly innate as opposed to acquired, Larruso’s music holds your attention from start to finish. With a tested and trusted discography since his 2019 debut, he’s the captain of his musical ship and wants you to join him on his journey. 

    You should listen to: His 2022 EP, Sounds from the Slums, for the full Larruso experience. 

    ALSO READ: A Ghanaian Helps Us Break Down Lyrics on Black Sherif’s “The Villain I Never Was” Album

    Can you handle the hotness of Zikoko’s women’s only party of the year, HERtitude? Click here to buy your ticket and find out

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  • These 9 Nigerian Songs Would’ve Slapped Harder at King Charles III’s Coronation

    These 9 Nigerian Songs Would’ve Slapped Harder at King Charles III’s Coronation

    King Charles and Queen Camilla’s coronation might’ve come and gone, but everyone is still talking about Tiwa Savage’s performance, particularly her song choice. 

    https://twitter.com/zikokomag/status/1655310815300407297?s=20

    Keys to the Kingdom from Beyoncé’s The Gift is a song about black men remembering they’re kings no matter what, and Tiwa performed it for a white man whose ancestors discussed our slavery over tea and crumpets. And whether she should’ve sang or not is still up for debate. 

    However, if I had to pick Nigerian songs for this coronation, these would be my choices. You’re welcome, Charly Bomboy. 

    Koroba — Tiwa Savage 

    I love me some Tiwa Savage, but she should’ve performed Koroba instead of Keys to the Kingdom. After all, Camilla can totally relate to “I no come this life to suffer. If I follow politician. You go hear am for paper.” While Charles can relate to eating money he didn’t work for. This choice was staring our African bad gyal in the face, for god’s sake. 

    Waymaker — Sinach 

    https://www.youtube.com/watch?v=n4XWfwLHeLM

    Do you think it’s easy to be the heir to the throne for over 60 years while your mother, the Queen, holds on to the last thread of life? This coronation is a thanksgiving service, dear. After all the waiting Charly Bomboy has done, he needs Sinach to lead a full-on worship session, starting with Waymaker

    Terminator — Asake 

    Charles should’ve hit Asake up to perform Terminator at the coronation because when you really look at it, the British people have signed a contract with him that can’t be terminated unless he dies. This will be Charle’s love letter to his people. 

    Dami Duro — Davido 

    Davido was ready to take over the Afrobeats throne when he dropped Dami Duro in 2012. Now, Charly Boy can confidently sing this song about being unstoppable as he occupies the throne and gains access to the billions and stolen jewels of the British monarchy his baba (and mama) olowo passed down to him. 

    RECOMMENDED: The Real 30BG Know These Are the 15 Greatest Davido Songs of ALL Time 

    For Your Case — Teni

    Yes, we all love Princess Diana; after all, she’s our mums’ BFF. But can we get into Charly Bomboy and CamCam’s love story? This man said, “I’d rather become the most hated man in Britain (or a tampon) than end our adulterous affair”. If this isn’t true love and loyalty, I don’t know what it is. No song captures this love like Teni’s For Your Case

    Who’s Your Guy — Spyro 

    Spyro should’ve performed his smash hit because whether the people of Britain like it or not, Charly Bomboy is their guy. He’s the one they’ll have to hail every day. 

    Bumper 2 Bumper — Wande Coal 

    From being the crowned prince for decades to finally becoming king? Just like Wande Coal, Charles’ level has changed. Not quite from Mushin to Mo’Hits; more like from one wing of Windsor Castle to another, but still. You go, boy. 

    All of Us (Ashawo) — Fireboy DML 

    This song will be a special dedication to all the Cha-milla haters. Yes, they cheated on their spouses. Yes, they did Diana dirty. But in the end, we’re all ashawos too, so why are we throwing stones in glass houses? Charles, ashawo. Camilla, ashawo. You, ashawo. Me, ashawo. All of us, ashawo. 

    Kilometre — Burna Boy

    I’m personally surprised Burna Boy didn’t perform at the coronation. The whole “being the only Nigerian to perform at the coronation” thing seems like his vibe. And Kilometre would’ve been the perfect song if he’d been there because Charles has truly seen shege waiting to become king. 

    ALSO READ: These 10 Tiwa Savage Songs Are Also Gospel Songs, Let’s Explain

    Can you handle the hotness of Zikoko’s women’s only party of the year, HERtitude? Click here to buy your ticket and find out

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  • #BumpThis: Sarz Brings Millymay_pod, Gimba and Fxrtune Onboard for the Party-Starting Anthem, “Jam One Kele”

    #BumpThis: Sarz Brings Millymay_pod, Gimba and Fxrtune Onboard for the Party-Starting Anthem, “Jam One Kele”

    If there’s one thing everyone should know by now, it’s Sarz is nobody’s mate. The superstar music producer delivers bangers year after year, proving his incredible chemistry with a wide range of artists — from headliners like Wizkid and Niniola to under-the-radar singers like Lojay and Obongjayar. It doesn’t matter whether you’ve had a hit before or not; with Sarz, you’re guaranteed one. 

    Sarz goes hard alongside Millymay_pod, Gimba and Fxrtune, for his first official single of 2023, Jam One Kele, the lead single off MTLF II — a compilation album by the 15 talents (artists and producers) of The Sarz Academy, Session Three. 

    RECOMMENDED: Lojay’s Monalisa is Better than Da Vinci’s Mona Lisa, Let’s Discuss

    Produced by the trio of Twitchpapii, Bombocat and Oddwave, Jam One Kele leans heavily on Caribbean influences to deliver the perfect summer anthem (if only we had summer in Nigeria for real). Gimba skates over the beat with an unforgettable hook, while Millymay_pod and Fxrtune trade verses that set the stage for a night of slow whining, alcohol and unlimited rocks. 

    While Millymay_pod, Gimba and Fxrtune each carry this song on their back with impeccable delivery, Sarz takes charge as the curator of the track, showcasing his ear for great music and even greater artists — including P.Priime, Tempoe and Dunnie — way before the world takes note of their greatness. 

    Jam One Kele feels like the party starter we’ve all been waiting for. 

    Listen to the track 

    ALSO READ: Sarz’s Biggest Bangers Ranked by Twerkability

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